℗ 2011 harmonia mundi France
| Released | November 8, 2011 |
| Duration | 1h 33m 25s |
| Record Label | harmonia mundi |
| Catalogue No. | 90211314DI |
| Genre | Classical |
Bach: Orchestral Suites
Freiburger Barockorchester
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Suite No. 4 in D Major, BWV 1069
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1.1
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I. Ouverture
Johann Sebastian Bach; Freiburger Barockorchester |
11:26 | |||
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1.2
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II. Bourrées I & II
Johann Sebastian Bach; Freiburger Barockorchester |
2:50 | |||
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1.3
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III. Gavotte
Johann Sebastian Bach; Freiburger Barockorchester |
1:55 | |||
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1.4
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IV. Menuets I & II alternativement
Johann Sebastian Bach; Freiburger Barockorchester |
4:14 | |||
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1.5
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V. Réjouissance
Johann Sebastian Bach; Freiburger Barockorchester |
2:34 | |||
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Suite No. 2 in B Minor, BWV 1067
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1.6
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I. Ouverture
Johann Sebastian Bach; Freiburger Barockorchester |
10:41 | |||
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1.7
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II. Rondeau
Johann Sebastian Bach; Freiburger Barockorchester |
1:28 | |||
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1.8
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III. Sarabande
Johann Sebastian Bach; Freiburger Barockorchester |
2:36 | |||
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1.9
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IV. Bourrées I & II alternativement
Johann Sebastian Bach; Freiburger Barockorchester |
2:04 | |||
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1.10
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V. Polonaise & Double
Johann Sebastian Bach; Freiburger Barockorchester |
3:17 | |||
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1.11
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VI. Menuet
Johann Sebastian Bach; Freiburger Barockorchester |
1:05 | |||
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1.12
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VII. Badinerie
Johann Sebastian Bach; Freiburger Barockorchester |
1:23 | |||
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Suite No. 1 in C Major, BWV 1066
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1.13
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I. Ouverture
Johann Sebastian Bach; Freiburger Barockorchester |
9:17 | |||
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1.14
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II. Courante
Johann Sebastian Bach; Freiburger Barockorchester |
2:18 | |||
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1.15
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III. Gavottes I & II alternativement
Johann Sebastian Bach; Freiburger Barockorchester |
3:13 | |||
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1.16
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IV. Forlane
Johann Sebastian Bach; Freiburger Barockorchester |
1:13 | |||
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1.17
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V. Menuets I & II alternativement
Johann Sebastian Bach; Freiburger Barockorchester |
3:15 | |||
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1.18
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VI. Bourrées I & II alternativement
Johann Sebastian Bach; Freiburger Barockorchester |
2:42 | |||
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1.19
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VII. Passepieds I & II
Johann Sebastian Bach; Freiburger Barockorchester |
3:31 | |||
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Suite No. 3 in D Major, BWV 1068
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1.20
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I. Ouverture
Johann Sebastian Bach; Freiburger Barockorchester |
9:49 | |||
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1.21
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II. Air
Johann Sebastian Bach; Freiburger Barockorchester |
4:37 | |||
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1.22
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III. Gavottes I & II alternativement
Johann Sebastian Bach; Freiburger Barockorchester |
4:00 | |||
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1.23
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IV. Bourrée
Johann Sebastian Bach; Freiburger Barockorchester |
1:10 | |||
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1.24
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V. Gigue
Johann Sebastian Bach; Freiburger Barockorchester |
2:47 | |||
Called ‘Ouvertüren’ in Germany, because they began with a large-scale overture à la française, Bach's Suites for orchestra offer a unique synthesis of the French and the Italian styles. The Leipzig Cantor did not content himself with a mere set of amiable dances for his ‘Collegium Musicum’: he revived the genre in his own manner, accenting the contrasts, refining the orchestration, and introducing a hitherto unknown contrapuntal element. Two centuries later, these admirable orchestral works continue to represent an indispensable treasure of the Baroque.
Dénommées “ouvertures” en Allemagne parce qu'elles débutaient par une ouverture à la française de grande ampleur, les suites pour orchestre de Bach offrent une synthèse unique entre style français et style italien. Le cantor de Leipzig ne se contente pas d'aligner quelques danses aimables pour son “Collegium musicum” : il restaure le genre à sa manière, accentue les contrastes, affine l'instrumentation, apporte une dimension contrapuntique jusque-là inexistante. Deux siècles plus tard, ces admirables pièces d'orchestre font toujours partie des must de l'âge baroque.
44.1 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.23 -12.27 to -0.30 | -25.23 -34.34 to -21.27 | -22.00 -31.10 to -17.90 | 13 10 to 15 | |
| 1 | I. Ouverture | -0.30 | -22.16 | -18.7 | 15 |
| 2 | II. Bourrées I & II | -2.08 | -24.80 | -21.7 | 15 |
| 3 | III. Gavotte | -0.44 | -21.27 | -17.9 | 13 |
| 4 | IV. Menuets I & II alternativement | -6.00 | -25.59 | -21.6 | 12 |
| 5 | V. Réjouissance | -0.30 | -21.95 | -18.5 | 14 |
| 6 | I. Ouverture | -6.91 | -27.31 | -24.5 | 14 |
| 7 | II. Rondeau | -12.27 | -29.74 | -26.8 | 11 |
| 8 | III. Sarabande | -11.55 | -28.37 | -25.6 | 10 |
| 9 | IV. Bourrées I & II alternativement | -8.28 | -26.69 | -23.6 | 12 |
| 10 | V. Polonaise & Double | -5.56 | -25.26 | -22.2 | 12 |
| 11 | VI. Menuet | -9.46 | -26.78 | -24.0 | 12 |
| 12 | VII. Badinerie | -7.20 | -27.09 | -24.1 | 14 |
| 13 | I. Ouverture | -4.26 | -23.71 | -20.5 | 13 |
| 14 | II. Courante | -9.06 | -28.17 | -25.2 | 13 |
| 15 | III. Gavottes I & II alternativement | -4.49 | -24.83 | -21.6 | 13 |
| 16 | IV. Forlane | -5.49 | -23.38 | -20.1 | 13 |
| 17 | V. Menuets I & II alternativement | -5.00 | -26.26 | -22.6 | 13 |
| 18 | VI. Bourrées I & II alternativement | -6.05 | -25.19 | -21.8 | 13 |
| 19 | VII. Passepieds I & II | -5.79 | -24.12 | -20.8 | 12 |
| 20 | I. Ouverture | -0.30 | -22.17 | -18.8 | 15 |
| 21 | II. Air | -12.27 | -34.34 | -31.1 | 13 |
| 22 | III. Gavottes I & II alternativement | -1.89 | -23.08 | -19.7 | 14 |
| 23 | IV. Bourrée | -0.30 | -21.98 | -18.8 | 12 |
| 24 | V. Gigue | -0.30 | -21.31 | -17.9 | 14 |