℗ 2018 Paraty
| Released | March 29, 2019 |
| Duration | 1h 24m 16s |
| Record Label | Paraty |
| Catalogue No. | PTY138245D |
| Genre | Classical (Madrigal, polyphonic chanson) |
Come Sorrow (Bonus Track Version)
Ensemble Près de votre oreille, Robin Pharo, Thibaut Roussel, Anaïs Bertrand, Nicolas Brooymans
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The Second Booke of Songs and Ayres
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1.1
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Come Sorrow (London, 1601)
Robert Jones; Ensemble Près de votre oreille; Robin Pharo; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel |
5:38 | |||
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1.2
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Dowland's adew for Master Oliver Cromwell, P 13 (London, 1600)
John Dowland; Ensemble Près de votre oreille; Thibaut Roussel; Robin Pharo |
5:09 | |||
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1.3
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Love wing'd my hopes
Robert Jones; Ensemble Près de votre oreille; Robin Pharo; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel |
5:26 | |||
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1.4
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O How my thoughts
Robert Jones; Ensemble Près de votre oreille; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel; Robin Pharo |
4:52 | |||
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1.5
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The Frog Galliard, P 23
John Dowland; Ensemble Près de votre oreille; Thibaut Roussel; Robin Pharo |
2:16 | |||
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1.6
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Fie Fie
Robert Jones; Ensemble Près de votre oreille; Robin Pharo; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel |
3:08 | |||
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The First Part of Ayres
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1.7
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The Souldiers Song (London, 1605)
Tobias Hume; Ensemble Près de votre oreille; Robin Pharo; Nicolas Brooymans |
2:05 | |||
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1.8
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A Souldiers Galliard (London, 1605)
Tobias Hume; Ensemble Près de votre oreille; Robin Pharo; Thibaut Roussel |
1:16 | |||
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1.9
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What greater grief (London, 1605)
Tobias Hume; Ensemble Près de votre oreille; Robin Pharo; Thibaut Roussel; Anaïs Bertrand |
3:24 | |||
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Lessons for 1, 2 and 3 Viols
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1.10
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The first tuning - Almain III (London, 1609)
Alfonso Ferrabosco II; Ensemble Près de votre oreille; Robin Pharo |
2:18 | |||
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1.11
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The first tuning - Galliard II (London, 1609)
Alfonso Ferrabosco II; Ensemble Près de votre oreille; Robin Pharo |
3:44 | |||
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1.12
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The first tuning - Coranto IV (London, 1609)
Alfonso Ferrabosco II; Ensemble Près de votre oreille; Robin Pharo |
1:16 | |||
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The Second Booke of Songs and Ayres
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1.13
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Now what is love
Robert Jones; Ensemble Près de votre oreille; Anaïs Bertrand; Nicolas Brooymans; Robin Pharo; Thibaut Roussel |
3:34 | |||
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1.14
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ove's God is a boy
Robert Jones; Ensemble Près de votre oreille; Robin Pharo; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel |
3:19 | |||
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The First Part of Ayres
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1.15
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Alas poor man
Tobias Hume; Ensemble Près de votre oreille; Anaïs Berrtrand; Nicolas Brooymans; Robin Pharo |
10:00 | |||
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1.16
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Fain would I change
Tobias Hume; Ensemble Près de votre oreille; Robin Pharo; Anaïs Berrtrand |
1:57 | |||
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1.17
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Tobacco
Tobias Hume; Ensemble Près de votre oreille; Nicolas Brooymans; Robin Pharo |
1:45 | |||
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The Second Booke of Songs and Ayres
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1.18
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Did ever man thus love as I
Robert Jones; Ensemble Près de votre oreille; Robin Pharo; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel |
7:01 | |||
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The First Part of Ayres
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1.19
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A Pavin
Tobias Hume; Ensemble Près de votre oreille; Robin Pharo |
6:40 | |||
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The Second Booke of Songs or Ayres
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1.20
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Flow my teares
John Dowland; Ensemble Près de votre oreille; Robin Pharo; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel |
4:36 | |||
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1.21
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Crépuscule (Bonus Track)
Robin Pharo; Ensemble Près de votre oreille; Robin Pharo; Anaïs Bertrand; Nicolas Brooymans; Thibaut Roussel |
4:52 | |||
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Digital Booklet
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Over and above the research on the role of the viola da gamba in the English vocal repertoire, this programme also seeks to provide an experience of total immersion in the chamber music of this era, which can induce meditation and contemplation as potently as it can arouse humour and joy. Through the work of four major British composers, it presents pieces that we have too few opportunities to hear, as well as other more famous works which are the glory of the Elizabethan repertoire. Come Sorrow is the melancholy title of the programme, but also and especially that of one of the most beautiful vocal pieces written by Robert Jones.
This version contains the bonus track, Robin Pharo's "Crépuscule."
96 kHz / 24-bit PCM – Paraty Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.20 -6.13 to 0.00 | -21.34 -27.61 to -18.39 | -18.10 -25.00 to -14.80 | 13 11 to 15 | |
| 1 | Come Sorrow (London, 1601) | 0.00 | -18.50 | -15.2 | 11 |
| 2 | Dowland's adew for Master Oliver Cromwell, P 13 (London, 1600) | -4.95 | -24.30 | -21.7 | 12 |
| 3 | Love wing'd my hopes | -0.05 | -20.31 | -16.7 | 12 |
| 4 | O How my thoughts | 0.00 | -19.96 | -16.7 | 13 |
| 5 | The Frog Galliard, P 23 | -2.41 | -23.95 | -20.9 | 15 |
| 6 | Fie Fie | -0.07 | -19.43 | -16.3 | 13 |
| 7 | The Souldiers Song (London, 1605) | -0.01 | -18.39 | -14.8 | 12 |
| 8 | A Souldiers Galliard (London, 1605) | -1.00 | -19.74 | -17.0 | 12 |
| 9 | What greater grief (London, 1605) | -0.10 | -19.00 | -14.8 | 11 |
| 10 | The first tuning - Almain III (London, 1609) | -0.10 | -21.55 | -18.6 | 14 |
| 11 | The first tuning - Galliard II (London, 1609) | -0.10 | -19.83 | -17.0 | 13 |
| 12 | The first tuning - Coranto IV (London, 1609) | -2.05 | -20.30 | -17.6 | 12 |
| 13 | Now what is love | -0.87 | -21.08 | -18.2 | 13 |
| 14 | ove's God is a boy | -0.25 | -20.97 | -17.5 | 13 |
| 15 | Alas poor man | -0.10 | -22.60 | -18.5 | 14 |
| 16 | Fain would I change | -2.91 | -24.84 | -21.3 | 13 |
| 17 | Tobacco | -0.02 | -19.00 | -14.9 | 12 |
| 18 | Did ever man thus love as I | -0.98 | -22.82 | -19.7 | 14 |
| 19 | A Pavin | -1.99 | -22.71 | -19.9 | 13 |
| 20 | Flow my teares | 0.00 | -21.20 | -17.8 | 13 |
| 21 | Crépuscule (Bonus Track) | -6.13 | -27.61 | -25.0 | 12 |