℗ 2019 harmonia mundi USA
Released February 15, 2019
Duration 1h 10m 27s
Record Label harmonia mundi
Catalogue No. 907632DI
Genre Classical (Solo concerto, concerto grosso, sinfonia concertante)
 

Prokofiev: Piano Concertos No. 1, 3 & 4 (Live)

Vadym Kholodenko, Fort Worth Symphony Orchestra, Miguel Harth-Bedoya

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Piano Concerto No. 1 in D-Flat Major, Op. 10  
1.1
I. Allegro brioso (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
7:09
1.2
II. Andante assai (Live)
Sergei Prokofiev; Vadym Kholodenko; Miguel Harth-Bedoya; Fort Worth Symphony Orchestra
4:28
1.3
III. Allegro scherzando (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
4:35
Piano Concerto No. 4 in B-Flat Major, Op. 53  
1.4
I. Vivace (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
4:42
1.5
II. Andante (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
9:22
1.6
III. Moderato (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
8:06
1.7
IV. Vivace (Live)
Sergei Prokofiev; Vadym Kholodenko; Miguel Harth-Bedoya; Fort Worth Symphony Orchestra
1:42
Piano Concerto No. 3 in C Major, Op. 26  
1.8
I. Andante. Allegro (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
9:53
1.9
II. Tema con variazioni (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
10:17
1.10
III. Allegro ma non troppo (Live)
Sergei Prokofiev; Vadym Kholodenko; Fort Worth Symphony Orchestra; Miguel Harth-Bedoya
10:13
Digital Booklet
"He rewarded the audience with a highly varied, consistently interesting and technically amazing performance." - Star Telegram, Concert review 2013 Cliburn Gold Medalist Vadym Kholodenko became the first-ever "Artistic Partner" with the Fort Worth Symphony Orchestra beginning in 2014/2015. He now concludes his complete cycle of Prokofiev piano concertos, which opened with Nos. 2 and 5. The three works heard here were composed over a span of two decades (1911 to 1930) and met with widely uneven reception, which ranged from the great popularity and critical acclaim in the case of No. 3 – to incomprehension and neglect, when it came to No. 4 (the 'other' concerto for the left hand alone).
88.2 kHz / 24-bit PCM – harmonia mundi Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.67
-6.34 to -0.40
-25.20
-30.47 to -19.24
-21.61
-27.80 to -15.50
14
10 to 16
1
I. Allegro brioso (Live)
-0.85-21.74-18.213
2
II. Andante assai (Live)
-1.44-25.80-21.514
3
III. Allegro scherzando (Live)
-0.59-19.24-15.510
4
I. Vivace (Live)
-1.43-25.46-23.116
5
II. Andante (Live)
-3.09-26.58-23.014
6
III. Moderato (Live)
-1.51-25.18-22.114
7
IV. Vivace (Live)
-6.34-30.47-27.815
8
I. Andante. Allegro (Live)
-0.63-26.13-22.316
9
II. Tema con variazioni (Live)
-0.40-26.67-21.616
10
III. Allegro ma non troppo (Live)
-0.43-24.73-21.015

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