℗ 2019 Solo Musica
Released | January 18, 2019 |
Duration | 2h 12m 53s |
Record Label | Solo Musica |
Catalogue No. | SM298 |
Genre | Classical (Violin) |
J.S. Bach: Sonatas & Partitas BWVV 1001-1006
Mikhail Pochekin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata No. 1 in G Minor, BWV 1001
|
|||||
1.1
|
I. Adagio
Johann Sebastian Bach; Mikhail Pochekin |
3:48 | |||
1.2
|
II. Fugue. Allegro
Johann Sebastian Bach; Mikhail Pochekin |
5:14 | |||
1.3
|
III. Siciliana
Johann Sebastian Bach; Mikhail Pochekin |
3:06 | |||
1.4
|
IV. Presto
Johann Sebastian Bach; Mikhail Pochekin |
3:40 | |||
Violin Partita No. 1 in B Minor, BWV 1002
|
|||||
1.5
|
I. Allemanda - Double
Johann Sebastian Bach; Mikhail Pochekin |
8:01 | |||
1.6
|
II. Corrente - Double. Presto
Johann Sebastian Bach; Mikhail Pochekin |
6:59 | |||
1.7
|
III. Sarabande - Double
Johann Sebastian Bach; Mikhail Pochekin |
6:14 | |||
1.8
|
IV. Tempo di borea - Double
Johann Sebastian Bach; Mikhail Pochekin |
6:13 | |||
Violin Sonata No. 2 in A Minor, BWV 1003
|
|||||
1.9
|
I. Grave
Johann Sebastian Bach; Mikhail Pochekin |
3:56 | |||
1.10
|
II. Fuga
Johann Sebastian Bach; Mikhail Pochekin |
7:32 | |||
1.11
|
III. Andante
Johann Sebastian Bach; Mikhail Pochekin |
5:05 | |||
1.12
|
IV. Allegro
Johann Sebastian Bach; Mikhail Pochekin |
5:14 | |||
Violin Partita No. 2 in D Minor, BWV 1004
|
|||||
2.1
|
I. Allemande
Johann Sebastian Bach; Mikhail Pochekin |
4:36 | |||
2.2
|
II. Courante
Johann Sebastian Bach; Mikhail Pochekin |
2:36 | |||
2.3
|
III. Sarabande
Johann Sebastian Bach; Mikhail Pochekin |
3:43 | |||
2.4
|
IV. Gigue
Johann Sebastian Bach; Mikhail Pochekin |
4:22 | |||
2.5
|
V. Ciaccona
Johann Sebastian Bach; Mikhail Pochekin |
13:00 | |||
Violin Sonata No. 3 in C Major, BWV 1005
|
|||||
2.6
|
I. Adagio
Johann Sebastian Bach; Mikhail Pochekin |
3:36 | |||
2.7
|
II. Fugue
Johann Sebastian Bach; Mikhail Pochekin |
9:53 | |||
2.8
|
III. Largo
Johann Sebastian Bach; Mikhail Pochekin |
3:16 | |||
2.9
|
IV. Allegro assai
Johann Sebastian Bach; Mikhail Pochekin |
4:51 | |||
Violin Partita No. 3 in E Major, BWV 1006
|
|||||
2.10
|
I. Preludio
Johann Sebastian Bach; Mikhail Pochekin |
3:42 | |||
2.11
|
II. Loure
Johann Sebastian Bach; Mikhail Pochekin |
3:52 | |||
2.12
|
III. Gavotte en rondeau
Johann Sebastian Bach; Mikhail Pochekin |
3:04 | |||
2.13
|
IV. Menuets I & II
Johann Sebastian Bach; Mikhail Pochekin |
4:11 | |||
2.14
|
V. Bourrée
Johann Sebastian Bach; Mikhail Pochekin |
1:24 | |||
2.15
|
VI. Gigue
Johann Sebastian Bach; Mikhail Pochekin |
1:45 | |||
Digital Booklet
|
“Pure and penetrating” was the violin playing of Johann Sebastian Bach according to the tradition of his son Carl Philipp Emanuel:
“He fully understood the possibilities of all violin instruments. This is testified by his soli for violin and cello without bass. One of the greatest violinists once told me that he had seen nothing more perfect to become a good violinist and he could advise nothing better than the violin soli without bass mentioned above.” When Carl Philipp Emanuel addressed these words in a letter to the musicologist and early Bach biographer Johann Nikolaus Forkel in 1774, Bach’s Sonatas and Partitas for Solo Violin were known to a still manageable, albeit growing circle of enthusiasts. Now these works are taken up on the present recording by Mikhail Pochekin.
