℗ 2024 Deutsche Grammophon, Berlin
Released | September 6, 2024 |
Duration | 7h 14m 08s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
100 Great Musical Moments
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
12 Etudes, Op. 25
|
|||||
1.1
|
No. 1 in A-Flat Major "Aeolian Harp"
Daniel Barenboim |
2:51 | |||
6 Moments musicaux, D. 780
|
|||||
1.2
|
No. 3 in F Minor. Allegro moderato
Seong-Jin Cho |
1:51 | |||
라흐마니노프: 14개의 로망스 Op.34
|
|||||
1.3
|
Vocalise, Op. 34 No. 14 (Arr. Kocsis for Piano)
Yuja Wang |
3:26 | |||
24 Préludes, Op. 28
|
|||||
1.4
|
No. 7 in A Major. Andantino
Rafał Blechacz |
0:55 | |||
1.5
|
Ave Maria
Kian Soltani; Aaron Pilsan |
3:02 | |||
1.6
|
À Chloris (Transc. for Oboe and Piano)
Albrecht Mayer; Kimiko Imani |
2:49 | |||
8 Humoresques, Op. 101, B. 187
|
|||||
1.7
|
No. 7, Poco lento e grazioso
Daniel Barenboim |
2:49 | |||
Le carnaval des animaux, R. 125
|
|||||
1.8
|
IV. Tortues
Camille Thomas; Alexandre Bloch |
1:48 | |||
Préludes, Book 1, CD 125
|
|||||
1.9
|
VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano)
Bomsori; Rafał Blechacz |
2:40 | |||
In einer Nacht, Op. 15
|
|||||
1.10
|
No. 2, Sehr langsam
Elisabeth Brauß |
1:24 | |||
16 Waltzes, Op. 39
|
|||||
1.11
|
No. 15 in A-Flat Major
Fabian Müller |
1:38 | |||
1.12
|
Wandrers Nachtlied, D. 768
Andrè Schuen; Daniel Heide |
2:33 | |||
Mazurkas, Op. 24
|
|||||
1.13
|
No. 1 in G Minor. Lento
Rafał Blechacz |
2:34 | |||
4 Piano Pieces, Op. 119
|
|||||
1.14
|
No. 3 in C Major. Intermezzo. Grazioso e giocoso
Elisabeth Brauß |
1:47 | |||
8 Humoresques, Op. 101, B. 187
|
|||||
1.15
|
No. 3, Poco andante e molto cantabile (Classical Session)
Daniel Barenboim |
4:15 | |||
1.16
|
Rêverie, CD 76 (Transcr. Ottensamer for Clarinet and Piano)
Andreas Ottensamer; José Gallardo |
4:38 | |||
1.17
|
Les chemins de l'amour, FP. 106 (Transcr. for Cello and Piano)
Jaemin Han; Jonathan Ware |
3:54 | |||
1.18
|
Im Abendrot, D. 799 (Transcr. for Cello and Piano)
Kian Soltani; Aaron Pilsan |
4:22 | |||
1.19
|
Keyboard Sonata in A Major, Kk. 208 (Arr. Abiton for Guitar)
Raphaël Feuillâtre |
3:54 | |||
3 Romances, Op. 94
|
|||||
1.20
|
No. 2, Einfach, innig
Andreas Ottensamer; José Gallardo |
3:43 | |||
Requiem in D Minor, K. 626
|
|||||
1.21
|
Lacrimosa (Arr. Spindler for Oboe and Piano)
Albrecht Mayer; Markus Becker |
3:31 | |||
1.22
|
Tissue No. 7
Camille Thomas; Julien Brocal |
3:15 | |||
Partita for Violin Solo No. 1 in B Minor, BWV 1002
|
|||||
1.23
|
Sarabande (Arr. for Guitar by Söllscher)
Göran Söllscher |
3:29 | |||
1.24
|
Danzón No. 2 (Transcr. Gómez-Tagle for Piano)
Yuja Wang |
3:40 | |||
6 Pieces for Piano, Op. 118
|
|||||
1.25
|
No. 6, Intermezzo in E-Flat Minor
Seong-Jin Cho |
5:13 | |||
1.26
