℗ 2019 Resonus Limited
Released | March 1, 2019 |
Duration | 1h 10m 02s |
Record Label | Resonus Classics |
Catalogue No. | RES10238 |
Genre | Classical |
Dieterich Buxtehude: Membra Jesu nostri, BuxWV 75
The Chapel Choir of Trinity Hall, Orpheus Britannicus, Newe Vialles, Andrew Arthur
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Membra Jesu nostri, BuxWV 75
|
|||||
1.1
|
Cantata I. Ad pedes - Sonata
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus |
1:05 | |||
1.2
|
Cantata I. Ad pedes - Ecce super montes
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:33 | |||
1.3
|
Cantata I. Ad pedes - Salve mundi salutare
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Eloise Irving; Charlotte Ives; Reuben Thomas |
5:01 | |||
1.4
|
Cantata I. Ad pedes - Ecce super montes (II)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:32 | |||
1.5
|
Cantata I. Ad pedes - Salve mundi salutare (II)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:03 | |||
1.6
|
Cantata II. Ad genua - Sonata in tremulo
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus |
1:09 | |||
1.7
|
Cantata II. Ad genua - Ad ubera portabimini (I)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:37 | |||
1.8
|
Cantata II. Ad genua - Salve Jesu, rex sanctorum
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Nicholas Mulroy; Daniel Collins; Eloise Irving; Charlotte Ives; Reuben Thomas |
3:37 | |||
1.9
|
Cantata II. Ad genua - Ad ubera portabimini (II)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:46 | |||
1.10
|
Cantata III. Ad manus - Sonata
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus |
1:07 | |||
1.11
|
Cantata III. Ad manus - Quid sunt plagae iste? (I)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
2:20 | |||
1.12
|
Cantata III. Ad manus - Salve Jesu, pastor bone
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Eloise Irving; Charlotte Ives; Reuben Thomas; Nicholas Mulroy |
4:50 | |||
1.13
|
Cantata III. Ad manus - Quid sunt plagae iste? (II)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
2:32 | |||
1.14
|
Cantata IV. Ad latus - Sonata
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus |
0:46 | |||
1.15
|
Cantata IV. Ad latus - Surge, amica mea (I)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:50 | |||
1.16
|
Cantata IV. Ad latus - Salve latus salvatoris
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Nicholas Mulroy; Daniel Collins; Eloise Irving; Charlotte Ives; Reuben Thomas |
4:16 | |||
1.17
|
Cantata IV. Ad latus - Surge, amica mea (II)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
2:00 | |||
1.18
|
Cantata V. Ad pectus - Sonata
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus |
0:46 | |||
1.19
|
Cantata V. Ad pectus - Sicut modo geniti infantes (I)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Daniel Collins; Nicholas Mulroy; Reuben Thomas |
3:03 | |||
1.20
|
Cantata V. Ad pectus - Salve, salus mea, Deus
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Daniel Collins; Nicholas Mulroy; Reuben Thomas |
4:49 | |||
1.21
|
Cantata V. Ad pectus - Sicut modo geniti infantes (II)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Daniel Collins; Nicholas Mulroy; Reuben Thomas |
3:14 | |||
1.22
|
Cantata VI. Ad cor - Sonata
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Newe Vialles |
2:31 | |||
1.23
|
Cantata VI. Ad cor - Vulnerasti cor meum (I)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Eloise Irving; Charlotte Ives; Reuben Thomas; Newe Vialles |
2:57 | |||
1.24
|
Cantata VI. Ad cor - Summi regis cor, aveto
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Eloise Irving; Charlotte Ives; Reuben Thomas; Newe Vialles |
3:13 | |||
1.25
|
Cantata VI. Ad cor - Vulnerasti cor meum (II)
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; Eloise Irving; Charlotte Ives; Reuben Thomas; Newe Vialles |
2:50 | |||
1.26
|
Cantata VII. Ad faciem - Sonata
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus |
0:57 | |||
1.27
|
Cantata VII. Ad faciem - Illustra faciem tuam
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:44 | |||
1.28
|
Cantata VII. Ad faciem - Salve, caput cruentatum
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall; Daniel Collins; Nicholas Mulroy; Reuben Thomas |
4:02 | |||
1.29
|
Cantata VII. Ad faciem - Amen
Dieterich Buxtehude; Andrew Arthur; Orpheus Britannicus; The Chapel Choir of Trinity Hall |
1:52 |
Following their ICMA award- nominated first album on Resonus (A Courtly Garland for Baroque Trumpet), period ensemble Orpheus Britannicus, with director Andrew Arthur, joins with The Chapel Choir of Trinity Hall, Cambridge, and viol consort Newe Vialles for an impelling new recording of Buxtehude’s seminal and ground-breaking cycle of cantatas Membra Jesu nostri.
