℗ 2016 Little Tribeca-Les Forces Majeures
Released | April 29, 2016 |
Duration | 1h 12m 53s |
Record Label | Aparté |
Catalogue No. | AP121D |
Genre | Classical (Opera) |
Rossini
Karine Deshayes, Les Forces Majeures, Raphaël Merlin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
La Donna del lago, Atto II, Scena Ultima
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1.1
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Tanti affeti in tal momento
Gioachino Rossini; Karine Deshayes; Les Forces Majeures; Raphaël Merlin |
6:33 | |||
Otello, Atto III, Scena 1
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1.2
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Assisa a piè d'un salice
Gioachino Rossini; Karine Deshayes; Les Forces Majeures; Raphaël Merlin |
7:36 | |||
Otello, Atto III, Scena 2
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1.3
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Deh calma, o ciel
Gioachino Rossini; Karine Deshayes; Les Forces Majeures; Raphaël Merlin |
2:00 | |||
La Cenerentola, Atto II
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1.4
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Temporale
Gioachino Rossini; Les Forces Majeures; Raphaël Merlin |
2:30 | |||
La Cenerentola, Atto II, Scena 3
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1.5
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Nacqui all'affano
Gioachino Rossini; Karine Deshayes; Raphaël Merlin; Les Forces Majeures |
6:45 | |||
1.6
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Nizza
Gioachino Rossini; Karine Deshayes; Les Forces Majeures; Raphaël Merlin |
2:02 | |||
Semiramide, Atto I, Scena 9
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1.7
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Bel raggio lusinghier
Gioachino Rossini; Les Forces Majeures; Raphaël Merlin |
7:50 | |||
1.8
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L'âme délaissée
Gioachino Rossini; Karine Deshayes; Raphaël Merlin; Les Forces Majeures |
4:26 | |||
1.9
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Giovanna d'Arco
Gioachino Rossini; Karine Deshayes; Raphaël Merlin; Les Forces Majeures |
16:01 | |||
Il Barbiere di Siviglia, Atto II
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1.10
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Temporale
Gioachino Rossini; Karine Deshayes; Les Forces Majeures; Raphaël Merlin |
2:52 | |||
Il Barbiere di Siviglia, Atto I, Scena 5
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1.11
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Una voce poco fa
Gioachino Rossini; Karine Deshayes; Raphaël Merlin; Les Forces Majeures |
6:05 | |||
Il Barbiere di Siviglia, Atto II, Scena 3
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1.12
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Contro un cor
Gioachino Rossini; Karine Deshayes; Les Forces Majeures; Raphaël Merlin |
4:43 | |||
1.13
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Canzonetta spagnuola
Gioachino Rossini; Karine Deshayes; Les Forces Majeures; Raphaël Merlin |
3:30 | |||
Digital Booklet
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"Deshayes is a mezzo of the modern kind, which is to say light and clean, with a quick, tight vibrato, splendid breath control, and marvelously fleet coloratura. She is perfect for the many Rossini roles that were written for mezzo—roles sung, just a few decades ago, by Marilyn Horne and Cecilia Bartoli. Deshayes has her own vocal personality: her low notes do not bloom as Horne’s did, and she rarely bites into the words as Bartoli does. Instead, she focuses on etching the vocal line with all the nuances of a great instrumentalist."
- Opera Today
Recognized as one of the greatest Rossini singers on the international opera scene, it's no surprise that mezzo-soprano Karine Deshayes would devote her debut solo album to the composer. Featuring excerpts from some of his most beautiful works, the programme traces the different stages of Rossini’s life and career. Deshayes is accompanied by Raphaël Merlin, cellist of the Ébène Quartet, at the head of Les Forces Majeures, a collective bringing together musicians from prestigious chamber ensembles and top-flight orchestras.
96 kHz / 24-bit PCM – Aparté Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.00 -5.51 to -0.30 | -24.51 -29.06 to -19.29 | -19.20 -24.30 to -14.50 | 14 12 to 18 | |
1 | Tanti affeti in tal momento | -0.30 | -22.29 | -16.9 | 14 |
2 | Assisa a piè d'un salice | -0.30 | -29.06 | -24.3 | 18 |
3 | Deh calma, o ciel | -5.51 | -28.06 | -23.9 | 12 |
4 | Temporale | -0.30 | -19.29 | -14.5 | 12 |
5 | Nacqui all'affano | -0.30 | -22.18 | -16.0 | 13 |
6 | Nizza | -0.30 | -22.76 | -18.0 | 15 |
7 | Bel raggio lusinghier | -0.30 | -23.76 | -19.0 | 15 |
8 | L'âme délaissée | -0.30 | -25.84 | -20.6 | 16 |
9 | Giovanna d'Arco | -0.30 | -24.96 | -19.3 | 16 |
10 | Temporale | -4.13 | -26.22 | -19.4 | 13 |
11 | Una voce poco fa | -0.30 | -24.30 | -18.3 | 15 |
12 | Contro un cor | -0.30 | -25.17 | -19.2 | 14 |
13 | Canzonetta spagnuola | -0.30 | -24.77 | -20.2 | 14 |