℗ 2019 IBS Classical
Released | January 18, 2019 |
Duration | 1h 05m 29s |
Record Label | IBS Classical |
Catalogue No. | IBS-182018 |
Genre | Classical (Contemporary Era) |
Metaludios, Books 1-3
Gustavo Diaz-Jerez
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Metaludios, Book 1
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1.1
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No. 1, Izar iluna
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
4:04 | |||
1.2
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No. 2, Kenotaphion
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
1:44 | |||
1.3
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No. 3, Imaginary Continuum
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
2:28 | |||
1.4
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No. 4, Homenaje a Antonio Soler
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
5:07 | |||
1.5
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No. 5, Orahan
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
4:56 | |||
1.6
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No. 6, Stheno
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
6:41 | |||
Metaludios, Book 2
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1.7
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No. 1, Quantum Foam
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
3:08 | |||
1.8
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No. 2, Succubus
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
4:23 | |||
1.9
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No. 3, Rule 110
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
2:22 | |||
1.10
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No. 4, Hommage à Horațiu Rădulescu
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
2:24 | |||
1.11
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No. 5, Étude pour les unisons
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
3:10 | |||
1.12
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No. 6, Sisyphus
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
4:53 | |||
Metaludios, Book 3
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1.13
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No. 1, Prélude non mesuré
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
2:35 | |||
1.14
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No. 2, An Error Occurred
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
1:28 | |||
1.15
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No. 3, Eine Hommage an Brahms
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
3:56 | |||
1.16
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No. 4, Microsuite
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
5:18 | |||
1.17
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No. 5, Modular Form
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
2:11 | |||
1.18
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No. 6, Nonlinear Recurrences
Gustavo Díaz Jerez; Gustavo Díaz Jerez |
4:41 | |||
Digital Booklet
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Of his new release pianist Gustavo Díaz Jerez writes: “The Metaludios are relatively short works grouped in books of six pieces. In this release I present the first three, totaling eighteen pieces. This project started in 2013 but does not end here; the fourth book is almost finished and a fifth is on its way. The word Metaludio is derived from the prefix meta-, “beyond” and the suffix -ludio, from the Latin ludere, “to play”, “to exercise”. When coining this word, I tried to encompass these pieces beyond the usual preludes, interludes, etc. I have tried to give each Metaludio its own character, with distinguishing features that define its identity and differentiate it from the next. The titles give them away, sometimes because of the underlying scientific process, sometimes because of a mythological story behind, a tribute to a specific artist, or simply because of a sound resource that develops and grows in complexity.”
96 kHz / 24-bit PCM – IBS Classical Studio Masters
Track 18 – 88.2 kHz / 24-bit PCM
Track 18 – 88.2 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.56 -7.87 to -0.10 | -28.30 -34.06 to -22.87 | -23.82 -28.50 to -19.10 | 15 12 to 19 | |
1 | No. 1, Izar iluna | -4.42 | -27.90 | -24.1 | 14 |
2 | No. 2, Kenotaphion | -1.83 | -27.53 | -22.5 | 16 |
3 | No. 3, Imaginary Continuum | -5.22 | -32.10 | -26.9 | 14 |
4 | No. 4, Homenaje a Antonio Soler | -2.43 | -28.88 | -25.4 | 16 |
5 | No. 5, Orahan | -2.16 | -31.98 | -24.9 | 18 |
6 | No. 6, Stheno | -1.38 | -29.71 | -23.5 | 19 |
7 | No. 1, Quantum Foam | -4.89 | -27.98 | -24.9 | 14 |
8 | No. 2, Succubus | -3.04 | -32.73 | -27.7 | 19 |
9 | No. 3, Rule 110 | -0.10 | -23.21 | -19.3 | 13 |
10 | No. 4, Hommage à Horațiu Rădulescu | -1.53 | -34.06 | -28.1 | 16 |
11 | No. 5, Étude pour les unisons | -7.87 | -32.86 | -28.5 | 15 |
12 | No. 6, Sisyphus | -1.17 | -26.28 | -22.3 | 16 |
13 | No. 1, Prélude non mesuré | -0.11 | -22.87 | -19.7 | 12 |
14 | No. 2, An Error Occurred | -2.07 | -25.69 | -22.4 | 12 |
15 | No. 3, Eine Hommage an Brahms | -5.29 | -31.04 | -26.5 | 17 |
16 | No. 4, Microsuite | -1.03 | -26.10 | -22.3 | 15 |
17 | No. 5, Modular Form | -0.38 | -23.39 | -19.1 | 12 |
18 | No. 6, Nonlinear Recurrences | -1.07 | -25.00 | -20.7 | 14 |