℗ 2019 Naxos
| Released | February 8, 2019 |
| Duration | 1h 05m 32s |
| Record Label | Naxos |
| Catalogue No. | 8.573275 |
| Genre | Classical (Baroque Era) |
Gottlieb Muffat: Suites for Harpsichord, Vol. 2
Naoko Akutagawa
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Keyboard Suite in A Major, MC B16
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1.1
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I. Prélude
Gottlieb Muffat; Naoko Akutagawa |
3:33 | |||
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1.2
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II. Allemande
Gottlieb Muffat; Naoko Akutagawa |
3:40 | |||
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1.3
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III. Courante
Gottlieb Muffat; Naoko Akutagawa |
2:07 | |||
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1.4
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IV. Sarabande
Gottlieb Muffat; Naoko Akutagawa |
2:16 | |||
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1.5
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V. Menuet
Gottlieb Muffat; Naoko Akutagawa |
0:58 | |||
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1.6
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VI. Coquette
Gottlieb Muffat; Naoko Akutagawa |
1:29 | |||
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1.7
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VII. Gigue
Gottlieb Muffat; Naoko Akutagawa |
1:19 | |||
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Keyboard Suite in D Minor, MC B43
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1.8
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I. Fantaisie
Gottlieb Muffat; Naoko Akutagawa |
1:50 | |||
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1.9
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II. Allemande
Gottlieb Muffat; Naoko Akutagawa |
3:16 | |||
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1.10
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III. Hornpipe
Gottlieb Muffat; Naoko Akutagawa |
2:01 | |||
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1.11
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IV. Gavotte en rondeau
Gottlieb Muffat; Naoko Akutagawa |
2:22 | |||
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1.12
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V. Sarabande
Gottlieb Muffat; Naoko Akutagawa |
2:43 | |||
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1.13
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VI. Menuet
Gottlieb Muffat; Naoko Akutagawa |
1:01 | |||
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1.14
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VII. Air
Gottlieb Muffat; Naoko Akutagawa |
1:33 | |||
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1.15
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VIII. Menuet - Trio
Gottlieb Muffat; Naoko Akutagawa |
2:30 | |||
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1.16
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IX. Gigue
Gottlieb Muffat; Naoko Akutagawa |
2:47 | |||
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Keyboard Suite in F Major, MC B9
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1.17
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I. Prélude
Gottlieb Muffat; Naoko Akutagawa |
1:18 | |||
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1.18
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II. Menuet
Gottlieb Muffat; Naoko Akutagawa |
1:05 | |||
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1.19
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III. Fantaisie
Gottlieb Muffat; Naoko Akutagawa |
1:54 | |||
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1.20
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IV. Sarabande
Gottlieb Muffat; Naoko Akutagawa |
1:54 | |||
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1.21
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V. Bourrée
Gottlieb Muffat; Naoko Akutagawa |
1:07 | |||
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1.22
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VI. Postillon
Gottlieb Muffat; Naoko Akutagawa |
1:31 | |||
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1.23
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VII. Menuet - Trio
Gottlieb Muffat; Naoko Akutagawa |
2:34 | |||
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1.24
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VIII. Finale
Gottlieb Muffat; Naoko Akutagawa |
1:09 | |||
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Keyboard Suite in C Major, MC B15
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1.25
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I. Prélude
Gottlieb Muffat; Naoko Akutagawa |
2:11 | |||
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1.26
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II. Menuet
Gottlieb Muffat; Naoko Akutagawa |
0:58 | |||
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1.27
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III. L'Allégresse
Gottlieb Muffat; Naoko Akutagawa |
2:18 | |||
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1.28
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IV. Contrefaiseur
Gottlieb Muffat; Naoko Akutagawa |
2:09 | |||
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1.29
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V. Rondeau
Gottlieb Muffat; Naoko Akutagawa |
1:11 | |||
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1.30
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VI. Sarabande
Gottlieb Muffat; Naoko Akutagawa |
2:03 | |||
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1.31
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VII. Passepieds I & II
Gottlieb Muffat; Naoko Akutagawa |
1:49 | |||
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1.32
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VIII. Gigue
Gottlieb Muffat; Naoko Akutagawa |
1:40 | |||
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1.33
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IX. Marche
Gottlieb Muffat; Naoko Akutagawa |
0:55 | |||
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1.34
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X. Finale
Gottlieb Muffat; Naoko Akutagawa |
2:21 | |||
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Digital Booklet
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Gottlieb Muffat, youngest son of composer and Kapellmeister Georg Muffat, was a keyboard virtuoso whose career was based around the Viennese Imperial Court. Muffat, with his own elegantly ornamented style, absorbing influences from Germany, France and Italy, is remembered as a composer from whom Handel borrowed extensively- a common practice of the period. These premiere recordings represent the remarkable rediscovery of manuscripts sequestered and dispersed after the Second World War.
