℗ 2015 Dacapo Records
| Released | February 3, 2015 |
| Duration | 1h 11m 27s |
| Record Label | Dacapo SACD |
| Catalogue No. | 6.220625 |
| Genre | Classical (Orchestral) |
Carl Nielsen: Symphony No. 5 - Symphony No. 6 “Sinfonia semplice”
New York Philharmonic Orchestra, Alan Gilbert
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 5, Op. 50, FS 97
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1.1
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I. Tempo giusto -
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
10:27 | |||
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1.2
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I. Adagio
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
9:39 | |||
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1.3
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II. Allegro -
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
6:07 | |||
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1.4
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II. Presto -
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
3:04 | |||
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1.5
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II. Andante un poco tranquillo -
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
4:43 | |||
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1.6
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II. Allegro
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
2:58 | |||
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Symphony No. 6, FS 116, "Sinfonia semplice"
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1.7
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I. Tempo giusto
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
13:21 | |||
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1.8
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II. Humoreske. Allegretto
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
4:21 | |||
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1.9
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III. Proposta seria. Adagio
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
6:10 | |||
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1.10
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IV. Tema con variazioni
Carl Nielsen; New York Philharmonic Orchestra; Alan Gilbert |
10:37 | |||
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Digital Booklet
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"The opening of the Fifth Symphony emerges with gossamer delicacy ... the solo wind playing is as sensitive as one could wish ... excellent live sonics add to the tactile immediacy ... this is fantastic."
- ClassicsToday.com
Marking the beginning of Carl Nielsen’s 150th anniversary year, this recording concludes the acclaimed cycle of Carl Nielsen symphonies by the New York Philharmonic Orchestra and its music director Alan Gilbert known as The Nielsen Project. Recorded live in Avery Fisher Hall in October 2014, this album presents the Danish national composer’s last two symphonies, shedding new light on the originally conceived, momentous struggle of the Fifth Symphony as well as the Sixth Symphony and its inscrutable irony.
88.2 kHz / 24-bit PCM – Dacapo SACD Studio Masters
Recorded in the DXD audio format (Digital eXtreme Definition) 352.8 kHz / 24-bit Recorded at Avery Fisher Hall, Lincoln Center, New York City, 1-3 October 2014 Recording producers: Preben Iwan and Mats Engström Sound engineer: Preben Iwan Live monitoring on MK Sound speakers Microphones main array: Decca Tree with outriggers: 5x DPA 4006TL Surround microphones: 2x DPA 4015TL Converters & Preamps: DAD AX24 – DAW system: Pyramix with Smart AV Tango controller Mastering monitored on B&W 802 Diamond speakers Liner notes: Jens Cornelius English translation of the liner notes: James Manley Proofreader: Svend Ravnkilde Photos pp 12-13 and 20-21: © Chris Lee Photo p 9: Elis Högh-Jensen, c 1920s; © The Royal Library, Department of Maps, Prints and Photographs Graphic design: Denise / Elevator Design Publisher: The Carl Nielsen Edition – Edition Wilhelm Hansen AS
Recorded in the DXD audio format (Digital eXtreme Definition) 352.8 kHz / 24-bit Recorded at Avery Fisher Hall, Lincoln Center, New York City, 1-3 October 2014 Recording producers: Preben Iwan and Mats Engström Sound engineer: Preben Iwan Live monitoring on MK Sound speakers Microphones main array: Decca Tree with outriggers: 5x DPA 4006TL Surround microphones: 2x DPA 4015TL Converters & Preamps: DAD AX24 – DAW system: Pyramix with Smart AV Tango controller Mastering monitored on B&W 802 Diamond speakers Liner notes: Jens Cornelius English translation of the liner notes: James Manley Proofreader: Svend Ravnkilde Photos pp 12-13 and 20-21: © Chris Lee Photo p 9: Elis Högh-Jensen, c 1920s; © The Royal Library, Department of Maps, Prints and Photographs Graphic design: Denise / Elevator Design Publisher: The Carl Nielsen Edition – Edition Wilhelm Hansen AS
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.55 -10.36 to -0.11 | -28.97 -38.48 to -22.07 | -24.48 -33.20 to -18.70 | 15 13 to 18 | |
| 1 | I. Tempo giusto - | -3.47 | -29.92 | -25.0 | 16 |
| 2 | I. Adagio | -0.11 | -23.23 | -18.7 | 13 |
| 3 | II. Allegro - | -5.13 | -26.64 | -22.5 | 14 |
| 4 | II. Presto - | -2.40 | -24.21 | -19.2 | 13 |
| 5 | II. Andante un poco tranquillo - | -10.29 | -34.00 | -28.9 | 13 |
| 6 | II. Allegro | -0.20 | -22.07 | -19.0 | 13 |
| 7 | I. Tempo giusto | -0.81 | -27.69 | -23.2 | 16 |
| 8 | II. Humoreske. Allegretto | -10.36 | -38.48 | -33.2 | 18 |
| 9 | III. Proposta seria. Adagio | -9.61 | -35.11 | -31.8 | 13 |
| 10 | IV. Tema con variazioni | -3.16 | -28.37 | -23.3 | 16 |