℗ 2019 Genuin
 

Joseph Haydn and His London Disciples

Rebecca Maurer

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Keyboard Sonata in C Major, Op. 79, Hob. XVI:50  
1.1
I. Allegro
Franz Joseph Haydn; Rebecca Maurer
8:41
1.2
II. Adagio
Franz Joseph Haydn; Rebecca Maurer
5:46
1.3
III. Allegro molto
Franz Joseph Haydn; Rebecca Maurer
2:39
Rondo No. 2  
1.4
Canzonetta II (Rondo / After Haydn's "Pleasing Pain, Hob. XXVIa:29")
Thomas Haigh; Rebecca Maurer
2:56
1.5
Canzonetta III (Rondo / After Haydn's "A Pastoral Song, Hob. XXVIa:27")
Thomas Haigh; Rebecca Maurer
4:56
1.6
Canzonetta I (Rondo / After Haydn's "Sailor's Song, Hob. XXVIa:31")
Thomas Haigh; Rebecca Maurer
4:29
1.7
Fantaisie (After Haydn's "God Save Francis the Emperor, Hob. XXVIa:43")
Thomas Haigh; Rebecca Maurer
7:22
Keyboard Sonata in A Major, Op. 3 No. 1  
1.8
II. Lente
Christian Ignatius Latrobe; Rebecca Maurer
5:20
Keyboard Sonata in B-Flat Major, Op. 10 No. 2  
1.9
I. Adagio - Allegro
Thomas Haigh; Rebecca Maurer
7:41
1.10
II. Allegretto
Thomas Haigh; Rebecca Maurer
5:37
Keyboard Sonata in E-Flat Major, Op. 92, Hob. XVI:52  
1.11
I. Allegro
Franz Joseph Haydn; Rebecca Maurer
9:23
1.12
II. Adagio
Franz Joseph Haydn; Rebecca Maurer
7:42
1.13
III. Finale. Presto
Franz Joseph Haydn; Rebecca Maurer
6:24
Digital Booklet
Total Playing Time    78:56
What did Haydn sound like while he was on tour in London, giving concerts and teaching? Today, nobody perhaps comes closer to the sound from that time than Rebecca Maurer, who plays here on her original London fortepiano from 1816. Furthermore, the internationally sought-after fortepiano virtuoso does this with dazzling technique and immaculate stylistic confidence. The repertoire is also sensational, above all because it is not every day that one finds world premiere recordings by Haydn students on program flyers: fragrant music of Sentimentalism with some hints of Romanticism by Thomas Haigh and Christian Ignatius Latrobe. Outstanding repertoire! Equally at home on the fortepiano and harpsichord, Rebecca Maurer is acclaimed as one of the outstanding specialists for historical keyboard instruments of her generation. She studied piano, harpsichord and fortepiano in Freiburg, Amsterdam and at Cornell University where she held a fellowship. Her previous recording was nominated for the Preis der Deutschen Schallplattenkritik as well as for an International Classical Music Award in the Baroque instrumental category.
96 kHz / 24-bit PCM – Genuin Studio Masters

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