℗ 2019 Oehms Classics
| Released | January 11, 2019 |
| Duration | 1h 07m 11s |
| Record Label | Oehms Classics |
| Catalogue No. | OC1702 |
| Genre | Classical (Solo Instrumental) |
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The Bells
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1.1
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T 442
William Byrd; Friederike Chylek |
5:34 | |||
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1.2
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Monsieur's Alman No. 1
William Byrd; Friederike Chylek |
4:08 | |||
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Rowland, "Lord Willoughby's Welcome home" (from The Fitzwilliam Virginal Book)
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1.3
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Lord Willoughby's Welcome Home
John Dowland; Friederike Chylek |
2:15 | |||
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Praeludium in G Minor (Musica Britannica, Vol. 27, No. 1)
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1.4
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Prelude in G Minor, T 515
William Byrd; Friederike Chylek |
0:45 | |||
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1.5
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Piper's Pavan, P. 8 (Arr. for Harpsichord)
Anonymous; John Dowland; Friederike Chylek |
3:25 | |||
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1.6
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Captain Digorie Piper's Galliard, P. 19 (Arr. for Harpsichord)
Anonymous; John Dowland; Friederike Chylek |
1:34 | |||
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The First Booke of Songes
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1.7
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No. 4, If My Complaints (Attrib. William Byrd / Arr. for Harpsichord)
Anonymous; John Dowland; Friederike Chylek |
1:40 | |||
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1.8
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Monsieur's Alman No. 2
William Byrd; Friederike Chylek |
6:58 | |||
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Melothesia, Suite No. 4 in D Major
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1.9
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I. Prelude
Matthew Locke; Friederike Chylek |
0:41 | |||
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1.10
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II. Almain
Matthew Locke; Friederike Chylek |
2:13 | |||
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1.11
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III. Corant
Matthew Locke; Friederike Chylek |
0:59 | |||
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1.12
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IV. Saraband
Matthew Locke; Friederike Chylek |
0:57 | |||
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1.13
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V. Rant
Matthew Locke; Friederike Chylek |
1:12 | |||
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Musick's Hand-maid
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1.14
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No. 48, Symphony
William Lawes; Friederike Chylek |
1:36 | |||
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1.15
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No. 49, Saraband in G Minor
William Lawes; Friederike Chylek |
0:41 | |||
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A Choice Collection of Lessons, Suite No. 7 in D Minor, Z. 668
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1.16
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I. Almand. Very Slow
Henry Purcell; Friederike Chylek |
3:35 | |||
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1.17
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II. Corant. Andante
Henry Purcell; Friederike Chylek |
1:20 | |||
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1.18
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III. Hornpipe. Allegretto
Henry Purcell; Friederike Chylek |
0:45 | |||
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Pavan & Galliard, T 499
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1.19
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No. 1, Pavan "Bray"
William Byrd; Friederike Chylek |
4:11 | |||
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1.20
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No. 2, Galliard
William Byrd; Friederike Chylek |
1:35 | |||
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1.21
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Fantasia No. 2 in C Major (Musica Britannica, Vol. 27, No. 25)
William Byrd; Friederike Chylek |
5:49 | |||
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1.22
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The Fairest Nimphs
Orlando Gibbons; Friederike Chylek |
1:54 | |||
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Piper's Galliard No. 1
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1.23
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Captain Digorie Piper His Galliard (Arr. J. Bull for Harpsichord / 1)
John Bull; Friederike Chylek |
2:33 | |||
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Piper's Galliard No. 2
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1.24
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Captain Digorie Piper His Galliard (Arr. J. Bull for Harpsichord / 2)
John Bull; Friederike Chylek |
3:16 | |||
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1.25
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Alman
Thomas Morley; Friederike Chylek |
1:27 | |||
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1.26
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Hornpipe
William Byrd; Friederike Chylek |
6:08 | |||
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Digital Booklet
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William Byrd’s oeuvre stands out above all by virtue of the diversity of its genres and structural principles. This is clear particularly in his exceptional keyboard music. The influence Byrd exerted on the continental development of clavier music is also remarkable. With Hornpipe, this program of keyboard works from Friederike Chylek finally ends, the key element of which is William Byrd’s oeuvre. From Byrd to Byrd! Friederike Chylek was born in Starnberg near Munich. She studied harpsichord at the Schola Cantorum Basiliensis in Basel. Her concert work has taken her to several countries in Europe and she has performed at festivals and recital series such as The Musical Summer in Loisachtal and ‘Les Gouts Reunis’ in Lausanne. Her main interest lies in English keyboard music of the sixteenth and seventeenth centuries.
