℗ 2019 Solo Musica
Released | January 11, 2019 |
Duration | 48m 40s |
Record Label | Solo Musica |
Catalogue No. | SM300 |
Genre | Classical (Art Song) |
Spectrum
Lini Gong, Mariana Popova
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
Tierverse
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1.1
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No. 1, Der Adler
Paul Dessau; Lini Gong; Mariana Popova |
1:23 | |||
4 Winzige Wunderhorn Lieder, Op. 9b
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1.2
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No. 1, Maikäfer-Lied
Ilse Fromm Michaels; Lini Gong; Mariana Popova |
2:06 | |||
1.3
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No. 2, Geh, du schwarze Amsel
Ilse Fromm Michaels; Lini Gong; Mariana Popova |
0:58 | |||
1.4
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No. 3, Der Sperling
Ilse Fromm Michaels; Lini Gong; Mariana Popova |
1:29 | |||
1.5
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No. 4, Der Butzemann
Ilse Fromm Michaels; Lini Gong; Mariana Popova |
1:09 | |||
6 Gesänge, Op. 19a
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1.6
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No. 4, Neue Liebe, MWV K70
Felix Mendelssohn; Lini Gong; Mariana Popova |
1:59 | |||
1.7
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Auf stillem Meer
Ruta Paidere; Lini Gong; Mariana Popova |
4:01 | |||
10 Lieder, Op. 1
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1.8
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No. 2, Frühlingslied
Theodor Kirchner; Lini Gong; Mariana Popova |
1:32 | |||
3 Lieder nach Gedichten von Christian Morgenstern
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1.9
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No. 1, Vöglein Schwermut
Elmer Lampson; Lini Gong; Mariana Popova |
2:23 | |||
1.10
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No. 2, So möcht ich sterben...
Elmer Lampson; Lini Gong; Mariana Popova |
3:53 | |||
1.11
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No. 3, Der Vogel
Elmer Lampson; Lini Gong; Mariana Popova |
1:40 | |||
6 Lieder, Op. 1
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1.12
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No. 3, Warum sind denn die Rosen so blass
Fanny Mendelssohn-Hensel; Lini Gong; Mariana Popova |
1:49 | |||
Chinesische Liebeslieder
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1.13
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No. 1, Mir tat die Helligkeit der Lampe weh
Rolf Liebermann; Lini Gong; Mariana Popova |
1:34 | |||
1.14
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No. 2, Der Strom floß
Rolf Liebermann; Lini Gong; Mariana Popova |
1:45 | |||
1.15
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No. 3, Wenn ich an deinem Munde hingesunken
Rolf Liebermann; Lini Gong; Mariana Popova |
1:13 | |||
1.16
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No. 4, Die Libelle schwebt zitternd
Rolf Liebermann; Lini Gong; Mariana Popova |
0:45 | |||
Lieder und Gesänge aus der Jugendzeit, Book 1
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1.17
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No. 1, Frühlingsmorgen
Gustav Mahler; Lini Gong; Mariana Popova |
1:55 | |||
1.18
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Nach dem Lichtverzicht
Peter Ruzicka; Lini Gong; Mariana Popova |
1:38 | |||
3 Songs, Op. 24
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1.19
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No. 1, Der Perlenzahn
Berthold Goldschmidt; Lini Gong; Mariana Popova |
0:52 | |||
1.20
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No. 2, Der römische Brunnen
Berthold Goldschmidt; Lini Gong; Mariana Popova |
0:44 | |||
1.21
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No. 3, Der Schmetterling
Berthold Goldschmidt; Lini Gong; Mariana Popova |
1:56 | |||
4 Gesänge, Op. 70
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1.22
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No. 2, Lerchengesang
Johannes Brahms; Lini Gong; Mariana Popova |
1:57 | |||
12 Haikus
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1.23
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No. 5, Garten und Berge - No. 6, The Larks' Song - No. 7, Gardens and Mountains
Hans Werner Hagen; Lini Gong; Mariana Popova |
3:04 | |||
1.24
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Helle Nacht
Paul Dessau; Lini Gong; Mariana Popova |
3:01 | |||
1.25
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Der Sommer
György Ligeti; Lini Gong; Mariana Popova |
3:09 | |||
Tierverse
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1.26
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No. 2, Der Rabe
Paul Dessau; Lini Gong; Mariana Popova |
0:45 | |||
Digital Booklet
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For some years now, Hamburg has been reinventing itself as a city of music. The recently opened Elbphilharmonie – the spectacular concert house on the river Elbe – is one of the factors in this development. As is the KomponistenQuartier (composers' quarter) in the Neustadt district between Rödingsmarkt and St. Pauli, with no fewer than half a dozen small museums dedicated to composers such as Fanny and Felix Mendelssohn, Johannes Brahms and Gustav Mahler. All of these composers feature on this present Hamburg album, as well as a number of composers, male and female, who all wrote noteworthy miniatures for voice and piano. Mariana Popova was responsible for bringing together these 28 compositions and merging them into a dramatic entity – compositions that together result in a very personal, stylistically multi-facetted Hamburg album (including many worldwide first performances). This is a Hamburg album by two women who have chosen Hamburg as their home: Chinese-born Lini Gong and Bulgarian-born Mariana Popova both feel a close bond with the musical life and musical history of Hamburg. As the duo explain: “We consciously bring together musical languages from three centuries and play about with contrasts and with tone colours, in fact with the entire rich spectrum of the art song genre – a genre that we love very much.”