|
Zärtliche Liebe, WoO 123 "Ich liebe dich"
Elīna Garanča; Malcolm Martineau |
2:03 | |||
Violin Sonata No. 21 in E Minor, K. 304
|
|||||
1.27
|
II. Tempo di Menuetto (Transcr. Avital for Mandolin and Piano)
Avi Avital; Ohad Ben-Ari |
5:18 | |||
1.28
|
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2
Rafał Blechacz |
3:40 | |||
3 Old Viennese Dances
|
|||||
1.29
|
No. 2 Liebesleid (Arr. Rachmaninoff for Piano)
Fabian Müller |
5:10 | |||
Consolations, S.172
|
|||||
1.30
|
No. 3 in D-Flat Major. Lento, placido
Seong-Jin Cho |
4:15 | |||
1.31
|
Sei mir gegrüßt, D. 741 (Transcr. for Cello and Piano)
Kian Soltani; Aaron Pilsan |
4:43 | |||
Suite in D Minor, HWV 437
|
|||||
1.32
|
III. Sarabande (Transcr. for Guitar)
Raphaël Feuillâtre |
2:47 | |||
The Four Seasons / Violin Concerto in G Minor, RV 315 "Summer"
|
|||||
1.33
|
III. Presto
María Dueñas; "Blue Orchestra" Special String Orchestra |
2:47 | |||
Trio Sonata No. 3 in D Minor, BWV 527 (Transcr. Mayer & Frey for Oboe & Harpsichord)
|
|||||
1.34
|
II. Adagio e dolce
Albrecht Mayer; Vital Julian Frey |
2:57 | |||
String Quartet in E-Flat Major
|
|||||
1.35
|
I. Adagio ma non troppo
Aris Quartett |
4:30 | |||
6 Romances, Op. 38
|
|||||
1.36
|
V. The Dream
Anna El-Khashem; Holger Groschopp |
3:17 | |||
Three Preludes
|
|||||
1.37
|
I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer)
Andreas Ottensamer; Julien Quentin |
1:48 | |||
1.38
|
Maria durch ein Dornwald ging (Arr. Spindler for Oboe and Piano with an Improvisation by Becker)
Albrecht Mayer; Markus Becker |
2:23 | |||
Nocturnes, Op. 9
|
|||||
1.39
|
No. 2 in E-Flat Major (Transcr. Sarasate for Violin and Piano)
Bomsori; Rafał Blechacz |
4:32 | |||
1.40
|
Tissue No. 6
Camille Thomas; Julien Brocal |
3:17 | |||
Prelude & Fugue in C-Sharp Minor (Well-Tempered Clavier, Book I, No. 4), BWV 849
|
|||||
1.41
|
I. Prelude
Kit Armstrong |
3:13 | |||
4 Piano Pieces, Op. 119
|
|||||
1.42
|
No. 1 in B Minor. Intermezzo. Adagio
Elisabeth Brauß |
4:05 | |||
1.43
|
Ideale
Jonathan Tetelman; Sophia Muñoz |
3:42 | |||
1.44
|
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Adapt. Tarkmann for Oboe d'amore and Harpsichord)
Albrecht Mayer; Vital Julian Frey |
3:01 | |||
Cello Sonata in G Minor, Op. 19
|
|||||
1.45
|
III. Andante
Jan Vogler; Hélène Grimaud |
5:21 | |||
Préludes, Book 2, CD 131
|
|||||
1.46
|
XII. Feux d'artifice
Arsenii Moon |
4:27 | |||
1.47
|
Caro mio ben
Cameron Shahbazi; Sarah Tysman |
3:00 | |||
8 Humoresques, Op. 101, B. 187
|
|||||
1.48
|
No. 1, Vivace (Classical Session)
Daniel Barenboim |
3:02 | |||
Consolations, S. 172
|
|||||
1.49
|
No. 3 in D-Flat Major. Lento, placido (Arr. Milstein for Violin and Piano)
Bomsori; Rafał Blechacz |
3:57 | |||
1.50
