℗ 2017 harmonia mundi
Released | June 9, 2017 |
Duration | 1h 10m 23s |
Record Label | harmonia mundi |
Catalogue No. | 5284DIDI |
Genre | Classical (Specific choral) |
Archbishop Parker’s Psalter
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1.1
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I. Man Blest No Doubt
Thomas Tallis; ORA; Suzi Digby |
1:01 | |||
1.2
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II. Let God Arise
Thomas Tallis; ORA; Suzi Digby |
0:54 | |||
1.3
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O sacrum convivium
Thomas Tallis; ORA; Suzi Digby |
3:24 | |||
Three New Motets
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1.4
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II. O sacrum convivium
Steven Stucky; ORA; Suzi Digby |
3:03 | |||
1.5
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If ye love me
Thomas Tallis; ORA; Suzi Digby |
1:56 | |||
1.6
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Reflection on Thomas Tallis’ If Ye Love Me
Frank Ferko; ORA; Suzi Digby |
2:36 | |||
Archbishop Parker’s Psalter
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1.7
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III. Why Fum’th in Sight
Thomas Tallis; ORA; Suzi Digby |
0:58 | |||
1.8
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IV. O Come in One to Praise the Lord
Thomas Tallis; ORA; Suzi Digby |
1:09 | |||
1.9
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Videte Miraculum (Vespers respond)
Thomas Tallis; ORA; Suzi Digby |
9:52 | |||
1.10
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Videte miraculum
Richard Allain; ORA; Suzi Digby |
10:35 | |||
1.11
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Loquebantur
Thomas Tallis; ORA; Suzi Digby |
4:00 | |||
1.12
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Many are the Wonders
Ken Burton; ORA; Suzi Digby |
4:43 | |||
1.13
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V. E’en Like the Hunted Hind
Thomas Tallis; ORA; Suzi Digby |
1:00 | |||
1.14
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VI. Expend, O Lord, my Plaint
Thomas Tallis; ORA; Suzi Digby |
1:16 | |||
1.15
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O nata lux
Thomas Tallis; ORA; Suzi Digby |
1:56 | |||
1.16
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O Light of Light
Harry Escott; ORA; Suzi Digby |
2:30 | |||
1.17
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Te lucis ante terminum
Thomas Tallis; ORA; Suzi Digby |
2:02 | |||
1.18
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Night Prayer
Alex Roth; ORA; Lucy Cox; Suzi Digby |
3:02 | |||
1.19
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VII. Why Brag’st in Malice High
Thomas Tallis; ORA; Suzi Digby |
0:46 | |||
1.20
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VIII. God Grant with Grace
Thomas Tallis; ORA; Suzi Digby |
1:12 | |||
1.21
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Archbishop Parker's Psalm 150
Kerry Andrew; ORA; Suzi Digby |
4:19 | |||
1.22
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Ordinal. Come Holy Ghost
Thomas Tallis; ORA; Suzi Digby |
0:37 | |||
1.23
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Tallis Canon
Robert Chilcott; ORA; Suzi Digby |
2:32 | |||
1.24
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Appendix. Why Fum’th in Sight
Thomas Tallis; ORA; Suzi Digby |
5:00 |
The opening years of the twenty-first century can justifiably lay claim to being a new golden age for choral music. I wanted to embark on a series of recordings to reflect this and to showcase some of today’s best contemporary composers, placing their works in direct relief with masterpieces from previous ages. This recording, the second in our ‘Renaissance gems and their reflections’ series, looks at the music of Thomas Tallis, and we are delighted to have commissioned a number of talented composers to offer their personal reflections on his works. I hope that these new pieces, like Tallis’ originals, will find their way into the repertoire of other vocal groups, delighting audiences both now and in the future.
– Suzi Digby OBE
Le début du XXIe siècle peut véritablement être qualifié de nouvel âge d’or de la musique chorale. Afin de refléter cette tendance et pour mettre en valeur les compositeurs contemporains, j’ai souhaité réaliser une série d’enregistrements qui juxtaposerait leur inspiration et les chefs-d’œuvre du passé. Pour ce deuxième volet de notre série “Joyaux de la Renaissance et d’aujourd’hui”, consacré à Thomas Tallis, nous avons demandé à plusieurs compositeurs de talent de nous proposer leurs réflexions musicales sur les œuvres de ce grand musicien. J’espère que ce nouveau répertoire, à l’instar des compositions originales qui l’ont inspiré, trouvera sa place dans les programmes d’autres ensembles vocaux pour enchanter les publics d’aujourd’hui et de demain.
– Suzi Digby OBE
44.1 kHz / 24-bit PCM – harmonia mundi Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.70 -12.34 to -0.04 | -26.68 -33.26 to -20.60 | -22.66 -29.20 to -16.60 | 12 10 to 13 | |
1 | I. Man Blest No Doubt | -3.39 | -25.29 | -21.5 | 13 |
2 | II. Let God Arise | -6.89 | -26.60 | -22.5 | 12 |
3 | O sacrum convivium | -6.01 | -28.15 | -24.9 | 13 |
4 | II. O sacrum convivium | -1.26 | -25.67 | -18.7 | 13 |
5 | If ye love me | -12.07 | -30.71 | -27.5 | 11 |
6 | Reflection on Thomas Tallis’ If Ye Love Me | -4.23 | -23.97 | -19.7 | 11 |
7 | III. Why Fum’th in Sight | -4.45 | -24.67 | -20.9 | 12 |
8 | IV. O Come in One to Praise the Lord | -8.49 | -27.49 | -23.8 | 12 |
9 | Videte Miraculum (Vespers respond) | -3.24 | -24.20 | -20.7 | 13 |
10 | Videte miraculum | -0.04 | -20.60 | -17.1 | 13 |
11 | Loquebantur | -2.56 | -23.07 | -18.9 | 13 |
12 | Many are the Wonders | -0.49 | -21.63 | -16.6 | 13 |
13 | V. E’en Like the Hunted Hind | -5.88 | -25.44 | -21.6 | 11 |
14 | VI. Expend, O Lord, my Plaint | -10.46 | -30.29 | -26.4 | 13 |
15 | O nata lux | -3.75 | -28.60 | -24.7 | 13 |
16 | O Light of Light | -1.24 | -22.93 | -18.9 | 11 |
17 | Te lucis ante terminum | -12.34 | -33.26 | -29.2 | 12 |
18 | Night Prayer | -8.28 | -29.59 | -25.2 | 12 |
19 | VII. Why Brag’st in Malice High | -6.57 | -26.34 | -22.5 | 12 |
20 | VIII. God Grant with Grace | -11.94 | -32.20 | -28.8 | 11 |
21 | Archbishop Parker's Psalm 150 | -0.32 | -23.82 | -19.8 | 13 |
22 | Ordinal. Come Holy Ghost | -7.51 | -28.35 | -24.3 | 10 |
23 | Tallis Canon | -7.37 | -28.11 | -24.3 | 12 |
24 | Appendix. Why Fum’th in Sight | -7.96 | -29.32 | -25.4 | 13 |