With a distinguished lineup of soloists complementing this magnum opus, Arthur and his musicians give a gripping account of one of the most significant of early-Baroque oratorios.
44.1 kHz / 24-bit PCM – Resonus Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.05 -12.81 to -0.70 | -24.09 -28.67 to -18.54 | -20.80 -26.00 to -15.10 | 12 9 to 15 | |
1 | Cantata I. Ad pedes - Sonata | -10.22 | -26.38 | -23.0 | 9 |
2 | Cantata I. Ad pedes - Ecce super montes | -1.08 | -20.47 | -16.8 | 11 |
3 | Cantata I. Ad pedes - Salve mundi salutare | -1.90 | -24.82 | -21.6 | 15 |
4 | Cantata I. Ad pedes - Ecce super montes (II) | -0.97 | -20.44 | -16.8 | 11 |
5 | Cantata I. Ad pedes - Salve mundi salutare (II) | -0.87 | -19.76 | -15.4 | 11 |
6 | Cantata II. Ad genua - Sonata in tremulo | -12.81 | -28.60 | -26.0 | 9 |
7 | Cantata II. Ad genua - Ad ubera portabimini (I) | -0.78 | -18.79 | -15.3 | 11 |
8 | Cantata II. Ad genua - Salve Jesu, rex sanctorum | -0.70 | -24.03 | -20.8 | 14 |
9 | Cantata II. Ad genua - Ad ubera portabimini (II) | -0.79 | -19.21 | -15.4 | 11 |
10 | Cantata III. Ad manus - Sonata | -9.73 | -25.78 | -23.1 | 9 |
11 | Cantata III. Ad manus - Quid sunt plagae iste? (I) | -1.02 | -24.39 | -20.7 | 11 |
12 | Cantata III. Ad manus - Salve Jesu, pastor bone | -3.21 | -24.77 | -22.0 | 14 |
13 | Cantata III. Ad manus - Quid sunt plagae iste? (II) | -1.07 | -25.52 | -21.4 | 13 |
14 | Cantata IV. Ad latus - Sonata | -8.55 | -26.69 | -23.7 | 11 |
15 | Cantata IV. Ad latus - Surge, amica mea (I) | -1.08 | -20.66 | -17.4 | 12 |
16 | Cantata IV. Ad latus - Salve latus salvatoris | -3.35 | -25.33 | -22.3 | 14 |
17 | Cantata IV. Ad latus - Surge, amica mea (II) | -1.04 | -21.07 | -17.4 | 13 |
18 | Cantata V. Ad pectus - Sonata | -9.73 | -25.57 | -23.0 | 9 |
19 | Cantata V. Ad pectus - Sicut modo geniti infantes (I) | -5.83 | -25.29 | -22.0 | 12 |
20 | Cantata V. Ad pectus - Salve, salus mea, Deus | -4.80 | -25.13 | -22.3 | 13 |
21 | Cantata V. Ad pectus - Sicut modo geniti infantes (II) | -3.62 | -25.45 | -21.9 | 13 |
22 | Cantata VI. Ad cor - Sonata | -11.39 | -28.67 | -25.3 | 10 |
23 | Cantata VI. Ad cor - Vulnerasti cor meum (I) | -4.27 | -27.63 | -24.6 | 14 |
24 | Cantata VI. Ad cor - Summi regis cor, aveto | -3.34 | -28.37 | -25.6 | 14 |
25 | Cantata VI. Ad cor - Vulnerasti cor meum (II) | -5.28 | -26.71 | -23.4 | 13 |
26 | Cantata VII. Ad faciem - Sonata | -7.52 | -25.70 | -22.8 | 10 |
27 | Cantata VII. Ad faciem - Illustra faciem tuam | -0.85 | -21.33 | -17.9 | 14 |
28 | Cantata VII. Ad faciem - Salve, caput cruentatum | -1.01 | -23.50 | -20.1 | 14 |
29 | Cantata VII. Ad faciem - Amen | -0.75 | -18.54 | -15.1 | 10 |