Mikhail Pochekin is one of the most captivating violinists of his generation. He appears with many renowned orchestras including the Mariinsky Theater Symphony, the Russian National Orchestra, the Basel Symphony Orchestra, the Moscow Philharmonic, the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, the Tatarstan National Symphony Orchestra or the Lithuanian National Orchestra and worked together with conductors such as Heinz Holliger, Vassily Sinaisky, Yuri Simonov, Kevin Griffiths, Valentin Uryupin, Stanislav Kochanovsky, Dimitris Botinis, Mei-Ann Chen or Alexander Sladkovsky.
96 kHz / 24-bit PCM – Solo Musica Studio Masters
Disc 1, Track 12 – 96 kHz / 16-bit PCM
Disc 1, Track 12 – 96 kHz / 16-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.96 -3.91 to -0.20 | -22.57 -25.83 to -19.70 | -18.59 -21.40 to -16.30 | 14 13 to 15 | |
1.1 | I. Adagio | -0.34 | -22.49 | -18.2 | 13 |
1.2 | II. Fugue. Allegro | -0.25 | -21.72 | -17.9 | 14 |
1.3 | III. Siciliana | -0.47 | -23.60 | -19.7 | 14 |
1.4 | IV. Presto | -0.20 | -19.71 | -16.3 | 14 |
1.5 | I. Allemanda - Double | -0.20 | -22.01 | -17.8 | 15 |
1.6 | II. Corrente - Double. Presto | -0.20 | -21.84 | -18.1 | 14 |
1.7 | III. Sarabande - Double | -1.18 | -23.70 | -19.6 | 15 |
1.8 | IV. Tempo di borea - Double | -0.20 | -21.13 | -17.4 | 15 |
1.9 | I. Grave | -2.27 | -23.43 | -18.8 | 13 |
1.10 | II. Fuga | -0.20 | -20.90 | -17.2 | 14 |
1.11 | III. Andante | -3.23 | -25.83 | -21.4 | 14 |
1.12 | IV. Allegro | -0.20 | -21.26 | -17.7 | 15 |
2.1 | I. Allemande | -0.95 | -23.13 | -19.4 | 15 |
2.2 | II. Courante | -0.90 | -21.73 | -18.1 | 15 |
2.3 | III. Sarabande | -3.91 | -25.16 | -21.0 | 14 |
2.4 | IV. Gigue | -0.20 | -22.00 | -18.3 | 14 |
2.5 | V. Ciaccona | -0.20 | -21.58 | -17.6 | 14 |
2.6 | I. Adagio | -1.34 | -23.99 | -19.5 | 14 |
2.7 | II. Fugue | -0.20 | -21.94 | -18.1 | 15 |
2.8 | III. Largo | -2.40 | -23.43 | -19.2 | 13 |
2.9 | IV. Allegro assai | -0.20 | -19.70 | -16.3 | 13 |
2.10 | I. Preludio | -0.20 | -21.59 | -17.6 | 14 |
2.11 | II. Loure | -1.62 | -25.00 | -20.5 | 15 |
2.12 | III. Gavotte en rondeau | -0.90 | -23.69 | -19.5 | 15 |
2.13 | IV. Menuets I & II | -0.48 | -22.79 | -18.6 | 15 |
2.14 | V. Bourrée | -0.20 | -22.55 | -18.5 | 15 |
2.15 | VI. Gigue | -3.32 | -23.54 | -19.5 | 14 |