℗ 2017 Tafelmusik
| Released | November 17, 2017 |
| Duration | 1h 09m 48s |
| Record Label | Tafelmusik |
| Catalogue No. | TMK1037CD |
| Genre | Classical (Orchestral) |
Tales of Two Cities: The Leipzig-Damascus Coffee House
Trio Arabica, Tafelmusik Baroque Orchestra, Jeanne Lamon
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Ouverture-Suite in D Major, TWV 55:D18
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1.1
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I. Ouverture (Arr. Tafelmusik for Chamber Ensemble)
Tafelmusik Baroque Orchestra; Jeanne Lamon |
4:46 | |||
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1.2
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She Appeared from the Tent
Trio Arabica |
3:01 | |||
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1.3
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Black-eyed Beauty
Trio Arabica |
1:39 | |||
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L'Orfeo, SV 318
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1.4
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Ritornello
Tafelmusik Baroque Orchestra; Jeanne Lamon |
1:44 | |||
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1.5
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My Heart Belongs to You
Trio Arabica |
2:35 | |||
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Cadmus et Hermione, LWV 49
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1.6
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Chaconne des Africains
Tafelmusik Baroque Orchestra; Jeanne Lamon |
4:08 | |||
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Concerto for 4 Violins in G Major, TWV 40:201
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1.7
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I. Largo e staccato
Tafelmusik Baroque Orchestra |
2:03 | |||
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1.8
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IV. Vivace
Tafelmusik Baroque Orchestra |
1:41 | |||
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Trio Sonata in G Minor, Op. 2 No. 5, HWV 390a
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1.9
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II. Allegro
John Abberger; Marco Cera; Dominic Teresi; Charlotte Nediger |
2:52 | |||
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Viola Concerto in G Major, TWV 51:G9
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1.10
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IV. Presto
Patrick Jordan; Tafelmusik Baroque Orchestra; Jeanne Lamon |
3:29 | |||
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The Witches of Lublin
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1.11
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Table Song
Trio Arabica |
1:06 | |||
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1.12
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Dulab Bayat
Trio Arabica |
1:26 | |||
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Concerto grosso in G Minor, Op. 6 No. 6, HWV 324
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1.13
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III. Musette - Darij Bayat
Trio Arabica; Tafelmusik Baroque Orchestra; Jeanne Lamon |
5:03 | |||
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Concerto grosso in D Major, Op. 6 No. 5, HWV 323
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1.14
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V. Allegro
Tafelmusik Baroque Orchestra; Jeanne Lamon |
2:31 | |||
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Concerto grosso in E Minor, Op. 8 No. 9
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1.15
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III. Allegro
Aisslinn Nosky; Tafelmusik Baroque Orchestra; Jeanne Lamon |
2:54 | |||
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Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte"
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1.16
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VI. Le galope de Rosinante - VII. Celui d'ane de Sanche
Tafelmusik Baroque Orchestra; Jeanne Lamon |
2:20 | |||
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1.17
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III. Son attaque des moulins à vent
Tafelmusik Baroque Orchestra; Jeanne Lamon |
1:50 | |||
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1.18
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Conclusion in B-Flat Major, TWV 50:10
John Abberger; Marco Cera; Tafelmusik Baroque Orchestra |
1:50 | |||
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Weihnachtsoratorium, BWV 248
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1.19
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No. 43, Ehre sei dir, Gott, gesungen (Arr. Tafelmusik for Chamber Ensemble)
Tafelmusik Baroque Orchestra; Jeanne Lamon |
2:51 | |||
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1.20
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Memories
Trio Arabica |
3:04 | |||
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1.21
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I Would Sacrifice My Life for You
Maryem Tollar |
4:36 | |||
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1.22
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Percussion Improvisation
Trio Arabica |
3:32 | |||
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Am Abend aber desselbigen Sabbats, BWV 42
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1.23
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III. Wo zwei und drei versammlet sind (Arr. Chamber Ensemble)
Tafelmusik Baroque Orchestra; Jeanne Lamon |
5:17 | |||
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Tala'a Min Beyt Abouha - Concerto in E Minor, TWV 52:31
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1.24
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Leaving Her Father's Home - Ritornello
Trio Arabica; Tafelmusik Baroque Orchestra; Jeanne Lamon |
3:30 | |||
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Digital Booklet
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“A phenomenon that was unexpected and powerful”
– The Globe and Mail (on the live concert of Tales of Two Cities)
“I absolutely loved Tales of Two Cities. The inventive combination of music and literary selections coupled with stunning images and historically informed narration was only transcended by the excellence of all the musicians involved.”
