℗ 2015 Lawo Classics
Released | June 8, 2015 |
Duration | 1h 02m 19s |
Record Label | Lawo Classics |
Catalogue No. | 450490 |
Genre | Classical |
Trio Sonata adapted from BWV 1039 and BWV 1027 (G major)
|
|||||
1.1
|
1. Adagio
Johann Sebastian Bach; Bergen Barokk |
4:22 | |||
1.2
|
2. Allegro ma non tanto
Johann Sebastian Bach; Bergen Barokk |
3:42 | |||
1.3
|
3. Andante
Johann Sebastian Bach; Bergen Barokk |
2:27 | |||
1.4
|
4. Allegro moderato
Johann Sebastian Bach; Bergen Barokk |
3:19 | |||
Choral
|
|||||
1.5
|
«Liebster Jesu, Wir Sind Hier», BWV 731 (G major)
Johann Sebastian Bach; Bergen Barokk |
2:31 | |||
1.6
|
Andante from «Organ Trio», BWV 527 (D minor)
Johann Sebastian Bach; Bergen Barokk |
5:53 | |||
1.7
|
«Wachet Auf, Ruft Uns Die Stimme», BWV 645 (E-flat major)
Johann Sebastian Bach; Bergen Barokk |
3:46 | |||
1.8
|
Menuet, BWV Anh. 114 (G major)
Johann Sebastian Bach; Bergen Barokk |
1:31 | |||
1.9
|
(Aria) «So oft ich meine Tobackspfeife», BWV 515a (G minor)
Johann Sebastian Bach; Bergen Barokk |
5:04 | |||
1.10
|
Polonaise, BWV Anh. 125 (G minor)
Johann Sebastian Bach; Bergen Barokk |
1:35 | |||
1.11
|
Menuet, BWV Anh. 116 (G major)
Johann Sebastian Bach; Bergen Barokk |
1:41 | |||
1.12
|
Marche, BWV Anh. 122 (D major)
Johann Sebastian Bach; Bergen Barokk |
1:06 | |||
1.13
|
(Polonaise), BWV Anh. 128 (D minor)
Johann Sebastian Bach; Bergen Barokk |
1:09 | |||
1.14
|
Aria, BWV 515 (D minor)
Johann Sebastian Bach; Bergen Barokk |
1:34 | |||
1.15
|
Musette, BWV Anh. 126 (D major)
Johann Sebastian Bach; Bergen Barokk |
1:43 | |||
1.16
|
Sarabande from BWV 1013 (D minor)
Johann Sebastian Bach; Bergen Barokk |
4:46 | |||
1.17
|
«Warum betrübst du dich», BWV 516 ( F minor)
Johann Sebastian Bach; Bergen Barokk |
1:22 | |||
1.18
|
Rondeau, BWV Anh. 183 (B major)
F. Couperin; Johann Sebastian Bach; Bergen Barokk |
3:17 | |||
Canon a 2 per Tonos
|
|||||
1.19
|
«Ascendenteque Modulationis ascendat Gloria Regis» from «Das Musikalische Opfer», BWV 1079
Johann Sebastian Bach; Bergen Barokk |
3:06 | |||
1.20
|
Fuga canonica in Epidiapente (C minor) from «Das Musikalische Opfer», BWV 1079
Johann Sebastian Bach; Bergen Barokk |
2:16 | |||
Choral praeludium
|
|||||
1.21
|
«Jesus, meine Zuversicht», BWV 728 (C major)
Johann Sebastian Bach; Bergen Barokk |
2:11 | |||
1.22
|
«Bist du bei mir», BWV 508 (E-flat major)
Johann Sebastian Bach; Gottfried Heinrich Stölzel; Bergen Barokk |
1:58 | |||
Choral
|
|||||
1.23
|
«Wer nur den lieben Gott lässt walten», BWV 691 (A minor)
Johann Sebastian Bach; Bergen Barokk |
2:00 |
44.1 kHz / 24-bit PCM – Lawo Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.63 -25.36 to -1.17 | -29.93 -43.82 to -21.69 | -26.55 -39.70 to -17.40 | 11 7 to 14 | |
1 | 1. Adagio | -10.83 | -30.22 | -27.4 | 11 |
2 | 2. Allegro ma non tanto | -11.63 | -29.02 | -26.2 | 11 |
3 | 3. Andante | -12.99 | -30.32 | -27.6 | 11 |
4 | 4. Allegro moderato | -10.37 | -28.43 | -25.5 | 11 |
5 | «Liebster Jesu, Wir Sind Hier», BWV 731 (G major) | -14.04 | -30.87 | -28.1 | 10 |
6 | Andante from «Organ Trio», BWV 527 (D minor) | -10.92 | -29.64 | -26.9 | 12 |
7 | «Wachet Auf, Ruft Uns Die Stimme», BWV 645 (E-flat major) | -2.59 | -25.20 | -21.7 | 14 |
8 | Menuet, BWV Anh. 114 (G major) | -25.36 | -42.72 | -38.6 | 13 |
9 | (Aria) «So oft ich meine Tobackspfeife», BWV 515a (G minor) | -6.08 | -28.38 | -25.1 | 14 |
10 | Polonaise, BWV Anh. 125 (G minor) | -19.28 | -36.71 | -32.3 | 13 |
11 | Menuet, BWV Anh. 116 (G major) | -11.35 | -29.75 | -26.7 | 10 |
12 | Marche, BWV Anh. 122 (D major) | -8.76 | -25.89 | -22.6 | 10 |
13 | (Polonaise), BWV Anh. 128 (D minor) | -11.87 | -28.54 | -25.5 | 11 |
14 | Aria, BWV 515 (D minor) | -11.30 | -28.22 | -25.5 | 10 |
15 | Musette, BWV Anh. 126 (D major) | -9.28 | -26.95 | -21.9 | 11 |
16 | Sarabande from BWV 1013 (D minor) | -13.46 | -34.83 | -32.2 | 14 |
17 | «Warum betrübst du dich», BWV 516 ( F minor) | -3.87 | -24.66 | -20.9 | 12 |
18 | Rondeau, BWV Anh. 183 (B major) | -10.86 | -26.70 | -22.5 | 10 |
19 | «Ascendenteque Modulationis ascendat Gloria Regis» from «Das Musikalische Opfer», BWV 1079 | -14.13 | -28.70 | -25.6 | 7 |
20 | Fuga canonica in Epidiapente (C minor) from «Das Musikalische Opfer», BWV 1079 | -10.05 | -27.89 | -24.2 | 10 |
21 | «Jesus, meine Zuversicht», BWV 728 (C major) | -24.60 | -43.82 | -39.7 | 13 |
22 | «Bist du bei mir», BWV 508 (E-flat major) | -1.17 | -21.69 | -17.4 | 13 |
23 | «Wer nur den lieben Gott lässt walten», BWV 691 (A minor) | -12.73 | -29.30 | -26.5 | 10 |