|
O magnum mysterium (Version for Violin and Piano)
Hans Christian Aavik; Karolina Aavik |
5:46 | |||
1.51
|
Fratres (Version for Cello and Piano)
Santiago Cañón-Valencia; Naoko Sonoda |
11:39 | |||
1.52
|
Pavane pour une infante defunte, M. 19
Mao Fujita |
6:29 | |||
1.53
|
Nun komm, der Heiden Heiland, BWV 659 (Adapt. Frey for Oboe and Harpsichord)
Albrecht Mayer; Vital Julian Frey |
3:47 | |||
The Ballad of Baby Doe
|
|||||
1.54
|
The Willow Song
Nadine Sierra; Royal Philharmonic Orchestra; Robert Spano |
3:58 | |||
1.55
|
Ellens Gesang III, Op. 52, No. 6, D. 839 "Ave Maria"
Hera Hyesang Park; Sarah Tysman |
2:44 | |||
1.56
|
Romance Op. 23
Bomsori; Julia Okruashvili |
6:34 | |||
1.57
|
Vocalise, Op. 34, No. 14 (Arr. Rose for Cello and Piano)
Jaemin Han; Jonathan Ware |
6:26 | |||
12 Romances, Op. 21
|
|||||
1.58
|
V. Lilacs
Anna El-Khashem; Holger Groschopp |
1:57 | |||
1.59
|
O Tannenbaum, du trägst ein’ grünen Zweig (Arr. Hoffmann & Grabe for Harp)
Magdalena Hoffmann |
3:51 | |||
1.60
|
An die Musik, D. 547
Andrè Schuen; Daniel Heide |
2:34 | |||
1.61
|
Een kindeken is ons geboren (MB 14/53)
Kit Armstrong |
2:12 | |||
Sonatina for Clarinet and Piano
|
|||||
1.62
|
II. Lento, quasi andante
Andreas Ottensamer; Julien Quentin |
3:48 | |||
1.63
|
O Holy Night
Rolando Villazón; Xavier de Maistre |
3:30 | |||
Vier Lieder, Op. 27, TrV 170
|
|||||
1.64
|
IV. Morgen!
Andrè Schuen; Daniel Heide |
4:05 | |||
Les couleurs de l'eau, Op. 22
|
|||||
1.65
|
III. Cascatelle
Albrecht Mayer; Kimiko Imani |
5:29 | |||
King Roger, Op. 46
|
|||||
1.66
|
Roxana's Song (Arr. Kochanski for Violin and Piano)
Bomsori; Julia Okruashvili |
6:10 | |||
Der Zarewitsch
|
|||||
1.67
|
Einer wird kommen
Nadine Sierra; Orchestra Sinfonica Nazionale della Rai; Riccardo Frizza |
5:14 | |||
Aelita's Suite
|
|||||
1.68
|
III. The Dance of the Magazitly
Hans Christian Aavik; Karolina Aavik |
3:09 | |||
1.69
|
Oberek No. 1
Bomsori; Julia Okruashvili |
1:36 | |||
La bohème, SC 67 / Act 1
|
|||||
1.70
|
Sì. Mi chiamano Mimì
Nadine Sierra; Orchestra Sinfonica Nazionale della Rai; Riccardo Frizza |
5:33 | |||
1.71
|
Romance, Op. 5
Mao Fujita |
6:07 | |||
Suite for Piano, Op. 25
|
|||||
1.72
|
VI. Gigue
Yuja Wang |
2:18 | |||
1.73
|
Wiegenlied, D. 867, Op. 105 No. 2
Andrè Schuen; Daniel Heide |
5:47 | |||
1.74
|
Black Is The Colour Of My True Love's Hair (Arr. Gupta for Countertenor and Piano)
Cameron Shahbazi; Sarah Tysman |
1:50 | |||
1.75
|
Spera, mi disse amore (Arr. Fateyeva and Enzian for Soprano Saxophone and Baroque Harp)
Asya Fateyeva; Luise Enzian |
3:13 | |||
1.76
|
L'Ultima Canzone
Andrè Schuen; Daniel Heide |
4:26 | |||
1.77
|
Le Grand Tango
Jaemin Han; Jonathan Ware |
12:31 | |||
6 Romances, Op. 16, TH 95