–The WholeNote
Welcome to Tafelmusik Orchestra’s celebration of music and culture in the eighteenth century! The cities of Leipzig and Damascus both lay at the crossroads of ancient trading routes. They were both important centres of scholarship and the dissemination of ideas. And they were both famous for their coffee houses, where music was performed by the most brilliant musicians of the day.
The Album presents works by Bach, Telemann, and Handel, as well as treasures of classical Arabic music as they might have been enjoyed by coffee drinkers of the past. In the cross-cultural café, music, words, and images are used to explore the ways in which people separated by great distances are bound together by trade, ideas, and art.
96 kHz / 24-bit PCM – Tafelmusik Studio Masters
Track 14 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 14 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.01 -15.38 to -0.08 | -26.29 -37.47 to -19.66 | -23.11 -32.30 to -16.40 | 13 11 to 15 | |
| 1 | I. Ouverture (Arr. Tafelmusik for Chamber Ensemble) | -1.49 | -21.21 | -18.2 | 14 |
| 2 | She Appeared from the Tent | -8.25 | -27.87 | -25.2 | 13 |
| 3 | Black-eyed Beauty | -4.24 | -28.25 | -25.6 | 15 |
| 4 | Ritornello | -3.57 | -23.86 | -20.8 | 13 |
| 5 | My Heart Belongs to You | -7.51 | -27.57 | -25.1 | 14 |
| 6 | Chaconne des Africains | -4.49 | -22.66 | -19.5 | 12 |
| 7 | I. Largo e staccato | -13.82 | -34.33 | -30.2 | 12 |
| 8 | IV. Vivace | -9.26 | -29.28 | -25.5 | 13 |
| 9 | II. Allegro | -9.38 | -27.88 | -24.8 | 12 |
| 10 | IV. Presto | -2.96 | -24.95 | -22.1 | 14 |
| 11 | Table Song | -15.38 | -37.47 | -32.3 | 13 |
| 12 | Dulab Bayat | -6.85 | -28.22 | -26.2 | 15 |
| 13 | III. Musette - Darij Bayat | -4.45 | -26.52 | -23.7 | 12 |
| 14 | V. Allegro | -4.22 | -23.54 | -20.2 | 13 |
| 15 | III. Allegro | -4.44 | -23.55 | -20.2 | 13 |
| 16 | VI. Le galope de Rosinante - VII. Celui d'ane de Sanche | -4.00 | -24.02 | -21.4 | 13 |
| 17 | III. Son attaque des moulins à vent | -3.44 | -22.70 | -19.5 | 12 |
| 18 | Conclusion in B-Flat Major, TWV 50:10 | -4.58 | -22.83 | -19.5 | 12 |
| 19 | No. 43, Ehre sei dir, Gott, gesungen (Arr. Tafelmusik for Chamber Ensemble) | -2.48 | -21.55 | -18.7 | 13 |
| 20 | Memories | -8.76 | -30.89 | -28.1 | 15 |
| 21 | I Would Sacrifice My Life for You | -12.08 | -33.83 | -29.0 | 14 |
| 22 | Percussion Improvisation | -2.48 | -25.66 | -22.5 | 15 |
| 23 | III. Wo zwei und drei versammlet sind (Arr. Chamber Ensemble) | -6.00 | -22.70 | -19.9 | 11 |
| 24 | Leaving Her Father's Home - Ritornello | -0.08 | -19.66 | -16.4 | 13 |