℗ 2013 Odradek Records
Released September 13, 2013
Duration 1h 08m 29s
Record Label Odradek Records
Catalogue No. ODRCD307
Genre Classical (Keyboard)
 

Splinters: 20th Century Hungarian Works for Piano

Mariann Marczi

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
Splinters, Op. 6/d  
1.1
I. Molto agitato
György Kurtág; Mariann Marczi
1:04
1.2
II. Sostenuto
György Kurtág; Mariann Marczi
1:12
1.3
III. Vivo - Prestissimo - Vivo
György Kurtág; Mariann Marczi
1:03
1.4
IV. in memoriam Ştefan Romaşcanu. Mesto Pesante, strascinando
György Kurtág; Mariann Marczi
3:33
1.5
Fém (Études, Book II)
György Ligeti; Mariann Marczi
3:02
1.6
Méditation sur un motif de Claude Debussy
Zoltán Kodály; Mariann Marczi
4:58
Seven Pieces for Piano  
1.7
I. Lento
Zoltán Kodály; Mariann Marczi
1:50
1.8
II. Complainte Székely. Rubato, parlando
Zoltán Kodály; Mariann Marczi
2:23
1.9
III. „— il pleut dans mon cœur comme il pleut sur la ville —” (Verlaine). Allegretto malinconico
Zoltán Kodály; Mariann Marczi
1:47
1.10
IV. Épitaphe. Rubato.
Zoltán Kodály; Mariann Marczi
6:54
1.11
V. Tranquillo
Zoltán Kodály; Mariann Marczi
2:23
1.12
VI. Chanson populaire Székely. Poco rubato
Zoltán Kodály; Mariann Marczi
3:32
1.13
VII. Rubato
Zoltán Kodály; Mariann Marczi
7:07
1.14
(... de l’automne et du champ...) from Contes Op. 2. No. 10
László Lajtha; Mariann Marczi
2:27
Trois Burlesques pour piano, Op. 8/c  
1.15
I. (querelle). Presto
Béla Bartók; Mariann Marczi
2:30
1.16
II. (un peu gris...). Allegretto
Béla Bartók; Mariann Marczi
2:20
1.17
III. Molto vivo, capriccioso
Béla Bartók; Mariann Marczi
2:51
1.18
Ricercare
Zoltán Jeney; Mariann Marczi
4:13
1.19
Arthur Rimbaud in the Desert
Zoltán Jeney; Mariann Marczi
5:16
1.20
The Ultimate Goal
Gyula Csapó; Mariann Marczi
8:04
Pianist Mariann Marczi performs a very personal program of 20th century works from her native Hungary, featuring works that form two pillars at either ends of the last century, grouped between 1907 and 1918 and from 1976 to 1989. Like pylons, these two blocks of compositional styles and techniques are linked by a hidden and complex network of bridges arpeggios that at times imitate the sounds of the harp, dulcimer or far-away bells, a strong French influence, be it biographical, musical and frequent references to francophone poetry, and a common tendency towards the transcendental. Mariann has worked together with all of the living composers on her album, and authoritatively carries out their intentions, while bringing to light the subtle nuances across the interesting and varied landscape of last century’s Hungarian music.
96 kHz / 24-bit PCM – Odradek Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.85
-22.10 to 0.00
-24.22
-43.27 to -18.16
-19.05
-37.40 to -13.00
13
10 to 17
1
I. Molto agitato
-1.25-22.34-15.613
2
II. Sostenuto
0.00-25.41-17.915
3
III. Vivo - Prestissimo - Vivo
0.00-19.94-15.812
4
IV. in memoriam Ştefan Romaşcanu. Mesto Pesante, strascinando
0.00-22.01-14.812
5
Fém (Études, Book II)
0.00-18.60-13.711
6
Méditation sur un motif de Claude Debussy
0.00-20.75-15.212
7
I. Lento
0.00-29.26-23.616
8
II. Complainte Székely. Rubato, parlando
0.00-18.16-13.010
9
III. „— il pleut dans mon cœur comme il pleut sur la ville —” (Verlaine). Allegretto malinconico
-5.42-26.78-22.211
10
IV. Épitaphe. Rubato.
0.00-21.57-16.713
11
V. Tranquillo
0.00-25.82-19.314
12
VI. Chanson populaire Székely. Poco rubato
0.00-20.72-15.713
13
VII. Rubato
-0.61-24.63-18.414
14
(... de l’automne et du champ...) from Contes Op. 2. No. 10
-0.81-22.41-18.113
15
I. (querelle). Presto
0.00-19.32-15.612
16
II. (un peu gris...). Allegretto
0.00-20.92-17.713
17
III. Molto vivo, capriccioso
0.00-20.44-17.213
18
Ricercare
-12.52-31.55-29.113
19
Arthur Rimbaud in the Desert
-22.10-43.27-37.413
20
The Ultimate Goal
0.00-30.48-24.017

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions