℗ ℗ 2015 Odradek Records
Steps Through the Centuries
Yury Revich, Alejandro Picó-Leonís
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Zum Beispiel
Benjamin Rota; Yury Revich |
2:25 | |||
|
1.2
|
Love Song
Wen Liu; Yury Revich |
5:35 | |||
|
Violin Sonata No. 1
|
|||||
|
1.3
|
Movement III
Christopher Caliendo; Yury Revich; Alejandro Picó-Leonís |
5:58 | |||
|
1.4
|
Tambourin Chinois, Op. 3
Fritz Kreisler; Yury Revich; Alejandro Picó-Leonís |
4:01 | |||
|
Four Songs, Op. 13
|
|||||
|
1.5
|
Sure on this Shining Night
Samuel Barber; Yury Revich; Alejandro Picó-Leonís |
2:26 | |||
|
Romeo and Juliette, Op. 75
|
|||||
|
1.6
|
Dance of the Girls with Lilies (Arr. Samuel Dushkin)
Sergei Prokofiev; Yury Revich; Alejandro Picó-Leonís |
2:28 | |||
|
Suite Bergamasque, L.75
|
|||||
|
1.7
|
Clair de Lune (Arr. Amleto Roelens)
Claude Debussy; Yury Revich; Alejandro Picó-Leonís |
4:30 | |||
|
1.8
|
Morgen!, Op. 27, No. 4
Richard Strauss; Yury Revich; Alejandro Picó-Leonís; Bibiana Nwobilo |
3:34 | |||
|
1.9
|
Gretchen am Spinnrade, Op. 2, D. 118
Franz Schubert; Yury Revich; Alejandro Picó-Leonís |
3:48 | |||
|
1.10
|
Auf dem Wasser zu singen, D. 774
Franz Schubert; Yury Revich; Alejandro Picó-Leonís |
2:33 | |||
|
1.11
|
Die Forelle, D. 550
Franz Schubert; Yury Revich; Alejandro Picó-Leonís |
2:23 | |||
|
Violin Concerto No. 2 in B minor, Op. 7, MS 48
|
|||||
|
1.12
|
III. Rondo "La Campanella" (Arr. Paul Kochanski)
Niccoló Paganini; Yury Revich; Alejandro Picó-Leonís |
5:18 | |||
|
1.13
|
Concert Fantasy on Mozart's Die Zauberflöte, Op. 54
Pablo de Sarasate; Yury Revich; Alejandro Picó-Leonís |
7:25 | |||
|
1.14
|
Sonata No. 12 in E Major
Giovanni Battista Pergolesi; Yury Revich; Alejandro Picó-Leonís |
5:15 | |||
|
1.15
|
Sonata No. 5 in E minor, C. 142
Heinrich Ignaz Franz von Biber; Yury Revich; Olga Filippova |
10:45 | |||
|
Total Playing Time 68:24
|
|||||
“The young violinist, who was awarded Young Artist of the Year at the 2015 International Classical Music Awards, finds the right tone for each piece of this varied program…”
Pizzicato – Remy Franck
“The range is impressive… Think of this as a pliant, cultured virtuoso’s survey of encore pieces and you’ll be close to the mark.”
Michael Dervan
Yury Revich takes listeners on a musical journey back through the musical ages, exploring the vast gamit of expressive possibilities and the continuum of timbres that the instrument has inspired composers with throughout history, from mimicry of the human voice with Paganini’s technique of suonar parlante, to something verging on musique concrète of electroacoustic music. The disc features original works and arrangements, including music by Biber, Mozart, Richard Strauss, Debussy, as well as contemporary pieces by Christopher Caliendo, Wen Liu, and Benjamin Rota, all of whom dedicated their new works to Yury Revich. Yury is accompanied on this journey by Alejandro Picó-Leonís, pianist, and Olga Filippova, harpsichord, while soprano Bibiana Nwobilo makes a guest appearance for Strauss’ “Morgen”.
Pizzicato – Remy Franck
“The range is impressive… Think of this as a pliant, cultured virtuoso’s survey of encore pieces and you’ll be close to the mark.”
Michael Dervan
Yury Revich takes listeners on a musical journey back through the musical ages, exploring the vast gamit of expressive possibilities and the continuum of timbres that the instrument has inspired composers with throughout history, from mimicry of the human voice with Paganini’s technique of suonar parlante, to something verging on musique concrète of electroacoustic music. The disc features original works and arrangements, including music by Biber, Mozart, Richard Strauss, Debussy, as well as contemporary pieces by Christopher Caliendo, Wen Liu, and Benjamin Rota, all of whom dedicated their new works to Yury Revich. Yury is accompanied on this journey by Alejandro Picó-Leonís, pianist, and Olga Filippova, harpsichord, while soprano Bibiana Nwobilo makes a guest appearance for Strauss’ “Morgen”.
88.2 kHz / 24-bit PCM – Odradek Records Studio Masters
Tracks 1-15 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-15 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit