℗ ℗ 2019 IBS Classical
 

Ametsetan: Basque Songs

Miren Urbieta-Vega, Rubén Fernández Aguirre

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7 Lieder  
1
No. 1, Ametsetan
Pablo Sorozábal; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:16
2
No. 2, Hotz Eta Isiltsu
Pablo Sorozábal; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:38
3
No. 3, Eres Dagie Txilibituak
Pablo Sorozábal; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:05
4
No. 4, Zure Musuan
Pablo Sorozábal; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:31
5
No. 5, Lotoren Lorak
Pablo Sorozábal; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:24
6
No. 6, Ez Dot Sinesten
Pablo Sorozábal; Miren Urbieta-Vega; Rubén Fernández Aguirre
2:35
7
No. 7, Agertu Jatan Orrila
Pablo Sorozábal; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:12
Melodias, Op. 75  
8
No. 1, En el Campo
Andrés Isasi; Miren Urbieta-Vega; Rubén Fernández Aguirre
2:08
Recueill de romances, Op. 57  
9
Balada del Rey de Francia, Op. 57 No. 3
Andrés Isasi; Miren Urbieta-Vega; Rubén Fernández Aguirre
4:17
Recueill de romances, Op. 49  
10
Canto a la Virgen, Op. 49 No. 1
Andrés Isasi; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:13
Recueill de romances, Op. 48  
11
Diligencia en el Camino, Op. 48 No. 6
Andrés Isasi; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:16
10 Melodias Vascas (Excerpts Arr. for Voice & Piano)  
12
No. 5, Alabatua
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:25
13
No. 2, Aritz Adarrean
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
2:20
14
No. 7, Asiko Naiz
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:37
15
No. 6, Ala Baita
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:41
16
No. 3, Garizuma Luzerik
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:29
17
No. 8, Zorabiatua Naiz
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:05
18
No. 4, Jentileri On
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
2:02
19
No. 1, Sant Urbanen Bezpera
Anonymous; Jesús Guridi; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:24
4 Canciones Vascas  
20
No. 1, Ai Isabel, Isabel!
Félix Lavilla; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:24
21
No. 2, Anderegaia
Félix Lavilla; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:49
22
No. 3, Loa, Loa
Félix Lavilla; Miren Urbieta-Vega; Rubén Fernández Aguirre
2:01
23
No. 4, Aldapeko Maria
Félix Lavilla; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:12
24
Lorea
Manuel García Morante; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:52
25
Iturrina Goizean
Manuel García Morante; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:57
26
Agur, Adixquidea
Manuel García Morante; Miren Urbieta-Vega; Rubén Fernández Aguirre
2:16
27
Adizan Gabriela
Manuel García Morante; Miren Urbieta-Vega; Rubén Fernández Aguirre
1:12
3 Nombres de Mujer  
28
No. 1, Isabel
Antón García Abril; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:22
29
No. 2, Ainhoa
Antón García Abril; Miren Urbieta-Vega; Rubén Fernández Aguirre
4:12
30
No. 3, Begoña
Antón García Abril; Miren Urbieta-Vega; Rubén Fernández Aguirre
3:16
Digital Booklet
Total Playing Time    71:11
The stunning economic development of the Basque Country after the end of the last Carlist War (1876) turned into an artistic flowering almost without precedent in the first decades of the 20th Century. Music, particularly, was promoted as an identifying attribute and a tool for civic progress. In a context of advanced “globalisation” of the Western culture, a constellation of local authors aspired to measure themselves on equal terms with their European counterparts, although without giving up neither their own personality nor their vernacular roots. Nevertheless, each of them faced such a challenge depending on their particular circumstance, sensitivity and idiosyncrasy.

In their own way, the three composers featured on this album summarize a historical, social, cultural, and geographical framework of thrilling eagerness, sometimes evanescent. Guridi and Sorozabal culminated their career in Madrid: the former acclaimed by the academia, the latter blessed with popular success, although condemned to an inner excile because of his dissident and controversial nature. Only Isasi died, prematurely, forgotten, in his homeland. Fortunately, and all the same, the good art does not pay duties in the frontiers of life.
96 kHz / 24-bit PCM – IBS Classical Studio Masters

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