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Brahms & Hindemith: Clarinet Quintets

Raphaël Sévère, Pražák Quartet

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Clarinet Quintet in B Minor, Op. 115  
1.1
I. Allegro
Johannes Brahms; Raphaël Sévère; Pražák Quartet
13:29
1.2
II. Adagio
Johannes Brahms; Raphaël Sévère; Pražák Quartet
10:29
1.3
III. Andantino
Johannes Brahms; Raphaël Sévère; Pražák Quartet
4:28
1.4
IV. Con moto
Johannes Brahms; Raphaël Sévère; Pražák Quartet
9:21
Clarinet Quintet, Op. 30  
1.5
I. Sehr lebhaft
Paul Hindemith; Raphaël Sévère; Pražák Quartet
2:12
1.6
II. Ruhig
Paul Hindemith; Raphaël Sévère; Pražák Quartet
6:35
1.7
III. Schneller Ländler
Paul Hindemith; Raphaël Sévère; Pražák Quartet
5:42
1.8
IV. Arioso. Sehr ruhig
Paul Hindemith; Raphaël Sévère; Pražák Quartet
2:55
1.9
V. Sehr lebhaft, wie im ersten Satz
Paul Hindemith; Raphaël Sévère; Pražák Quartet
2:19
Total Playing Time    57:30
Raphaël Sévère et le Quatuor Pražák se réunissent autour de deux pièces maitresse de la musique de chambre pour Clarinette. Les quintettes de Brahms et Hindemith se font face. Ce qui sépare le quintette pour clarinette de Brahms du quintette pour clarinette de Hindemith, ce ne sont pas seulement trente années ; ce ne sont pas seulement deux tempéraments d’artistes, ni deux conceptions différentes, ni deux esthétiques distinctes. Ce qui les sépare c’est un monde : le monde d’hier et le monde d’après. Le monde de l’harmonie établie et le monde du désordre institué. Le monde apollinien de Brahms où la nostalgie est radieuse et le sourire mêlé de larmes ; le monde dionysiaque de Hindemith où se multiplient les ruptures, où les repères s’effacent et se réinventent, déboussolant l’individu. A ce que Musil appela la Cacanie (comme k-k : kaiserlich und königlich) a succédé l’inquiétant univers du Terrier de Kafka.
96 kHz / 24-bit PCM – Mirare Studio Masters

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