℗ 2019 Hallé Concerts Society
Released | March 1, 2019 |
Duration | 1h 03m 03s |
Record Label | Halle Concerts Society |
Catalogue No. | CD HLL 7550 |
Genre | Classical (Symphony) |
Shostakovich Symphony No.5 - Four Romances on Poems by Pushkin
Hallé, Sir Mark Elder, James Platt
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Symphony No. 5 in D Minor, Op. 47
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1.1
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I Moderato
Dmitry Shostakovich; Hallé; Sir Mark Elder |
17:31 | |||
Symphony No. 5 in D Minor, Op. 48
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1.2
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II Allegretto
Dmitry Shostakovich; Hallé; Sir Mark Elder |
5:57 | |||
Symphony No. 5 in D Minor, Op. 49
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1.3
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III Largo
Dmitry Shostakovich; Hallé; Sir Mark Elder |
14:02 | |||
Symphony No. 5 in D Minor, Op. 50
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1.4
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IV Allegro Non Troppo
Dmitry Shostakovich; Hallé; Sir Mark Elder |
12:59 | |||
Four Romances on Poems by Pushkin, Op. 46
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1.5
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I. Rebirth (feat. James Platt)
Dmitry Shostakovich; Hallé; Sir Mark Elder; James Platt |
2:09 | |||
1.6
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II. Jealousy (feat. James Platt)
Dmitry Shostakovich; Hallé; Sir Mark Elder; James Platt |
1:31 | |||
1.7
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III. Foreboding (feat. James Platt)
Dmitry Shostakovich; Hallé; Sir Mark Elder; James Platt |
3:21 | |||
1.8
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IV. Stanzas
Dmitry Shostakovich; Hallé; Sir Mark Elder |
5:33 |
"This was a spellbinding performance from the orchestra in which they drew on every available reserve of experience and talent. The power and the glory that was Shostakovich was adeptly displayed for all the world to hear."
- Nothern Soul
Elder’s acclaimed Shostakovich interpretations continue with this live concert recording of one of the composer’s most popular symphonies, coupled with a work which reveals one of its most enigmatic secrets.
Described as being “one his most important utterances” (Shostakovich expert Stephen Johnson in the formative booklet note which accompanies this release), Symphony No.5 was written as a response to the sinister unsigned article which appeared in Pravda, the state newspaper, in January 1936, denouncing the composer and implying the ultimate threat, during the time of Stalin’s ‘Great Terror’. Whilst the messages of the Symphony have been subject to a variety of often conflicting interpretations, the music and vivid orchestral writing, to which the Hallé’s live performance fully attest, have earned it a leading place in the composer’s legacy.
In coupling the Symphony with the Four Romances which immediately pre-date it, Elder sheds light on his interpretation of the meaning of the Symphony. The latter work quotes thematic material used in the first of the Pushkin settings in which faith is expressed that art can survive even the most brutal oppression and desecration, perhaps revealing an element of pride that the composer had been true to his art in the face of state threats.
This live recording from Bridgewater Hall performance, January 2018, was engineered by award winning producer Steve Portnoi.
44.1 kHz / 24-bit PCM – Halle Concerts Society Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.01 -12.95 to -0.04 | -30.78 -36.05 to -23.56 | -25.61 -31.70 to -18.20 | 14 13 to 15 | |
1 | I Moderato | -1.39 | -27.01 | -20.4 | 15 |
2 | II Allegretto | -4.68 | -27.51 | -22.1 | 14 |
3 | III Largo | -7.72 | -32.78 | -25.2 | 14 |
4 | IV Allegro Non Troppo | -0.04 | -23.56 | -18.2 | 14 |
5 | I. Rebirth (feat. James Platt) | -12.95 | -36.05 | -31.7 | 15 |
6 | II. Jealousy (feat. James Platt) | -10.71 | -34.45 | -29.8 | 13 |
7 | III. Foreboding (feat. James Platt) | -10.61 | -33.98 | -29.9 | 15 |
8 | IV. Stanzas | -8.00 | -30.92 | -27.6 | 14 |