℗ 2019 AMBIENTE Audio
| Released | February 1, 2019 |
| Duration | 1h 15m 25s |
| Record Label | AMBIENTE Audio |
| Catalogue No. | AMBIENTE-2037 |
| Genre | Classical (Baroque Era) |
J.S. Bach: Die Kunst der Fuge, BWV 1080
Matthias Maierhofer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Die Kunst der Fuge, BWV 1080
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1.1
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Fugue No. 1 (Contrapunctus 1)
Johann Sebastian Bach; Matthias Maierhofer |
3:58 | |||
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1.2
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Fugue No. 2 (Contrapunctus 3)
Johann Sebastian Bach; Matthias Maierhofer |
3:42 | |||
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1.3
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Fugue No. 3 (Contrapunctus 2)
Johann Sebastian Bach; Matthias Maierhofer |
2:56 | |||
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1.4
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Fugue No. 4 (Contrapunctus 5)
Johann Sebastian Bach; Matthias Maierhofer |
4:34 | |||
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1.5
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Fugue No. 5 (Contrapunctus 9)
Johann Sebastian Bach; Matthias Maierhofer |
3:24 | |||
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1.6
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Fugue No. 6 (Contrapunctus 10 & 14)
Johann Sebastian Bach; Matthias Maierhofer |
6:14 | |||
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1.7
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Fugue No. 7 (Contrapunctus 6)
Johann Sebastian Bach; Matthias Maierhofer |
5:33 | |||
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1.8
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Fugue No. 8 (Contrapunctus 7)
Johann Sebastian Bach; Matthias Maierhofer |
4:24 | |||
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1.9
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Canon in Hypodiapason
Johann Sebastian Bach; Matthias Maierhofer |
5:24 | |||
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1.10
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Fugue No. 10 (Contrapunctus 8)
Johann Sebastian Bach; Matthias Maierhofer |
5:11 | |||
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1.11
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Fugue No. 11 (Contrapunctus 11)
Johann Sebastian Bach; Matthias Maierhofer |
8:33 | |||
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1.12
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Canon in Hypodiatessaron, al roverscio e per augmentationem
Johann Sebastian Bach; Matthias Maierhofer |
7:40 | |||
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1.13
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Fugue No. 13a, Forma recta (Contrapunctus 12a)
Johann Sebastian Bach; Matthias Maierhofer |
4:00 | |||
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1.14
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Fugue No. 13b, Forma inversa (Contrapunctus 12b)
Johann Sebastian Bach; Matthias Maierhofer |
4:06 | |||
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1.15
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Fugue No. 14a, Forma inversa (Contrapunctus 13a)
Johann Sebastian Bach; Matthias Maierhofer |
2:53 | |||
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1.16
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Fugue No. 14b, Forma rectus (Contrapunctus 13b)
Johann Sebastian Bach; Matthias Maierhofer |
2:53 | |||
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Digital Booklet
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"... here in the foreground the music occurs throughout. Artist Maierhofer takes back, scores with as simple as it clear character like architecture of the joints brilliantly reflecting registrations and also demonstrates musical sense of precise timing and articulatory stringency."
- klassik-heute.de
"... Maierhofer's intensive familiarity with older (organ) music is felt in the interpretations, with the highest commandment being transparency and clarity, articulation and phrasing serving this purpose."
- Badische Zeitung
Matthias Maierhofer at the Silbermann organ of the Hofkirche Dresden.
96 kHz / 24-bit PCM – AMBIENTE Audio Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.91 -12.51 to -0.70 | -21.58 -29.58 to -14.24 | -18.74 -26.70 to -11.30 | 10 9 to 11 | |
| 1 | Fugue No. 1 (Contrapunctus 1) | -5.59 | -21.13 | -18.9 | 9 |
| 2 | Fugue No. 2 (Contrapunctus 3) | -8.85 | -24.77 | -22.1 | 10 |
| 3 | Fugue No. 3 (Contrapunctus 2) | -3.05 | -19.14 | -16.0 | 10 |
| 4 | Fugue No. 4 (Contrapunctus 5) | -2.79 | -17.35 | -15.2 | 9 |
| 5 | Fugue No. 5 (Contrapunctus 9) | -2.36 | -19.13 | -15.6 | 10 |
| 6 | Fugue No. 6 (Contrapunctus 10 & 14) | -12.51 | -27.76 | -25.5 | 9 |
| 7 | Fugue No. 7 (Contrapunctus 6) | -0.70 | -16.36 | -12.9 | 11 |
| 8 | Fugue No. 8 (Contrapunctus 7) | -3.47 | -19.04 | -15.9 | 11 |
| 9 | Canon in Hypodiapason | -11.22 | -29.58 | -26.7 | 11 |
| 10 | Fugue No. 10 (Contrapunctus 8) | -10.58 | -26.04 | -22.9 | 10 |
| 11 | Fugue No. 11 (Contrapunctus 11) | -0.70 | -14.24 | -11.3 | 9 |
| 12 | Canon in Hypodiatessaron, al roverscio e per augmentationem | -7.09 | -23.31 | -20.2 | 11 |
| 13 | Fugue No. 13a, Forma recta (Contrapunctus 12a) | -7.32 | -22.75 | -20.7 | 9 |
| 14 | Fugue No. 13b, Forma inversa (Contrapunctus 12b) | -10.14 | -24.97 | -22.7 | 10 |
| 15 | Fugue No. 14a, Forma inversa (Contrapunctus 13a) | -2.37 | -18.17 | -14.5 | 11 |
| 16 | Fugue No. 14b, Forma rectus (Contrapunctus 13b) | -5.86 | -21.50 | -18.8 | 10 |