Naoko Akutagawa’s previous recordings from Muffat’s Componimenti musicali were described by MusicWeb International as ‘galvanically virtuosic.’ Naoko Akutagawa was born in Hiroshima in 1974, and began playing piano at the age of three. At 16 she switched to the harpsichord, studying first at the Toho Gakuen School of Music, and then at the Hochschule fur Musik Wurzburg, Germany, as a student of Glen Wilson. Her recordings have been broadcast by the BBC and the Australian Broadcasting Corporation.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.41 -10.27 to -3.14 | -24.95 -27.80 to -22.53 | -21.41 -24.60 to -18.90 | 13 11 to 15 | |
| 1 | I. Prélude | -3.24 | -24.96 | -21.1 | 14 |
| 2 | II. Allemande | -5.82 | -26.34 | -22.8 | 14 |
| 3 | III. Courante | -4.85 | -24.77 | -21.3 | 13 |
| 4 | IV. Sarabande | -4.07 | -26.20 | -22.9 | 14 |
| 5 | V. Menuet | -5.07 | -23.95 | -20.5 | 13 |
| 6 | VI. Coquette | -5.61 | -24.27 | -20.9 | 13 |
| 7 | VII. Gigue | -3.43 | -22.73 | -18.9 | 13 |
| 8 | I. Fantaisie | -3.85 | -23.33 | -19.5 | 12 |
| 9 | II. Allemande | -7.82 | -27.56 | -24.4 | 13 |
| 10 | III. Hornpipe | -5.15 | -24.51 | -21.1 | 14 |
| 11 | IV. Gavotte en rondeau | -4.52 | -23.99 | -20.6 | 13 |
| 12 | V. Sarabande | -5.51 | -26.51 | -23.1 | 15 |
| 13 | VI. Menuet | -5.85 | -25.85 | -22.3 | 14 |
| 14 | VII. Air | -4.85 | -24.29 | -20.8 | 13 |
| 15 | VIII. Menuet - Trio | -5.53 | -25.90 | -22.4 | 13 |
| 16 | IX. Gigue | -6.08 | -25.25 | -21.8 | 14 |
| 17 | I. Prélude | -5.51 | -25.89 | -22.2 | 13 |
| 18 | II. Menuet | -6.13 | -24.97 | -21.4 | 13 |
| 19 | III. Fantaisie | -5.61 | -23.85 | -20.4 | 12 |
| 20 | IV. Sarabande | -5.17 | -26.04 | -22.4 | 14 |
| 21 | V. Bourrée | -6.11 | -24.29 | -20.8 | 12 |
| 22 | VI. Postillon | -6.22 | -24.61 | -21.1 | 13 |
| 23 | VII. Menuet - Trio | -5.37 | -25.85 | -22.4 | 13 |
| 24 | VIII. Finale | -5.80 | -23.87 | -20.2 | 11 |
| 25 | I. Prélude | -3.14 | -26.12 | -22.0 | 15 |
| 26 | II. Menuet | -6.95 | -25.18 | -21.5 | 12 |
| 27 | III. L'Allégresse | -4.76 | -22.53 | -18.9 | 13 |
| 28 | IV. Contrefaiseur | -5.35 | -24.96 | -21.5 | 13 |
| 29 | V. Rondeau | -5.41 | -24.44 | -20.9 | 13 |
| 30 | VI. Sarabande | -10.27 | -27.80 | -24.6 | 12 |
| 31 | VII. Passepieds I & II | -5.17 | -25.52 | -22.0 | 13 |
| 32 | VIII. Gigue | -5.95 | -24.87 | -21.5 | 14 |
| 33 | IX. Marche | -5.40 | -24.21 | -20.6 | 12 |
| 34 | X. Finale | -4.48 | -22.94 | -19.1 | 13 |