|
|||||
1.78
|
I. Cradle Song
Anna El-Khashem; Holger Groschopp |
4:09 | |||
Winterreise, D. 911
|
|||||
1.79
|
21. Das Wirtshaus
Anna Prohaska; Caspar Frantz |
4:26 | |||
Violin Sonata No. 3 in A Minor, Op. 25
|
|||||
1.80
|
III. Allegro con brio, ma non troppo mosso
Hans Christian Aavik; Karolina Aavik |
8:10 | |||
1.81
|
Lalaee (Transcr. for Countertenor and Piano)
Cameron Shahbazi; Sarah Tysman |
4:22 | |||
Chansons madécasses, M. 78
|
|||||
1.82
|
No. 1, Nahandove (Arr. Kervadec for Soprano and Marimba)
Axelle Fanyo; Emmanuel Jacquet |
4:27 | |||
Trio Sonata No. 3 in D Minor, BWV 527 (Transcr. Mayer & Frey for Oboe & Harpsichord)
|
|||||
1.83
|
I. Andante
Albrecht Mayer; Vital Julian Frey |
4:31 | |||
Die schöne Müllerin, Op. 25, D. 795
|
|||||
1.84
|
VII. Ungeduld
Andrè Schuen; Daniel Heide |
2:45 | |||
1.85
|
La Valse, M. 72
Mao Fujita |
12:29 | |||
Mörike-Lieder
|
|||||
1.86
|
No. 25, Schlafendes Jesuskind
Andrè Schuen; Daniel Heide |
3:54 | |||
Early Songs
|
|||||
1.87
|
Summer Night, Riverside
Emily Pogorelc; Chris Reynolds |
4:33 | |||
Trio Sonata No. 3 in D Minor, BWV 527 (Transcr. Mayer & Frey for Oboe & Harpsichord)
|
|||||
1.88
|
III. Vivace
Albrecht Mayer; Vital Julian Frey |
3:43 | |||
Cabaret Songs, Vol. 1
|
|||||
1.89
|
No. 6, Amor
Axelle Fanyo; Kunal Lahiry |
3:05 | |||
1.90
|
Overture "Leonore No. 3", Op. 72b
Deutsche Kammerphilharmonie Bremen; Mirga Gražinytė-Tyla |
13:02 | |||
Le Villi, SC 60
|
|||||
1.91
|
Se come voi piccina io fossi
Nadine Sierra; Orchestra Sinfonica Nazionale della Rai; Riccardo Frizza |
5:37 | |||
1.92
|
Litanei auf das Fest Allerseelen, D. 343
Andrè Schuen; Daniel Heide |
6:14 | |||
Piano Sonata in F Minor, WoO 47 No. 2 "Electoral"
|
|||||
1.93
|
II. Andante
Robert Neumann |
8:54 | |||
Canciones Clásicas Españolas, Vol. 1
|
|||||
1.94
|
VI. Del cabello más sutil (Dos cantares populares)
Pumeza Matshikiza; James Baillieu |
1:13 | |||
La bohème, SC 67 / Act 1
|
|||||
1.95
|
Sì. Mi chiamano Mimì
Anna Prohaska; Caspar Frantz |
5:13 | |||
Prelude & Fugue in C-Sharp Minor (Well-Tempered Clavier, Book I, No. 4), BWV 849
|
|||||
1.96
|
II. Fugue
Kit Armstrong |
4:05 | |||
1.97
|
Beautiful Dreamer (Arr. Coughlin for Voice and Orchestra)
Nadine Sierra; Royal Philharmonic Orchestra; Robert Spano |
3:49 | |||
Trois chansons
|
|||||
1.98
|
I. Youkali
Axelle Fanyo; Kunal Lahiry |
5:20 | |||
1.99
|
Linda Fantasy
Albrecht Mayer; Kimiko Imani |
9:08 | |||
1.100
|
Chaconne in G Major for Harpsichord, HWV 435
Mahan Esfahani |
5:17 | |||
La bonne chanson, Op. 61
|
|||||
1.101
|
No. 9, L'hiver a cessé
Emily Pogorelc; Chris Reynolds |
3:06 | |||
Les couleurs de l'eau, Op. 22
|
|||||
1.102
|
I. Fleuve tranquille et puissant
Albrecht Mayer; Kimiko Imani |
3:58 | |||
1.103
|
Sometimes I Feel Like a Motherless Child (Arr. Hogan for Soprano and Piano)
Axelle Fanyo; Kunal Lahiry |
2:39 |
Launched in 2020 with a Chopin étude performed by the legendary Daniel Barenboim – and now embracing a huge range of vocal and instrumental music, from the Renaissance to the 21st century – the Musical Moments series showcases new recordings from internationally renowned artists and rising stars of the classical world, as well as offering moments of escape from day-to-day life, through music of every mood, from tranquil, reflective and consolatory, to experimental, exciting and uplifting.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.83 -10.44 to -0.52 | -22.85 -32.15 to -17.91 | -19.06 -27.90 to -14.20 | 13 9 to 18 | |
1 | No. 1 in A-Flat Major "Aeolian Harp" | -1.08 | -21.40 | -18.5 | 12 |
2 | No. 3 in F Minor. Allegro moderato | -1.49 | -23.47 | -20.3 | 14 |
3 | Vocalise, Op. 34 No. 14 (Arr. Kocsis for Piano) | -0.52 | -22.78 | -19.2 | 12 |
4 | No. 7 in A Major. Andantino | -4.47 | -28.17 | -23.6 | 13 |
5 | Ave Maria | -1.48 | -24.10 | -20.8 | 12 |
6 | À Chloris (Transc. for Oboe and Piano) | -0.99 | -21.65 | -17.3 | 12 |
7 | No. 7, Poco lento e grazioso | -1.34 | -23.25 | -19.6 | 13 |
8 | IV. Tortues | -3.17 | -22.91 | -20.1 | 10 |
9 | VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) | -0.52 | -24.73 | -20.5 | 15 |
10 | No. 2, Sehr langsam | -9.34 | -32.15 | -27.9 | 13 |
11 | No. 15 in A-Flat Major | -4.35 | -24.27 | -21.0 | 12 |
12 | Wandrers Nachtlied, D. 768 | -9.81 | -29.33 | -26.2 | 12 |
13 | No. 1 in G Minor. Lento | -1.52 | -22.51 | -18.9 | 12 |
14 | No. 3 in C Major. Intermezzo. Grazioso e giocoso | -0.82 | -20.63 | -16.9 | 12 |
15 | No. 3, Poco andante e molto cantabile (Classical Session) | -0.70 | -22.89 | -19.2 | 13 |
16 | Rêverie, CD 76 (Transcr. Ottensamer for Clarinet and Piano) | -1.52 | -22.59 | -18.9 | 13 |
17 | Les chemins de l'amour, FP. 106 (Transcr. for Cello and Piano) | -2.01 | -22.77 | -19.2 | 12 |
18 | Im Abendrot, D. 799 (Transcr. for Cello and Piano) | -1.99 | -24.92 | -21.4 | 13 |
19 | Keyboard Sonata in A Major, Kk. 208 (Arr. Abiton for Guitar) | -2.86 | -22.03 | -19.3 | 12 |
20 | No. 2, Einfach, innig | -3.02 | -20.41 | -17.1 | 10 |
21 | Lacrimosa (Arr. Spindler for Oboe and Piano) | -3.45 | -23.01 | -19.1 | 11 |
22 | Tissue No. 7 | -6.07 | -27.77 | -24.4 | 12 |
23 | Sarabande (Arr. for Guitar by Söllscher) | -2.01 | -23.50 | -20.6 | 14 |
24 | Danzón No. 2 (Transcr. Gómez-Tagle for Piano) | -1.60 | -22.13 | -18.8 | 13 |
25 | No. 6, Intermezzo in E-Flat Minor | -1.03 | -20.40 | -16.3 | 10 |
26 | Zärtliche Liebe, WoO 123 "Ich liebe dich" | -0.52 | -21.76 | -18.4 | 13 |
27 | II. Tempo di Menuetto (Transcr. Avital for Mandolin and Piano) | -0.98 | -22.32 | -19.1 | 13 |
28 | Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | -1.27 | -20.83 | -17.5 | 11 |
29 | No. 2 Liebesleid (Arr. Rachmaninoff for Piano) | -0.52 | -21.01 | -17.8 | 13 |
30 | No. 3 in D-Flat Major. Lento, placido | -0.80 | -25.04 | -21.6 | 16 |
31 | Sei mir gegrüßt, D. 741 (Transcr. for Cello and Piano) | -1.54 | -21.49 | -18.1 | 11 |
32 | III. Sarabande (Transcr. for Guitar) | -3.12 | -21.17 | -18.3 | 13 |
33 | III. Presto | -0.64 | -21.56 | -18.4 | 15 |
34 | II. Adagio e dolce | -3.09 | -21.23 | -16.8 | 11 |
35 | I. Adagio ma non troppo | -0.52 | -22.15 | -18.0 | 13 |
36 | V. The Dream | -0.52 | -21.66 | -18.1 | 13 |
37 | I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer) | -2.35 | -21.11 | -17.6 | 11 |
38 | Maria durch ein Dornwald ging (Arr. Spindler for Oboe and Piano with an Improvisation by Becker) | -3.41 | -23.55 | -19.3 | 11 |
39 | No. 2 in E-Flat Major (Transcr. Sarasate for Violin and Piano) | -1.63 | -23.41 | -19.3 | 12 |
40 | Tissue No. 6 | -4.08 | -29.86 | -26.8 | 14 |
41 | I. Prelude | -4.96 | -23.52 | -20.7 | 11 |
42 | No. 1 in B Minor. Intermezzo. Adagio | -2.25 | -28.46 | -23.7 | 16 |
43 | Ideale | -0.98 | -23.54 | -18.5 | 14 |
44 | Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Adapt. Tarkmann for Oboe d'amore and Harpsichord) | -2.81 | -22.68 | -17.8 | 12 |
45 | III. Andante | -1.51 | -20.09 | -16.9 | 11 |
46 | XII. Feux d'artifice | -0.82 | -20.83 | -15.5 | 11 |
47 | Caro mio ben | -0.52 | -23.37 | -19.3 | 14 |
48 | No. 1, Vivace (Classical Session) | -1.53 | -22.76 | -18.9 | 13 |
49 | No. 3 in D-Flat Major. Lento, placido (Arr. Milstein for Violin and Piano) | -0.79 | -22.81 | -18.7 | 12 |
50 | O magnum mysterium (Version for Violin and Piano) | -0.52 | -24.29 | -19.6 | 15 |
51 | Fratres (Version for Cello and Piano) | -0.87 | -21.89 | -17.8 | 13 |
52 | Pavane pour une infante defunte, M. 19 | -0.52 | -27.62 | -24.3 | 18 |
53 | Nun komm, der Heiden Heiland, BWV 659 (Adapt. Frey for Oboe and Harpsichord) | -3.83 | -24.00 | -19.4 | 11 |
54 | The Willow Song | -0.52 | -20.90 | -17.0 | 12 |
55 | Ellens Gesang III, Op. 52, No. 6, D. 839 "Ave Maria" | -1.23 | -23.53 | -20.0 | 13 |
56 | Romance Op. 23 | -1.40 | -22.81 | -18.6 | 13 |
57 | Vocalise, Op. 34, No. 14 (Arr. Rose for Cello and Piano) | -3.94 | -23.81 | -20.4 | 12 |
58 | V. Lilacs | -0.52 | -23.31 | -19.8 | 13 |
59 | O Tannenbaum, du trägst ein’ grünen Zweig (Arr. Hoffmann & Grabe for Harp) | -2.01 | -24.33 | -20.9 | 13 |
60 | An die Musik, D. 547 | -4.91 | -25.59 | -22.2 | 13 |
61 | Een kindeken is ons geboren (MB 14/53) | -2.37 | -21.82 | -18.9 | 11 |
62 | II. Lento, quasi andante | -1.97 | -20.98 | -17.4 | 11 |