48 kHz / 24-bit PCM – Oehms Classics Studio Masters
Tracks 1-26 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1-26 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.71 -16.35 to -8.86 | -29.13 -32.95 to -26.83 | -25.67 -29.60 to -22.60 | 12 11 to 13 | |
| 1 | T 442 | -10.11 | -27.66 | -24.3 | 12 |
| 2 | Monsieur's Alman No. 1 | -10.63 | -29.27 | -26.2 | 13 |
| 3 | Lord Willoughby's Welcome Home | -10.31 | -27.64 | -24.2 | 12 |
| 4 | Prelude in G Minor, T 515 | -12.88 | -30.66 | -26.6 | 11 |
| 5 | Piper's Pavan, P. 8 (Arr. for Harpsichord) | -12.18 | -29.93 | -26.8 | 12 |
| 6 | Captain Digorie Piper's Galliard, P. 19 (Arr. for Harpsichord) | -16.35 | -32.95 | -29.6 | 12 |
| 7 | No. 4, If My Complaints (Attrib. William Byrd / Arr. for Harpsichord) | -11.35 | -28.87 | -25.2 | 11 |
| 8 | Monsieur's Alman No. 2 | -9.46 | -27.69 | -24.3 | 12 |
| 9 | I. Prelude | -12.96 | -30.89 | -27.2 | 12 |
| 10 | II. Almain | -13.46 | -30.26 | -26.9 | 12 |
| 11 | III. Corant | -11.21 | -28.03 | -24.5 | 11 |
| 12 | IV. Saraband | -12.47 | -29.94 | -26.6 | 12 |
| 13 | V. Rant | -12.99 | -30.14 | -26.5 | 11 |
| 14 | No. 48, Symphony | -13.11 | -30.39 | -27.2 | 11 |
| 15 | No. 49, Saraband in G Minor | -12.21 | -28.80 | -24.9 | 11 |
| 16 | I. Almand. Very Slow | -11.99 | -29.78 | -26.7 | 12 |
| 17 | II. Corant. Andante | -10.80 | -27.67 | -24.2 | 12 |
| 18 | III. Hornpipe. Allegretto | -10.10 | -26.98 | -22.6 | 11 |
| 19 | No. 1, Pavan "Bray" | -11.93 | -29.22 | -26.1 | 11 |
| 20 | No. 2, Galliard | -8.86 | -26.83 | -23.3 | 12 |
| 21 | Fantasia No. 2 in C Major (Musica Britannica, Vol. 27, No. 25) | -11.08 | -28.88 | -25.7 | 12 |
| 22 | The Fairest Nimphs | -15.19 | -32.65 | -28.9 | 11 |
| 23 | Captain Digorie Piper His Galliard (Arr. J. Bull for Harpsichord / 1) | -9.46 | -28.26 | -25.0 | 13 |
| 24 | Captain Digorie Piper His Galliard (Arr. J. Bull for Harpsichord / 2) | -10.36 | -27.39 | -24.0 | 12 |
| 25 | Alman | -12.34 | -28.35 | -24.7 | 11 |
| 26 | Hornpipe | -10.73 | -28.33 | -25.3 | 12 |