℗ 2017 Mirare
| Released | March 3, 2017 |
| Duration | 1h 15m 31s |
| Record Label | Mirare |
| Catalogue No. | MIR321D |
| Genre | Classical (Sonata for keyboard, violin, etc) |
Beethoven: Piano Sonatas
Rémi Geniet
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Sonata No. 2 in A Major, Op. 2/2
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1.1
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I. Allegro vivace
Ludwig van Beethoven; Rémi Geniet |
7:09 | |||
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1.2
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II. Largo appassionato
Ludwig van Beethoven; Rémi Geniet |
8:17 | |||
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1.3
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III. Scherzo. Allegretto
Ludwig van Beethoven; Rémi Geniet |
3:39 | |||
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1.4
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IV. Rondo. Grazioso
Ludwig van Beethoven; Rémi Geniet |
6:39 | |||
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Piano Sonata No. 9 in E Major, Op. 14/1
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1.5
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I. Allegro
Ludwig van Beethoven; Rémi Geniet |
6:22 | |||
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1.6
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II. Allegretto
Ludwig van Beethoven; Rémi Geniet |
3:38 | |||
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1.7
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III. Rondo. Allegro comodo
Ludwig van Beethoven; Rémi Geniet |
3:25 | |||
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Piano Sonata No. 14 in C-Sharp Minor, Op. 27/2
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1.8
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I. Adagio sostenuto
Ludwig van Beethoven; Rémi Geniet |
5:32 | |||
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1.9
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II. Allegretto
Ludwig van Beethoven; Rémi Geniet |
2:41 | |||
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1.10
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III. Presto agitato
Ludwig van Beethoven; Rémi Geniet |
7:09 | |||
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Piano Sonata No. 31 in A-Flat Major, Op. 110
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1.11
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I. Moderato cantabile molto espressivo
Ludwig van Beethoven; Rémi Geniet |
6:41 | |||
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1.12
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II. Scherzo. Allegro molto
Ludwig van Beethoven; Rémi Geniet |
2:22 | |||
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1.13
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III. Adagio ma non troppo - Fuga. Allegro ma non troppo
Ludwig van Beethoven; Rémi Geniet |
11:57 | |||
With this programme of four sonatas, the young pianist Rémi Géniet presents a highly judicious selection that enables listeners to enter the exceptional world of Beethoven’s thirty-two piano sonatas, which Hans von Bülow described as the ‘New Testament’ for pianists, the ‘Old Testament’ being Bach’s Well-Tempered Clavier.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.22 -7.72 to -0.02 | -23.31 -31.66 to -18.25 | -19.88 -29.00 to -15.20 | 13 11 to 16 | |
| 1 | I. Allegro vivace | -0.58 | -21.24 | -18.0 | 13 |
| 2 | II. Largo appassionato | -0.02 | -25.44 | -21.1 | 16 |
| 3 | III. Scherzo. Allegretto | -0.71 | -22.86 | -19.5 | 14 |
| 4 | IV. Rondo. Grazioso | -0.41 | -20.35 | -17.0 | 12 |
| 5 | I. Allegro | -0.59 | -22.47 | -19.3 | 13 |
| 6 | II. Allegretto | -5.65 | -27.50 | -24.1 | 14 |
| 7 | III. Rondo. Allegro comodo | -0.54 | -20.67 | -17.0 | 11 |
| 8 | I. Adagio sostenuto | -7.72 | -31.66 | -29.0 | 15 |
| 9 | II. Allegretto | -5.71 | -25.68 | -22.9 | 12 |
| 10 | III. Presto agitato | 0.00 | -18.25 | -15.2 | 11 |
| 11 | I. Moderato cantabile molto espressivo | 0.00 | -23.49 | -20.0 | 13 |
| 12 | II. Scherzo. Allegro molto | -0.26 | -20.47 | -17.0 | 13 |
| 13 | III. Adagio ma non troppo - Fuga. Allegro ma non troppo | 0.00 | -22.96 | -18.4 | 14 |