63 | O Holy Night | -2.87 | -21.03 | -17.9 | 11 |
64 | IV. Morgen! | -0.76 | -26.53 | -22.7 | 18 |
65 | III. Cascatelle | -1.02 | -20.56 | -16.9 | 12 |
66 | Roxana's Song (Arr. Kochanski for Violin and Piano) | -0.52 | -24.37 | -19.0 | 14 |
67 | Einer wird kommen | -0.52 | -22.59 | -18.2 | 13 |
68 | III. The Dance of the Magazitly | -0.52 | -20.38 | -16.7 | 13 |
69 | Oberek No. 1 | -1.52 | -18.43 | -15.3 | 10 |
70 | Sì. Mi chiamano Mimì | -0.52 | -24.00 | -19.0 | 15 |
71 | Romance, Op. 5 | -0.52 | -23.08 | -18.9 | 13 |
72 | VI. Gigue | -0.52 | -20.97 | -17.8 | 14 |
73 | Wiegenlied, D. 867, Op. 105 No. 2 | -2.63 | -25.25 | -22.5 | 14 |
74 | Black Is The Colour Of My True Love's Hair (Arr. Gupta for Countertenor and Piano) | -0.52 | -22.83 | -18.5 | 14 |
75 | Spera, mi disse amore (Arr. Fateyeva and Enzian for Soprano Saxophone and Baroque Harp) | -1.62 | -19.51 | -15.6 | 10 |
76 | L'Ultima Canzone | -1.22 | -23.42 | -19.1 | 14 |
77 | Le Grand Tango | -0.52 | -20.20 | -17.0 | 13 |
78 | I. Cradle Song | -0.52 | -22.95 | -19.5 | 14 |
79 | 21. Das Wirtshaus | -0.79 | -24.08 | -20.0 | 15 |
80 | III. Allegro con brio, ma non troppo mosso | -1.82 | -19.77 | -16.0 | 11 |
81 | Lalaee (Transcr. for Countertenor and Piano) | -2.38 | -26.02 | -23.2 | 15 |
82 | No. 1, Nahandove (Arr. Kervadec for Soprano and Marimba) | -0.82 | -22.44 | -18.2 | 13 |
83 | I. Andante | -3.88 | -21.51 | -17.6 | 12 |
84 | VII. Ungeduld | -0.52 | -22.25 | -18.6 | 15 |
85 | La Valse, M. 72 | -0.52 | -19.04 | -15.2 | 11 |
86 | No. 25, Schlafendes Jesuskind | -2.86 | -27.23 | -22.6 | 16 |
87 | Summer Night, Riverside | -0.52 | -20.88 | -15.2 | 11 |
88 | III. Vivace | -3.22 | -21.61 | -17.7 | 12 |
89 | No. 6, Amor | -0.82 | -21.78 | -17.2 | 13 |
90 | Overture "Leonore No. 3", Op. 72b | -0.52 | -22.96 | -17.3 | 14 |
91 | Se come voi piccina io fossi | -0.52 | -23.58 | -18.7 | 14 |
92 | Litanei auf das Fest Allerseelen, D. 343 | -0.52 | -25.80 | -22.7 | 17 |
93 | II. Andante | -1.47 | -23.68 | -20.4 | 14 |
94 | VI. Del cabello más sutil (Dos cantares populares) | -0.52 | -17.91 | -14.2 | 9 |
95 | Sì. Mi chiamano Mimì | -0.52 | -21.58 | -16.6 | 12 |
96 | II. Fugue | -1.04 | -21.49 | -18.5 | 12 |
97 | Beautiful Dreamer (Arr. Coughlin for Voice and Orchestra) | -0.93 | -19.58 | -16.4 | 12 |
98 | I. Youkali | -0.82 | -19.20 | -15.4 | 10 |
99 | Linda Fantasy | -2.07 | -21.13 | -17.3 | 12 |
100 | Chaconne in G Major for Harpsichord, HWV 435 | -10.44 | -28.71 | -25.1 | 12 |
101 | No. 9, L'hiver a cessé | -0.52 | -19.27 | -15.2 | 11 |
102 | I. Fleuve tranquille et puissant | -1.05 | -20.01 | -16.2 | 11 |
103 | Sometimes I Feel Like a Motherless Child (Arr. Hogan for Soprano and Piano) | -0.52 | -20.62 | -16.1 | 11 |