℗ 2019 Naxos
| Released | February 8, 2019 |
| Duration | 59m 43s |
| Record Label | Naxos |
| Catalogue No. | 8.573944 |
| Genre | Classical (Art Song) |
R. Schumann: Spanisches Liederspiel
Anna Palimina, Marion Eckstein, Simon Bode, Matthias Hoffmann, Ulrich Eisenlohr, Stefan Irmer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Minnespiel, Op. 101 (Excerpts)
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1.1
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No. 5, Schön ist das Fest des Lenzes
Robert Schumann; Anna Palimina; Marion Eckstein; Simon Bode; Matthias Hoffmann; Ulrich Eisenlohr |
4:17 | |||
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1.2
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No. 7, Die tausend Grüße
Robert Schumann; Anna Palimina; Simon Bode; Ulrich Eisenlohr |
2:03 | |||
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1.3
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No. 8, So wahr die Sonne scheinet
Robert Schumann; Anna Palimina; Marion Eckstein; Simon Bode; Matthias Hoffmann; Ulrich Eisenlohr |
3:10 | |||
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Spanisches Liederspiel, Op. 74
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1.4
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No. 1, Erste Begegnung
Robert Schumann; Anna Palimina; Marion Eckstein; Ulrich Eisenlohr |
2:14 | |||
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1.5
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No. 2, Intermezzo
Robert Schumann; Simon Bode; Matthias Hoffmann; Ulrich Eisenlohr |
1:22 | |||
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1.6
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No. 3, Liebesgram
Robert Schumann; Anna Palimina; Marion Eckstein; Ulrich Eisenlohr |
3:03 | |||
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1.7
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No. 4, In der Nacht
Robert Schumann; Anna Palimina; Simon Bode; Ulrich Eisenlohr |
4:51 | |||
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1.8
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No. 5, Es ist verraten
Robert Schumann; Anna Palimina; Marion Eckstein; Simon Bode; Matthias Hoffmann; Ulrich Eisenlohr |
2:29 | |||
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1.9
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No. 6, Melancholie
Robert Schumann; Anna Palimina; Ulrich Eisenlohr |
2:09 | |||
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1.10
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No. 7, Geständnis
Robert Schumann; Simon Bode; Ulrich Eisenlohr |
1:49 | |||
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1.11
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No. 8, Botschaft
Robert Schumann; Anna Palimina; Marion Eckstein; Ulrich Eisenlohr |
4:19 | |||
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1.12
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No. 9, Ich bin geliebt
Robert Schumann; Anna Palimina; Marion Eckstein; Simon Bode; Matthias Hoffmann; Ulrich Eisenlohr |
3:57 | |||
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1.13
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No. 10, Der Kontrabandiste
Robert Schumann; Matthias Hoffmann; Ulrich Eisenlohr |
1:59 | |||
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Spanische Liebeslieder, Op. 138
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1.14
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No. 1, Vorspiel
Robert Schumann; Stefan Irmer; Ulrich Eisenlohr |
1:43 | |||
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1.15
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No. 2, Tief im Herzen trag ich Pein
Robert Schumann; Anna Palimina; Stefan Irmer; Ulrich Eisenlohr |
2:19 | |||
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1.16
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No. 3, O wie lieblich ist das Mädchen
Robert Schumann; Simon Bode; Stefan Irmer; Ulrich Eisenlohr |
2:00 | |||
