℗ 2018 Lawo Classics
Released September 17, 2018
Duration 1h 09m 33s
Record Label Lawo Classics
Catalogue No. 535252
Genre Classical
 

Alexander Scriabin: Symphony No. 1, Op. 26 / Prometheus: The Poem of Fire, Op. 60

Oslo Philharmonic Orchestra, Vasily Petrenko, Kirill Gerstein

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Symphony No. 1, Op. 26  
1.1
I. Lento
Alexander Scriabin; Oslo Philharmonic Orchestra; Vasily Petrenko; Kirill Gerstein
6:22
1.2
II. Allegro dramatico
Alexander Scriabin; Oslo Philharmonic Orchestra; Vasily Petrenko; Kirill Gerstein
10:28
1.3
III. Lento
Alexander Scriabin; Vasily Petrenko; Kirill Gerstein; Oslo Philharmonic Orchestra
8:49
1.4
IV. Vivace
Alexander Scriabin; Vasily Petrenko; Kirill Gerstein; Oslo Philharmonic Orchestra
3:37
1.5
V. Allegro
Alexander Scriabin; Vasily Petrenko; Kirill Gerstein; Oslo Philharmonic Orchestra
7:17
1.6
VI. Andante
Alexander Scriabin; Vasily Petrenko; Kirill Gerstein; Oslo Philharmonic Orchestra
12:37
Symphony No. 5, Op. 60  
1.7
Prometheus: The Poem of Fire
Alexander Scriabin; Vasily Petrenko; Kirill Gerstein; Oslo Philharmonic Orchestra
20:23
"Never discursive or splashy, Petrenko’s forensic view of the composer may not please those brought up on Soviet-era music-making but I found it very persuasive." - Gramophone "Petrenko and his orchestra certainly do their best to tease out the teeming, tumbling textures of the First Symphony, but, with Kirill Gerstein as the solo pianist, it’s their performance of Prometheus, one of Scriabin’s greatest achievements, that stands out. It is filled with flickering detail, ricocheting between piano and orchestra, to create the febrile, trill-filled world so instantly identifiable as that of late Scriabin." - The Guardian Once again pairing the winning combination of Gramophone’s 2017 ‘Artist of the Year’ Vasily Petrenko, the Oslo Philharmonic and pianist Kirill Gerstein together, LAWO Classics is delighted to present the last instalment of their critically acclaimed Scriabin Series. Scriabin's first symphony is a “hymn to art”, and was an ambitious first step on his fascinating philosophical journey as an orchestral composer. In “Prometheus”, his last completed orchestral work, choir, orchestra, piano, light, and colour all come together as the “mystic” chord finally resolves into the powerful and consonant major triad – transforming us from the primeval dark of mysticism to the ecstatic enlightenment of a greater awareness. This is intensely beautiful and powerful music, performed with the famously rich and warm sound of The Oslo Philharmonic. Participating on the recording are highly acclaimed soloists Alisa Kolosova (mezzo-soprano), Alexey Dolgov (tenor), and Oslo Philharmonic Choir.
48 kHz / 24-bit PCM – Lawo Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.16
-12.65 to -1.08
-28.85
-36.02 to -24.75
-24.26
-32.60 to -19.60
15
13 to 16
1
I. Lento
-11.94-33.62-30.013
2
II. Allegro dramatico
-1.71-24.75-19.614
3
III. Lento
-4.87-29.17-24.614
4
IV. Vivace
-12.65-36.02-32.615
5
V. Allegro
-2.04-25.27-20.915
6
VI. Andante
-1.08-25.07-19.815
7
Prometheus: The Poem of Fire
-1.81-28.01-22.316

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