88.2 kHz / 24-bit PCM – Solo Musica Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.38 -6.01 to -0.94 | -25.32 -30.54 to -21.25 | -20.53 -25.10 to -16.60 | 13 10 to 16 | |
1 | No. 1, Der Adler | -3.97 | -26.75 | -22.1 | 15 |
2 | No. 1, Maikäfer-Lied | -3.65 | -24.95 | -21.3 | 12 |
3 | No. 2, Geh, du schwarze Amsel | -4.32 | -29.45 | -22.9 | 14 |
4 | No. 3, Der Sperling | -6.01 | -28.80 | -24.7 | 15 |
5 | No. 4, Der Butzemann | -3.98 | -22.78 | -19.2 | 12 |
6 | No. 4, Neue Liebe, MWV K70 | -1.88 | -22.77 | -19.1 | 13 |
7 | Auf stillem Meer | -2.99 | -24.44 | -17.8 | 11 |
8 | No. 2, Frühlingslied | -4.88 | -28.18 | -24.6 | 13 |
9 | No. 1, Vöglein Schwermut | -1.37 | -23.20 | -18.5 | 12 |
10 | No. 2, So möcht ich sterben... | -3.79 | -28.28 | -21.7 | 14 |
11 | No. 3, Der Vogel | -2.59 | -25.05 | -17.7 | 11 |
12 | No. 3, Warum sind denn die Rosen so blass | -2.19 | -23.21 | -19.8 | 13 |
13 | No. 1, Mir tat die Helligkeit der Lampe weh | -4.35 | -30.54 | -25.1 | 12 |
14 | No. 2, Der Strom floß | -5.08 | -27.05 | -21.9 | 13 |
15 | No. 3, Wenn ich an deinem Munde hingesunken | -2.34 | -21.29 | -16.6 | 11 |
16 | No. 4, Die Libelle schwebt zitternd | -4.54 | -28.70 | -23.0 | 12 |
17 | No. 1, Frühlingsmorgen | -3.85 | -24.13 | -20.5 | 13 |
18 | Nach dem Lichtverzicht | -1.27 | -22.56 | -17.1 | 13 |
19 | No. 1, Der Perlenzahn | -1.48 | -21.25 | -17.0 | 10 |
20 | No. 2, Der römische Brunnen | -2.35 | -22.61 | -18.2 | 13 |
21 | No. 3, Der Schmetterling | -3.06 | -23.27 | -19.1 | 12 |
22 | No. 2, Lerchengesang | -5.41 | -26.50 | -22.3 | 13 |
23 | No. 5, Garten und Berge - No. 6, The Larks' Song - No. 7, Gardens and Mountains | -3.57 | -24.82 | -20.1 | 13 |
24 | Helle Nacht | -5.13 | -26.80 | -21.8 | 13 |
25 | Der Sommer | -0.94 | -27.21 | -22.3 | 16 |
26 | No. 2, Der Rabe | -2.96 | -23.76 | -19.4 | 13 |