℗ 2019 Naxos
Released | February 8, 2019 |
Duration | 1h 05m 36s |
Record Label | Naxos |
Catalogue No. | 8.579049 |
Genre | Classical (Sacred) |
J.S. Bach: Magnificat, BWV 243 - Helmschrott: Lumen
Sophia Körber, Anna Karmasin, Theresa Holzhauser, Florence Losseau, Markus Schäfer, Robert Sellier, Andreas Mattersberger, Niklas Mallmann, Concerto de Bassus, Franz Hauk
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Magnificat in D Major, BWV 243
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1.1
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I. Magnificat
Johann Sebastian Bach; Siri Karoline Thornhill; Mira Graczyk; Sophia Körber; Anna Karmasin; Theresa Holzhauser; Florence Losseau; Markus Schäfer; Robert Sellier; Andreas Mattersberger; Niklas Mallmann; Concerto de Bassus; Franz Hauk |
2:56 | |||
1.2
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II. Et exultavit spiritus meus
Johann Sebastian Bach; Anna Karmasin; Concerto de Bassus; Franz Hauk |
2:19 | |||
1.3
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III. Quia respexit humilitatem
Johann Sebastian Bach; Siri Karoline Thornhill; Concerto de Bassus; Franz Hauk |
2:12 | |||
1.4
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IV. Omnes generationes
Johann Sebastian Bach; Siri Karoline Thornhill; Mira Graczyk; Sophia Körber; Anna Karmasin; Theresa Holzhauser; Florence Losseau; Markus Schäfer; Robert Sellier; Andreas Mattersberger; Niklas Mallmann; Concerto de Bassus; Franz Hauk |
1:15 | |||
1.5
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V. Quia fecit mihi magna
Johann Sebastian Bach; Andreas Mattersberger; Concerto de Bassus; Franz Hauk |
1:54 | |||
1.6
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VI. Et misericordia
Johann Sebastian Bach; Theresa Holzhauser; Robert Sellier; Concerto de Bassus; Franz Hauk |
2:55 | |||
1.7
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VII. Fecit potentiam
Johann Sebastian Bach; Siri Karoline Thornhill; Mira Graczyk; Sophia Körber; Anna Karmasin; Theresa Holzhauser; Florence Losseau; Markus Schäfer; Robert Sellier; Andreas Mattersberger; Niklas Mallmann; Concerto de Bassus; Franz Hauk |
1:53 | |||
1.8
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VIII. Deposuit potentes
Johann Sebastian Bach; Markus Schäfer; Concerto de Bassus; Franz Hauk |
1:53 | |||
1.9
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IX. Esurientes implevit bonis
Johann Sebastian Bach; Florence Losseau; Concerto de Bassus; Franz Hauk |
2:37 | |||
1.10
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X. Suscepit Israel
Johann Sebastian Bach; Siri Karoline Thornhill; Mira Graczyk; Theresa Holzhauser; Concerto de Bassus; Franz Hauk |
1:37 | |||
1.11
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XI. Sicut locutus est
Johann Sebastian Bach; Sophia Körber; Anna Karmasin; Florence Losseau; Robert Sellier; Niklas Mallmann; Concerto de Bassus; Franz Hauk |
1:27 | |||
1.12
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XII. Gloria Patri
Johann Sebastian Bach; Siri Karoline Thornhill; Mira Graczyk; Sophia Körber; Anna Karmasin; Theresa Holzhauser; Florence Losseau; Markus Schäfer; Robert Sellier; Andreas Mattersberger; Niklas Mallmann; Concerto de Bassus; Franz Hauk |
1:56 | |||
Lumen
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1.13
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Pt. 1, Tempus praeteritum
Robert M. Helmschrott; Siri Karoline Thornhill; Mira Graczyk; Sophia Körber; Anna Karmasin; Theresa Holzhauser; Florence Losseau; Markus Schäfer; Robert Sellier; Andreas Mattersberger; Niklas Mallmann; Simon Mayr Chorus; Concerto de Bassus; Theona Gubba-Chkheidze; Giedrė Šiauly |
13:18 | |||
1.14
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Pt. 2, Tempus praesens
Robert M. Helmschrott; Siri Karoline Thornhill; Anna Karmasin; Theresa Holzhauser; Markus Schäfer; Robert Sellier; Andreas Mattersberger; Niklas Mallmann; Simon Mayr Chorus; Concerto de Bassus; Theona Gubba-Chkheidze; Giedrė Šiaulytė; Stefan Blum; Robert M. Helmschrott; Franz H |
10:25 | |||
1.15
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Pt. 3, Tempus posterum
Robert M. Helmschrott; Siri Karoline Thornhill; Anna Karmasin; Theresa Holzhauser; Florence Losseau; Markus Schäfer; Andreas Mattersberger; Niklas Mallmann; Simon Mayr Chorus; Concerto de Bassus; Theona Gubba-Chkheidze; Giedrė Šiaulytė; Stefan Blum; Robert M. Helmschrott; Franz |
16:59 | |||
Digital Booklet
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Shortly after taking up the position of Thomaskantor in Leipzig in 1723, Bach wrote a Magnificat in E flat major for performance at Christmas. Around a decade later he revised the work, transposing it down to D major and making it more concise. Utilizing a Biblical text, the piece is suffused with a series of memorable arias and choruses and orchestrated with spectacular grandeur. Lumen is a contemporary musical dialogue that urges empathy between the three Abrahamic religions. Translating the oratorio form into a ‘unity of diversity,’ Robert M. Helmschrott has converted the poetry of the Old and New Testaments, the Torah and Qur’an into an interfaith ‘language of sounds and singing.’
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.93 -8.39 to -0.20 | -26.35 -29.89 to -19.72 | -22.93 -26.30 to -16.20 | 14 11 to 17 | |
1 | I. Magnificat | -0.51 | -21.35 | -18.1 | 13 |
2 | II. Et exultavit spiritus meus | -4.97 | -27.62 | -24.5 | 14 |
3 | III. Quia respexit humilitatem | -6.40 | -28.82 | -25.9 | 15 |
4 | IV. Omnes generationes | -5.01 | -23.91 | -20.8 | 12 |
5 | V. Quia fecit mihi magna | -3.85 | -27.61 | -24.6 | 15 |
6 | VI. Et misericordia | -6.02 | -27.91 | -25.3 | 13 |
7 | VII. Fecit potentiam | -0.20 | -21.35 | -18.0 | 14 |
8 | VIII. Deposuit potentes | -2.91 | -27.15 | -24.1 | 14 |
9 | IX. Esurientes implevit bonis | -8.39 | -29.30 | -26.3 | 13 |
10 | X. Suscepit Israel | -8.27 | -27.24 | -24.3 | 11 |
11 | XI. Sicut locutus est | -5.67 | -27.17 | -24.2 | 12 |
12 | XII. Gloria Patri | -0.84 | -19.72 | -16.2 | 12 |
13 | Pt. 1, Tempus praeteritum | -0.72 | -26.46 | -22.5 | 16 |
14 | Pt. 2, Tempus praesens | -1.28 | -29.71 | -24.7 | 17 |
15 | Pt. 3, Tempus posterum | -3.86 | -29.89 | -24.4 | 17 |