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1.17
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No. 4, Bedeckt mich mit Blumen
Robert Schumann; Anna Palimina; Marion Eckstein; Stefan Irmer; Ulrich Eisenlohr |
2:34 | |||
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1.18
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No. 5, Flutenreicher Ebro
Robert Schumann; Matthias Hoffmann; Stefan Irmer; Ulrich Eisenlohr |
3:08 | |||
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1.19
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No. 6, Intermezzo
Robert Schumann; Stefan Irmer; Ulrich Eisenlohr |
1:42 | |||
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1.20
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No. 7, Weh, wie zornig ist das Mädchen
Robert Schumann; Simon Bode; Stefan Irmer; Ulrich Eisenlohr |
1:29 | |||
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1.21
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No. 8, Hoch, hoch sind die Berge
Robert Schumann; Marion Eckstein; Stefan Irmer; Ulrich Eisenlohr |
2:19 | |||
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1.22
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No. 9, Blaue Augen hat das Mädchen
Robert Schumann; Simon Bode; Matthias Hoffmann; Stefan Irmer; Ulrich Eisenlohr |
1:54 | |||
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1.23
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No. 10, Dunkler Lichtglanz, blinder Blick
Robert Schumann; Anna Palimina; Marion Eckstein; Simon Bode; Matthias Hoffmann; Stefan Irmer; Ulrich Eisenlohr |
2:53 | |||
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Digital Booklet
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In 1849, a year during which political upheavals still resonated across Europe, Schumann wrote three song cycles which combined solo songs, duets and quartets. He turned again to the works of a favorite poet, Friedrich Ruckert, for Minnespiel, with its underlying religious theme, of which three of the eight settings are heard on this recording- a charming Spring setting, a duet, and the final quartet. Both Spanish cycles imply dramatic narratives between a girl and a boy. In Spanisches Liederspiel the music in places evokes Spanish rhythms such as the bolero, while its sequel, Spanische Liebeslieder, advances the cycle concept by employing piano duet accompaniment.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.68 -2.64 to -0.20 | -19.92 -23.32 to -17.33 | -16.88 -20.20 to -14.40 | 12 11 to 14 | |
| 1 | No. 5, Schön ist das Fest des Lenzes | -0.20 | -18.31 | -15.0 | 11 |
| 2 | No. 7, Die tausend Grüße | -0.20 | -18.19 | -15.0 | 12 |
| 3 | No. 8, So wahr die Sonne scheinet | -0.20 | -19.28 | -16.1 | 12 |
| 4 | No. 1, Erste Begegnung | -0.40 | -20.17 | -17.2 | 13 |
| 5 | No. 2, Intermezzo | -1.61 | -23.17 | -20.2 | 12 |
| 6 | No. 3, Liebesgram | -0.54 | -21.72 | -18.5 | 14 |
| 7 | No. 4, In der Nacht | -2.64 | -22.70 | -19.5 | 13 |
| 8 | No. 5, Es ist verraten | -0.20 | -17.92 | -15.2 | 12 |
| 9 | No. 6, Melancholie | -0.20 | -20.50 | -17.3 | 14 |
| 10 | No. 7, Geständnis | -0.20 | -18.39 | -15.6 | 12 |
| 11 | No. 8, Botschaft | -0.20 | -19.69 | -16.7 | 13 |
| 12 | No. 9, Ich bin geliebt | -0.20 | -17.33 | -14.5 | 11 |
| 13 | No. 10, Der Kontrabandiste | -0.20 | -18.29 | -15.0 | 12 |
| 14 | No. 1, Vorspiel | -0.68 | -21.06 | -18.4 | 13 |
| 15 | No. 2, Tief im Herzen trag ich Pein | -2.25 | -23.32 | -19.7 | 12 |
| 16 | No. 3, O wie lieblich ist das Mädchen | -0.94 | -20.18 | -17.3 | 11 |
| 17 | No. 4, Bedeckt mich mit Blumen | -0.20 | -19.48 | -16.3 | 13 |
| 18 | No. 5, Flutenreicher Ebro | -0.78 | -20.81 | -18.0 | 13 |
| 19 | No. 6, Intermezzo | -0.20 | -17.80 | -15.2 | 12 |
| 20 | No. 7, Weh, wie zornig ist das Mädchen | -2.16 | -21.53 | -18.7 | 12 |
| 21 | No. 8, Hoch, hoch sind die Berge | -1.13 | -21.86 | -18.6 | 12 |
| 22 | No. 9, Blaue Augen hat das Mädchen | -0.20 | -17.63 | -14.4 | 11 |
| 23 | No. 10, Dunkler Lichtglanz, blinder Blick | -0.20 | -18.90 | -15.9 | 12 |