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Jubilees

George King

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Piano Jubilees, Op. 6/d  
1.1
I. quarter note = 96
Magnus Lindberg; George King
3:21
1.2
II. quarter note = 64
Magnus Lindberg; George King
2:31
1.3
III. quarter note = 128
Magnus Lindberg; George King
1:33
1.4
IV. dotted quarter note = 64
Magnus Lindberg; George King
4:01
1.5
V. quarter note = 162
Magnus Lindberg; George King
1:18
1.6
VI. half note = 64
Magnus Lindberg; George King
4:48
Six pieces after paintings by Ben Hartley  
1.7
I. Cock-a-Dandy
Philip Cashian; George King
0:58
1.8
II. Dragonfly and Legs
Philip Cashian; George King
1:24
1.9
III. Dogdays
Philip Cashian; George King
1:09
1.10
IV. Beware of the Twins
Philip Cashian; George King
0:23
1.11
V. Cocoa Quiet
Philip Cashian; George King
1:37
1.12
VI. Kite and Swallows
Philip Cashian; George King
0:50
Shadowlines, 6 canonic preludes for piano  
1.13
I. Cantabile
George Benjamin; George King
1:21
1.14
II. Wild
George Benjamin; George King
1:45
1.15
III. Scherzando
George Benjamin; George King
1:22
1.16
IV. Tempestoso
George Benjamin; George King
2:31
1.17
V. Very freely, solemn and spacious
George Benjamin; George King
7:16
1.18
VI. Gently flowing, flexible
George Benjamin; George King
3:05
6 Piano Études  
1.19
I. Étude No. 1: quaver = 180
George King; George King
1:28
1.20
II. Étude No. 2: crochet = 180
George King; George King
1:38
1.21
III. Étude No. 3
George King; George King
3:02
1.22
IV. Étude No. 4: As I crossed a bridge of dreams
George King; George King
4:29
1.23
V. Étude No. 5: Cryptamnesiasms
George King; George King
3:36
1.24
VI. Étude No. 6: The Glass Enclosure
George King; George King
4:25
Total Playing Time    59:51
“… Here are four cycles of short, intelligently crafted and musically refined pieces… Composer/pianist George King’s interpretations are a shade faster and geared more towards the ‘big picture’ than the more deliberate, close-up detail game plan of Ralph van Raat’s recording, and every hit as convincing.”
- Gramophone

British pianist George King brings together a series of 21st century pieces, including the first recording of Philip Cashian’s Ben Hartley pieces and of his own piano etudes. In his search for the ‘new’ in music, as a Jazz and Classical composer/pianist, George shares with the listener the sheer pleasure of performing these pieces, always maintaining coherence and pianistic brilliancy, and shares the excitement of discovering great piano writing with challenging and very diverse original music.
96 kHz / 24-bit PCM – Odradek Records Studio Masters

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