℗ 2013 Odradek Records
| Released | August 7, 2015 |
| Duration | 51m 51s |
| Record Label | Odradek Records |
| Catalogue No. | ODRCD304 |
| Genre | Classical (Keyboard) |
Beethoven 'Eroica Variations' & Schumann 'Symphonic Etudes'
Liudmila Georgievskaya
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Fifteen Variations & Fugue in E-Flat Major, Op. 35 “Eroica Variations”
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1.1
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I. Introduzione col Basso del Tema
Ludwig van Beethoven; Liudmila Georgievskaya |
0:57 | |||
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1.2
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II. A due
Ludwig van Beethoven; Liudmila Georgievskaya |
0:45 | |||
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1.3
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III. A tre
Ludwig van Beethoven; Liudmila Georgievskaya |
0:49 | |||
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1.4
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IV. A quattro
Ludwig van Beethoven; Liudmila Georgievskaya |
1:20 | |||
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1.5
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V. Variation I
Ludwig van Beethoven; Liudmila Georgievskaya |
0:40 | |||
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1.6
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VI. Variation II
Ludwig van Beethoven; Liudmila Georgievskaya |
0:58 | |||
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1.7
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VII. Variation III
Ludwig van Beethoven; Liudmila Georgievskaya |
0:43 | |||
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1.8
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VIII. Variation IV
Ludwig van Beethoven; Liudmila Georgievskaya |
0:37 | |||
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1.9
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IX. Variation V
Ludwig van Beethoven; Liudmila Georgievskaya |
0:58 | |||
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1.10
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X. Variation VI
Ludwig van Beethoven; Liudmila Georgievskaya |
0:35 | |||
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1.11
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XI. Variation VII
Ludwig van Beethoven; Liudmila Georgievskaya |
0:43 | |||
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1.12
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XII. Variation VIII
Ludwig van Beethoven; Liudmila Georgievskaya |
0:52 | |||
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1.13
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XIII. Variation IX
Ludwig van Beethoven; Liudmila Georgievskaya |
0:35 | |||
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1.14
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XIV. Variation X
Ludwig van Beethoven; Liudmila Georgievskaya |
0:42 | |||
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1.15
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XV. Variation XI
Ludwig van Beethoven; Liudmila Georgievskaya |
0:51 | |||
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1.16
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XVI. Variation XII
Ludwig van Beethoven; Liudmila Georgievskaya |
0:41 | |||
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1.17
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XVII. Variation XIII
Ludwig van Beethoven; Liudmila Georgievskaya |
0:43 | |||
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1.18
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XVIII. Variation XIV Minore
Ludwig van Beethoven; Liudmila Georgievskaya |
1:34 | |||
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1.19
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XIX. Variation XV Maggiore
Ludwig van Beethoven; Liudmila Georgievskaya |
5:17 | |||
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1.20
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XX. Finale alla Fuga
Ludwig van Beethoven; Liudmila Georgievskaya |
4:54 | |||
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Symphonic Études, Op. 13
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1.21
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I. Theme
Robert Schumann; Liudmila Georgievskaya |
1:29 | |||
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1.22
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II. Étude I (Variation 1)
Robert Schumann; Liudmila Georgievskaya |
1:11 | |||
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1.23
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III. Étude II (Variation 2)
Robert Schumann; Liudmila Georgievskaya |
3:32 | |||
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1.24
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IV. Étude III
Robert Schumann; Liudmila Georgievskaya |
1:23 | |||
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1.25
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V. Étude IV (Variation 3)
Robert Schumann; Liudmila Georgievskaya |
1:01 | |||
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1.26
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VI. Étude V (Variation 4)
Robert Schumann; Liudmila Georgievskaya |
1:25 | |||
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1.27
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VII. Étude VI (Variation 5)
Robert Schumann; Liudmila Georgievskaya |
1:02 | |||
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1.28
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VIII. Étude VII (Variation 6)
Robert Schumann; Liudmila Georgievskaya |
1:12 | |||
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1.29
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IX. Etude VIII (Variation 7)
Robert Schumann; Liudmila Georgievskaya |
2:41 | |||
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1.30
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X. Étude IX
Robert Schumann; Liudmila Georgievskaya |
0:37 | |||
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1.31
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XI Étude X (Variation 8)
Ludwig van Beethoven; Liudmila Georgievskaya |
1:26 | |||
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1.32
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XII. Etude XI (Variation 9)
Robert Schumann; Liudmila Georgievskaya |
3:39 | |||
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1.33
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XIII. Étude XII (Finale)
Robert Schumann; Liudmila Georgievskaya |
5:59 | |||
"[...] the way in which she launches into Beethoven's Op 35 Eroica Variations immediately signals that there's a sharp, inquisitive mind shaping the performance, one that's quickly responsive to every change of direction that the series of 15 variations takes. It makes for an involving, energising experience [...]"
