℗ 2015 Mirare
| Released | September 3, 2015 |
| Duration | 57m 58s |
| Record Label | Mirare |
| Catalogue No. | MIR240D |
| Genre | Classical |
Schubert: Des fragments aux étoiles
Shani Diluka
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Valse sentimentale No. 13, D. 779, Op. 50
Franz Schubert; Shani Diluka |
1:13 | |||
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1.2
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Deutsche Tänze No. 5, D. 783, Op. 33
Franz Schubert; Shani Diluka |
0:40 | |||
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1.3
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Valse No; 2, D. 145, Op.18
Franz Schubert; Shani Diluka |
0:43 | |||
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1.4
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Valse No. 8, D. 145, Op. 18
Franz Schubert; Shani Diluka |
0:46 | |||
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1.5
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Deutsche Tänze No. 14 & No. 15, D. 783, Op. 33
Franz Schubert; Shani Diluka |
1:22 | |||
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1.6
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Deutsche tänze No. 5, D. 790, Op. 171
Franz Schubert; Shani Diluka |
1:24 | |||
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1.7
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Valse noble No. 10, D. 969, Op. 77
Franz Schubert; Shani Diluka |
0:43 | |||
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1.8
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Originaltänze, No. 1, D. 365, Op. 9 (Erste Walzer)
Franz Schubert; Shani Diluka |
0:45 | |||
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1.9
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Deutsche Tänze No. 3 & No. 4, D. 366
Franz Schubert; Shani Diluka |
1:33 | |||
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1.10
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Deutsche Tänze No. 11, D. 790, Op. 171
Franz Schubert; Shani Diluka |
0:49 | |||
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1.11
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Deutsche Tänze No. 3, D. 790, Op. 171
Franz Schubert; Shani Diluka |
0:46 | |||
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1.12
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Trauerwalzer No. 2, D. 365, Op. 9
Franz Schubert; Shani Diluka |
0:44 | |||
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1.13
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Valse No; 10, D. 783, Op. 33
Franz Schubert; Shani Diluka |
1:19 | |||
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1.14
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Mélodie hongroise, D. 817, Op. 120
Franz Schubert; Shani Diluka |
3:18 | |||
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Sonate en Si Bémol Majeur, D. 960
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1.15
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I. Molto moderato
Franz Schubert; Shani Diluka |
19:38 | |||
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1.16
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II. Andante sostenuto
Franz Schubert; Shani Diluka |
10:08 | |||
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1.17
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III. Scherzo. Allegro vivace con delicatezza
Franz Schubert; Shani Diluka |
4:06 | |||
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1.18
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IV. Allegro ma non troppo
Franz Schubert; Shani Diluka |
8:01 | |||
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Digital Booklet
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"We marvel at her dynamic palette, and ability to do so much with so little."
- Gramophone
"The pastel shades that she uses allow her the expressive shrieks of the intermediate voices gracefully.The resonances of the chords, by a careful pedal game enrich the diaphanous and poetic atmosphere (...) William Blake would have probably liked this Schubertian exploration, he who wanted "in an hour to hold the Eternity."
- Diapason
Exploring the quintessence of folklore essential to his heart, by the shape of the Ländler and waltzes too little known, until the last notes of the Sonata in B Flat at the dawn of his death, Schubert takes us from the language most simple to the deepest paths of the soul. We could not dream a better interpreter than Shani Diluka to guide us through these works and offer us an interpretation between shadow and light, touching the mystery of the invisible as Novalis said, and which can be found in these most beautiful pages of the Viennese composer.
44.1 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.74 -13.40 to -2.15 | -30.17 -33.72 to -24.50 | -26.39 -29.60 to -20.80 | 12 10 to 15 | |
| 1 | Valse sentimentale No. 13, D. 779, Op. 50 | -10.48 | -30.74 | -27.0 | 12 |
| 2 | Deutsche Tänze No. 5, D. 783, Op. 33 | -8.25 | -28.35 | -24.5 | 11 |
| 3 | Valse No; 2, D. 145, Op.18 | -10.70 | -30.94 | -27.5 | 12 |
| 4 | Valse No. 8, D. 145, Op. 18 | -12.19 | -32.95 | -29.5 | 10 |
| 5 | Deutsche Tänze No. 14 & No. 15, D. 783, Op. 33 | -6.51 | -27.82 | -23.5 | 12 |
| 6 | Deutsche tänze No. 5, D. 790, Op. 171 | -7.56 | -32.64 | -28.2 | 14 |
| 7 | Valse noble No. 10, D. 969, Op. 77 | -12.95 | -32.29 | -28.7 | 11 |
| 8 | Originaltänze, No. 1, D. 365, Op. 9 (Erste Walzer) | -9.69 | -31.40 | -27.5 | 12 |
| 9 | Deutsche Tänze No. 3 & No. 4, D. 366 | -9.02 | -30.66 | -27.1 | 13 |
| 10 | Deutsche Tänze No. 11, D. 790, Op. 171 | -12.41 | -32.12 | -28.7 | 11 |
| 11 | Deutsche Tänze No. 3, D. 790, Op. 171 | -13.40 | -32.95 | -29.1 | 12 |
| 12 | Trauerwalzer No. 2, D. 365, Op. 9 | -11.31 | -30.12 | -26.5 | 10 |
| 13 | Valse No; 10, D. 783, Op. 33 | -9.42 | -30.53 | -26.4 | 12 |
| 14 | Mélodie hongroise, D. 817, Op. 120 | -6.14 | -26.31 | -22.8 | 12 |
| 15 | I. Molto moderato | -2.15 | -28.15 | -24.2 | 15 |
| 16 | II. Andante sostenuto | -8.23 | -33.72 | -29.6 | 15 |
| 17 | III. Scherzo. Allegro vivace con delicatezza | -4.56 | -26.88 | -23.4 | 14 |
| 18 | IV. Allegro ma non troppo | -2.32 | -24.50 | -20.8 | 14 |