℗ ℗ 2019 IBS Classical
 

Metaludios, Books 1-3

Gustavo Diaz-Jerez

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Metaludios, Book 1  
1
No. 1, Izar iluna
Gustavo Díaz Jerez; Gustavo Díaz Jerez
4:04
2
No. 2, Kenotaphion
Gustavo Díaz Jerez; Gustavo Díaz Jerez
1:44
3
No. 3, Imaginary Continuum
Gustavo Díaz Jerez; Gustavo Díaz Jerez
2:28
4
No. 4, Homenaje a Antonio Soler
Gustavo Díaz Jerez; Gustavo Díaz Jerez
5:07
5
No. 5, Orahan
Gustavo Díaz Jerez; Gustavo Díaz Jerez
4:56
6
No. 6, Stheno
Gustavo Díaz Jerez; Gustavo Díaz Jerez
6:41
Metaludios, Book 2  
7
No. 1, Quantum Foam
Gustavo Díaz Jerez; Gustavo Díaz Jerez
3:08
8
No. 2, Succubus
Gustavo Díaz Jerez; Gustavo Díaz Jerez
4:23
9
No. 3, Rule 110
Gustavo Díaz Jerez; Gustavo Díaz Jerez
2:22
10
No. 4, Hommage à Horațiu Rădulescu
Gustavo Díaz Jerez; Gustavo Díaz Jerez
2:24
11
No. 5, Étude pour les unisons
Gustavo Díaz Jerez; Gustavo Díaz Jerez
3:10
12
No. 6, Sisyphus
Gustavo Díaz Jerez; Gustavo Díaz Jerez
4:53
Metaludios, Book 3  
13
No. 1, Prélude non mesuré
Gustavo Díaz Jerez; Gustavo Díaz Jerez
2:35
14
No. 2, An Error Occurred
Gustavo Díaz Jerez; Gustavo Díaz Jerez
1:28
15
No. 3, Eine Hommage an Brahms
Gustavo Díaz Jerez; Gustavo Díaz Jerez
3:56
16
No. 4, Microsuite
Gustavo Díaz Jerez; Gustavo Díaz Jerez
5:18
17
No. 5, Modular Form
Gustavo Díaz Jerez; Gustavo Díaz Jerez
2:11
18
No. 6, Nonlinear Recurrences
Gustavo Díaz Jerez; Gustavo Díaz Jerez
4:41
Digital Booklet
Total Playing Time    65:29
Of his new release pianist Gustavo Díaz Jerez writes: “The Metaludios are relatively short works grouped in books of six pieces. In this release I present the first three, totaling eighteen pieces. This project started in 2013 but does not end here; the fourth book is almost finished and a fifth is on its way. The word Metaludio is derived from the prefix meta-, “beyond” and the suffix -ludio, from the Latin ludere, “to play”, “to exercise”. When coining this word, I tried to encompass these pieces beyond the usual preludes, interludes, etc. I have tried to give each Metaludio its own character, with distinguishing features that define its identity and differentiate it from the next. The titles give them away, sometimes because of the underlying scientific process, sometimes because of a mythological story behind, a tribute to a specific artist, or simply because of a sound resource that develops and grows in complexity.”
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