℗ 2019 American Clave
| Released | February 1, 2019 |
| Duration | 1h 03m 06s |
| Record Label | American Clave |
| Catalogue No. | AMCL1062 |
| Genre | Jazz (Contemporary) |
Waning Crescent Moon
Kip Hanrahan
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
She can measure the history of dreams
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
5:30 | |||
|
1.2
|
Lucia's young night
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
2:00 | |||
|
1.3
|
Dancing with sweetness, tonight
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
4:32 | |||
|
1.4
|
Perfect math, in a model bronx childhood
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
2:23 | |||
|
1.5
|
Our reflection in the turbulent heat
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
1:27 | |||
|
1.6
|
Silvana laughs at the film noir shadows
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
3:33 | |||
|
1.7
|
Andy laughs at one of the few golden veins
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
6:06 | |||
|
1.8
|
We were not alone
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
6:36 | |||
|
1.9
|
Name us light
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
2:34 | |||
|
1.10
|
Sometimes I can go for nights, forgetting
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
2:03 | |||
|
1.11
|
She and He describe the exact same intimate moment
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
6:38 | |||
|
1.12
|
A naked woman, comfortable
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
0:30 | |||
|
1.13
|
A more naked man, frightened
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
0:29 | |||
|
1.14
|
The dusk coming to a moving rest
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
1:01 | |||
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1.15
|
Somewhere in the deepest blue
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
4:31 | |||
|
1.16
|
The heat changed the colors of my eyes
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
1:37 | |||
|
1.17
|
The night finding it's form
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
1:54 | |||
|
1.18
|
Some Scottish Lullaby
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
0:43 | |||
|
1.19
|
In Olinda, she calmly explained the use of the reflexive
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
3:48 | |||
|
1.20
|
All us working class boys
Kip Hanrahan; Michael Chambers; Brandon Ross; Luisito Quintero; Robbie Ameen; Yunior Terry; Charles Neville; Lucia Ameen; Milton Cardona; Antonio Carrillo; Richie Flores; Andy Gonzales; Steve Swallow; Xiomara Laugart; Fernando Saunders; Josh Sinton; Alfre |
5:11 | |||
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Digital Booklet
|
There is nothing quite like Mr. Hanrahan's music, a steamy blend of rhythmic and melodic tensions, drawn from musicians of different traditions (Latin, jazz, rock), yet with something very much his own."
- Jason Weiss, The New York Times
"The music of Hanrahan, and of the American Clavé label which he runs, is rich beyond compare."
- Phil Johnson, The Independent
A brand new album from eclectic composer, producer, musician Kip Hanrahan. Staying true to his signature style, Hanrahan works with notable players like Fernando Saunders, Steve Swallow and the late Jack Bruce to create a heady blend of Latin, jazz, avant garde and a few other genres
88.2 kHz / 24-bit PCM – American Clave Studio Masters
Track 20 – contains material which has been processed by a perceptual audio coding algorithm
Track 20 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.26 -11.05 to -0.02 | -16.71 -31.25 to -11.94 | -14.41 -26.60 to -10.20 | 10 8 to 18 | |
| 1 | She can measure the history of dreams | -0.09 | -14.30 | -12.6 | 9 |
| 2 | Lucia's young night | -11.05 | -29.13 | -22.1 | 10 |
| 3 | Dancing with sweetness, tonight | -0.31 | -13.34 | -12.4 | 9 |
| 4 | Perfect math, in a model bronx childhood | -0.02 | -13.40 | -11.3 | 9 |
| 5 | Our reflection in the turbulent heat | -0.35 | -13.18 | -12.4 | 9 |
| 6 | Silvana laughs at the film noir shadows | -0.40 | -15.90 | -14.1 | 10 |
| 7 | Andy laughs at one of the few golden veins | 0.00 | -11.94 | -10.2 | 8 |
| 8 | We were not alone | -0.17 | -13.03 | -11.9 | 8 |
| 9 | Name us light | -0.40 | -13.78 | -11.9 | 9 |
| 10 | Sometimes I can go for nights, forgetting | -0.19 | -15.14 | -13.0 | 10 |
| 11 | She and He describe the exact same intimate moment | -0.25 | -12.13 | -10.9 | 8 |
| 12 | A naked woman, comfortable | -1.23 | -18.98 | -16.4 | 11 |
| 13 | A more naked man, frightened | -1.21 | -19.32 | -17.2 | 12 |
| 14 | The dusk coming to a moving rest | -0.40 | -17.02 | -15.2 | 11 |
| 15 | Somewhere in the deepest blue | -0.24 | -13.68 | -12.4 | 9 |
| 16 | The heat changed the colors of my eyes | -0.38 | -16.76 | -14.6 | 11 |
| 17 | The night finding it's form | -0.40 | -20.58 | -17.3 | 13 |
| 18 | Some Scottish Lullaby | -6.08 | -31.25 | -26.6 | 18 |
| 19 | In Olinda, she calmly explained the use of the reflexive | -0.40 | -16.94 | -14.2 | 11 |
| 20 | All us working class boys | -0.37 | -14.29 | -11.5 | 9 |