℗ ℗ 2019 Reference Recordings
 

The Poetry of Places

Nadia Shpachenko

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1
Frank's House
Andrew Norman; Nadia Shpachenko; Joanne Pearce Martin; Nick Terry; Cory Hills
9:25
2
In Full Sail
Harold Meltzer; Nadia Shpachenko
7:49
3
Sí an Bhrú
Jack Van Zandt; Nadia Shpachenko; Jack Van Zandt
11:52
4
Give Me Your Songs
Hannah Lash; Nadia Shpachenko
7:09
5
h.o.p.e
Amy Beth Kirsten; Nadia Shpachenko
6:12
Alone, in Waters Shimmering and Dark  
6
No. 1, Island
James Matheson; Nadia Shpachenko
3:52
7
No. 2, Capillary Waves
James Matheson; Nadia Shpachenko
2:14
8
No. 3, To Sky
James Matheson; Nadia Shpachenko
2:52
9
Bangladesh
Lewis Spratlan; Nadia Shpachenko
15:01
10
Kolokol
Nina C. Young; Nadia Shpachenko; Joanne Pearce Martin; Nina C. Young
11:06
Digital Booklet
Total Playing Time    77:32
Nadia Shpachenko’s latest Reference Recordings release The Poetry of Places features World Premiere recordings of works for solo piano, for two pianos, percussion, electronics, voice, and toy piano in a fascinating mélange inspired by great architecture and places.

The eight compositions monumentalize places as wildly diverse as the Copland House in Cortlandt, NY, The American Visionary Art Museum in Baltimore, Louis Kahn’s National Assembly Buildings in Bangladesh, Newgrange Ancient Temple in Ireland, and Frank Gehry’s House in Santa Monica, CA. Included is a significant new work from Andrew Norman, Frank’s House, for two pianos and percussion, and another large work from Nina C. Young, Kolokol, for two pianos and electronics (a ‘fantasy’ inspired by Russian Orthodox Church Bells).

Additionally, six solo works were written specifically for this project by Amy Beth Kirsten, Hannah Lash, James Matheson, Harold Meltzer, Lewis Spratlan, and Jack Van Zandt. The composers use very different musical approaches and sonic techniques in response to their chosen spaces.

Pianist Nadia Shpachenko­-Gottesman has performed extensively in solo recitals and with orchestras in major venues across North America, Europe and Asia. Described by critics as a “truly inspiring and brilliant pianist…spellbinding in sensitivity and mastery of technique,” Nadia enjoys bringing into the world things that are outside the box – powerful pieces that often possess unusual sonic qualities or instrumentation.
96 kHz / 24-bit PCM – Reference Recordings Studio Masters

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