℗ 2017 Grand Piano
Released | April 14, 2017 |
Duration | 1h 38m 15s |
Record Label | Grand Piano |
Catalogue No. | GP743-44 |
Genre | Classical (Piano) |
Roslavets: Complete Piano Works
Olga Andryushchenko
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Piano Sonata No. 1
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
12:02 | |||
3 Compositions for Piano
|
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1.2
|
No. 1, Adagio (Noblissimo)
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:08 | |||
1.3
|
No. 2, Agitato con passione
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
0:42 | |||
1.4
|
No. 3, Allegretto grazioso
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:35 | |||
1.5
|
Prélude (1915)
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
3:45 | |||
2 Compositions for Piano
|
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1.6
|
No. 1, Quasi prélude (Très modéré)
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
2:54 | |||
1.7
|
No. 2, Quasi poème (Lent)
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
3:47 | |||
2 Poems
|
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1.8
|
No. 1, Allegretto (Fervido)
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
2:39 | |||
1.9
|
No. 2, Moderato (Sempre poco rubato)
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
3:00 | |||
1.10
|
Piano Sonata No. 2
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
13:05 | |||
3 Études
|
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2.1
|
No. 1, Affettamente
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
5:41 | |||
2.2
|
No. 2, Con dolce maniera
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
2:51 | |||
2.3
|
No. 3, Burlando
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
6:04 | |||
5 Préludes
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2.4
|
No. 1, Andante affettuoso
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:53 | |||
2.5
|
No. 2, Allegretto con moto
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
2:29 | |||
2.6
|
No. 3, Lento
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
2:51 | |||
2.7
|
No. 4, Lento
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:41 | |||
2.8
|
No. 5, Lento, rubato
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:57 | |||
2.9
|
Berceuse
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
4:08 | |||
2.10
|
Danse
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:50 | |||
2.11
|
Valse (Reconstructed by M. Lobanova)
Nikolay Andreyevich Roslavets; Marina Lobanova; Olga Andryushchenko |
4:31 | |||
Prelude (1919/1921) (reconstructed by M. Lobanova)
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2.12
|
Prélude (1919/1921 / Reconstructed by M. Lobanova)
Nikolay Andreyevich Roslavets; Marina Lobanova; Olga Andryushchenko |
1:17 | |||
4 Compositions
|
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2.13
|
No. 1, Prélude
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:27 | |||
2.14
|
No. 2, Poème
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
1:42 | |||
2.15
|
Piano Sonata No. 5
Nikolay Andreyevich Roslavets; Olga Andryushchenko |
13:16 |
“This interpretation by Olga Andryushchenko is optimal.”
– Ritmo
“Ms Andryushchenko is a compelling player and an illuminating guide to all of this music”
– MusicWeb International
Stravinsky described Nikolay Roslavets as “the most interesting Russian composer of the 20th century,” but after decades of suppression in the former Soviet Union, his significance is still being assessed today through newly discovered and reconstructed works.
Although Scriabin’s influence can be heard in earlier works, Roslavets’ constant experimentation with original and complex compositional techniques resulted in his ‘new system of tone organization’ and ‘synthetic chords’. Olga Andryushchenko describes Roslavets’ daunting piano music as “fire and ice!”
96 kHz / 24-bit PCM – Grand Piano Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.19 -14.59 to -0.03 | -28.60 -37.57 to -22.78 | -24.15 -32.60 to -18.50 | 15 12 to 17 | |
1.1 | Piano Sonata No. 1 | -0.10 | -24.26 | -19.7 | 14 |
1.2 | No. 1, Adagio (Noblissimo) | -3.72 | -30.06 | -25.3 | 15 |
1.3 | No. 2, Agitato con passione | -0.43 | -23.11 | -18.5 | 13 |
1.4 | No. 3, Allegretto grazioso | -8.28 | -33.97 | -29.3 | 12 |
1.5 | Prélude (1915) | -2.12 | -26.79 | -23.0 | 15 |
1.6 | No. 1, Quasi prélude (Très modéré) | -2.60 | -28.92 | -24.0 | 14 |
1.7 | No. 2, Quasi poème (Lent) | -0.93 | -24.31 | -19.4 | 15 |
1.8 | No. 1, Allegretto (Fervido) | -1.70 | -27.41 | -23.0 | 14 |
1.9 | No. 2, Moderato (Sempre poco rubato) | -7.16 | -30.64 | -26.2 | 14 |
1.10 | Piano Sonata No. 2 | -0.03 | -22.78 | -18.8 | 16 |
2.1 | No. 1, Affettamente | 0.00 | -23.59 | -20.0 | 15 |
2.2 | No. 2, Con dolce maniera | -14.59 | -32.61 | -29.6 | 12 |
2.3 | No. 3, Burlando | -2.69 | -26.42 | -22.8 | 14 |
2.4 | No. 1, Andante affettuoso | -0.33 | -29.41 | -24.5 | 17 |
2.5 | No. 2, Allegretto con moto | -0.20 | -25.90 | -20.8 | 16 |
2.6 | No. 3, Lento | -4.24 | -30.79 | -26.1 | 17 |
2.7 | No. 4, Lento | -4.84 | -31.14 | -26.6 | 15 |
2.8 | No. 5, Lento, rubato | -13.71 | -37.57 | -32.6 | 14 |
2.9 | Berceuse | -3.70 | -28.28 | -23.8 | 15 |
2.10 | Danse | -1.35 | -27.94 | -23.0 | 16 |
2.11 | Valse (Reconstructed by M. Lobanova) | -1.87 | -28.83 | -24.9 | 17 |
2.12 | Prélude (1919/1921 / Reconstructed by M. Lobanova) | -9.48 | -30.93 | -27.0 | 12 |
2.13 | No. 1, Prélude | -7.25 | -29.84 | -25.6 | 14 |
2.14 | No. 2, Poème | -9.18 | -34.93 | -29.2 | 15 |
2.15 | Piano Sonata No. 5 | -0.10 | -24.67 | -20.1 | 15 |