- The Guardian
Russian pianist Liudmila Georgievskaya offers two of the great cycles of piano variations – Beethoven’s “Eroica” and Schumann’s Symphonic Etudes – in refined and attentive interpretations, at once personal and objective.
88.2 kHz / 24-bit PCM – Odradek Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.04 -13.08 to 0.00 | -22.95 -33.67 to -16.11 | -19.61 -29.70 to -13.50 | 12 10 to 16 | |
| 1 | I. Introduzione col Basso del Tema | -0.19 | -27.59 | -18.3 | 16 |
| 2 | II. A due | -11.00 | -30.41 | -27.3 | 12 |
| 3 | III. A tre | -8.27 | -28.96 | -25.3 | 13 |
| 4 | IV. A quattro | -1.18 | -21.22 | -17.4 | 12 |
| 5 | V. Variation I | -3.32 | -21.99 | -19.0 | 10 |
| 6 | VI. Variation II | -2.53 | -20.16 | -17.3 | 10 |
| 7 | VII. Variation III | -0.23 | -18.31 | -15.5 | 12 |
| 8 | VIII. Variation IV | -4.03 | -21.95 | -19.1 | 10 |
| 9 | IX. Variation V | -6.56 | -27.94 | -24.4 | 12 |
| 10 | X. Variation VI | -0.14 | -19.04 | -16.2 | 11 |
| 11 | XI. Variation VII | -2.35 | -22.79 | -19.1 | 12 |
| 12 | XII. Variation VIII | -7.49 | -26.97 | -24.1 | 12 |
| 13 | XIII. Variation IX | -1.81 | -18.54 | -16.0 | 10 |
| 14 | XIV. Variation X | -3.23 | -26.14 | -22.0 | 12 |
| 15 | XV. Variation XI | -5.82 | -26.02 | -23.0 | 14 |
| 16 | XVI. Variation XII | -0.97 | -18.41 | -15.5 | 11 |
| 17 | XVII. Variation XIII | -5.20 | -23.83 | -21.1 | 12 |
| 18 | XVIII. Variation XIV Minore | -13.08 | -33.67 | -29.7 | 12 |
| 19 | XIX. Variation XV Maggiore | -1.04 | -26.50 | -21.9 | 15 |
| 20 | XX. Finale alla Fuga | -1.16 | -21.05 | -17.8 | 12 |
| 21 | I. Theme | -1.48 | -27.49 | -24.2 | 13 |
| 22 | II. Étude I (Variation 1) | 0.00 | -21.31 | -17.9 | 11 |
| 23 | III. Étude II (Variation 2) | 0.00 | -19.08 | -16.2 | 12 |
| 24 | IV. Étude III | -4.15 | -23.74 | -21.2 | 11 |
| 25 | V. Étude IV (Variation 3) | 0.00 | -22.53 | -19.5 | 15 |
| 26 | VI. Étude V (Variation 4) | -3.01 | -24.94 | -22.3 | 14 |
| 27 | VII. Étude VI (Variation 5) | -1.76 | -18.01 | -15.4 | 10 |
| 28 | VIII. Étude VII (Variation 6) | 0.00 | -16.11 | -13.5 | 11 |
| 29 | IX. Etude VIII (Variation 7) | -1.07 | -22.58 | -19.1 | 14 |
| 30 | X. Étude IX | 0.00 | -18.20 | -15.0 | 10 |
| 31 | XI Étude X (Variation 8) | 0.00 | -16.47 | -13.9 | 11 |
| 32 | XII. Etude XI (Variation 9) | -3.09 | -27.85 | -24.8 | 15 |
| 33 | XIII. Étude XII (Finale) | 0.00 | -17.56 | -14.2 | 10 |