℗ ℗ 2019 Chandos
Schubert: Symphonies, Vol. 1 – Nos. 3, 5 & 8
City of Birmingham Symphony Orchestra, Edward Gardner
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Symphony No. 3 in D Major, D. 200
|
|||||
|
1.1
|
I. Adagio maestoso - Allegro con brio
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
8:34 | |||
|
1.2
|
II. Allegretto
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
4:04 | |||
|
1.3
|
III. Menuetto. Vivace
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
3:38 | |||
|
1.4
|
IV. Presto vivace
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
5:51 | |||
|
Symphony No. 5 in B-Flat Major, D. 485
|
|||||
|
1.5
|
I. Allegro
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
7:18 | |||
|
1.6
|
II. Andante con moto
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
8:13 | |||
|
1.7
|
III. Menuetto. Allegro molto
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
4:41 | |||
|
1.8
|
IV. Allegro vivace
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
6:52 | |||
|
Symphony No. 8 in B Minor, D. 759 "Unfinished"
|
|||||
|
1.9
|
I. Allegro moderato
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
13:31 | |||
|
1.10
|
II. Andante con moto
Franz Schubert; City of Birmingham Symphony Orchestra; Edward Gardner |
10:45 | |||
|
Digital Booklet
|
|||||
|
Total Playing Time 73:27
|
|||||
Following the highly successful series ‘Mendelssohn in Birmingham’, the City of Birmingham Symphony Orchestra and its former Principal Guest Conductor Edward Gardner here present the first volume in a new surround-sound series devoted to Schubert’s symphonies.
This first volume comprises three works spanning Schubert’s short but exceedingly productive composing life. Symphony No. 3, of 1815, notable for its extensive and evolving slow introduction modelled on late Haydn, is followed by a work that represents a distillation of Schubertian classicism: the ‘little’ Symphony No. 5, composed in 1816. Scored for chamber orchestra, it shows a greater influence of Mozart, for whom Schubert seems to have felt a special affinity around this time. Completing the album is Schubert’s much more intense Symphony No. 8 ‘Unfinished’ of 1822. Only the first two movements – a turbulent opening movement and serene second – and a skeleton sketch of a third, Scherzo, movement were completed.
This first volume comprises three works spanning Schubert’s short but exceedingly productive composing life. Symphony No. 3, of 1815, notable for its extensive and evolving slow introduction modelled on late Haydn, is followed by a work that represents a distillation of Schubertian classicism: the ‘little’ Symphony No. 5, composed in 1816. Scored for chamber orchestra, it shows a greater influence of Mozart, for whom Schubert seems to have felt a special affinity around this time. Completing the album is Schubert’s much more intense Symphony No. 8 ‘Unfinished’ of 1822. Only the first two movements – a turbulent opening movement and serene second – and a skeleton sketch of a third, Scherzo, movement were completed.
96 kHz / 24-bit PCM – Chandos Studio Masters