℗ 2019 Naxos
| Released | March 8, 2019 |
| Duration | 1h 23m 10s |
| Record Label | Naxos |
| Catalogue No. | 8.573898 |
| Genre | Classical (Guitar) |
Barrios Mangoré: Guitar Music, Vol. 5
Celil Refik Kaya
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Waltzes, Op. 8
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1.1
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No. 3 in D Minor
Agustín Barrios Mangoré; Celil Refik Kaya |
4:05 | |||
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1.2
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Pericón
Agustín Barrios Mangoré; Celil Refik Kaya |
5:07 | |||
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1.3
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Julia Florida
Agustín Barrios Mangoré; Celil Refik Kaya |
4:30 | |||
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1.4
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Danza paraguaya No. 1
Agustín Barrios Mangoré; Celil Refik Kaya |
2:03 | |||
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1.5
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Estudio in G Minor
Agustín Barrios Mangoré; Celil Refik Kaya |
2:24 | |||
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1.6
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Estudio No. 3
Agustín Barrios Mangoré; Celil Refik Kaya |
2:04 | |||
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1.7
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Chôro da saudade
Agustín Barrios Mangoré; Celil Refik Kaya |
6:00 | |||
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1.8
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Preludio in E Minor "Pequeño preludio"
Agustín Barrios Mangoré; Celil Refik Kaya |
0:27 | |||
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1.9
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Invocación a la luna
Agustín Barrios Mangoré; Celil Refik Kaya |
4:04 | |||
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1.10
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Petit Pierrot (Transcr. T. Morris for Guitar)
Agustín Barrios Mangoré; Tony Morris; Celil Refik Kaya |
3:18 | |||
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1.11
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Estudio No. 2 "Estudio en arpegio"
Agustín Barrios Mangoré; Celil Refik Kaya |
2:14 | |||
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1.12
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Gavota al estilo antiguo
Agustín Barrios Mangoré; Celil Refik Kaya |
2:04 | |||
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1.13
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Prelude in G minor, Op. 5 No. 1
Agustín Barrios Mangoré; Celil Refik Kaya |
5:23 | |||
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1.14
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Romanza en imitación al violoncello
Agustín Barrios Mangoré; Celil Refik Kaya |
3:07 | |||
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1.15
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Zapateado caribe (Version for Solo Guitar)
Agustín Barrios Mangoré; Celil Refik Kaya |
2:56 | |||
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1.16
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Abrí la puerta mi china
Agustín Barrios Mangoré; Celil Refik Kaya |
4:17 | |||
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1.17
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Estudio del ligado in D Minor
Agustín Barrios Mangoré; Celil Refik Kaya |
1:40 | |||
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1.18
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Variación al estudio No. 3
Agustín Barrios Mangoré; Celil Refik Kaya |
2:29 | |||
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1.19
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Estilo y pericón
Agustín Barrios Mangoré; Celil Refik Kaya |
2:51 | |||
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1.20
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Estudio del ligado in A Major
Agustín Barrios Mangoré; Celil Refik Kaya |
0:56 | |||
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1.21
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Isabel (Transcr. T. Morris for Guitar)
Agustín Barrios Mangoré; Tony Morris; Celil Refik Kaya |
2:39 | |||
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1.22
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Variación al estudio No. 6
Agustín Barrios Mangoré; Celil Refik Kaya |
1:02 | |||
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1.23
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No. 1, Primavera
Agustín Barrios Mangoré; Celil Refik Kaya |
5:07 | |||
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1.24
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Diana Guaraní (Arr. R. Stover for Guitar)
Agustín Barrios Mangoré; Celil Refik Kaya |
8:47 | |||
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1.25
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La Paloma (Arr. A. Barrios Mangoré for Guitar)
Sebastián de Iradier; Agustín Barrios Mangoré; Celil Refik Kaya |
3:36 | |||
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Digital Booklet
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Agustin Barrios Mangore’s first public appearance was as ‘the Paganini of the guitar from the jungles of Paraguay.’ This flamboyant image was soon retired, but his legacy as a composer has endured and flourished, as have the recordings he made as the first guitarist to take advantage of new technology from as early as 1910. Ranging from romantic enchantment to fearsome virtuosity via works with Bach-like restraint, this programme embraces Barrios Mangore’s art from his earliest known piece, Abri la puerta mi china, to the reconstruction of the substantial Diana Guarani from a recording made in 1943. Celil Refik Kaya was awarded First Prize at the JoAnn Falletta International Guitar Concerto Competition in 2012 and has since received multiple awards from several prestigious American guitar competitions, as well as the Rising Young Musician of the year from the Donizetti Classical Music Awards in Istanbul in 2017.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -10.74 -16.63 to -1.77 | -32.53 -36.30 to -29.24 | -29.68 -33.40 to -26.40 | 14 11 to 18 | |
| 1 | No. 3 in D Minor | -9.15 | -31.94 | -29.0 | 15 |
| 2 | Pericón | -10.71 | -32.74 | -30.0 | 14 |
| 3 | Julia Florida | -12.63 | -34.25 | -31.2 | 13 |
| 4 | Danza paraguaya No. 1 | -4.82 | -30.62 | -28.0 | 18 |
| 5 | Estudio in G Minor | -13.12 | -33.86 | -31.1 | 14 |
| 6 | Estudio No. 3 | -11.81 | -31.49 | -28.9 | 14 |
| 7 | Chôro da saudade | -12.44 | -33.03 | -30.1 | 13 |
| 8 | Preludio in E Minor "Pequeño preludio" | -16.02 | -32.36 | -28.8 | 11 |
| 9 | Invocación a la luna | -11.79 | -33.07 | -30.2 | 14 |
| 10 | Petit Pierrot (Transcr. T. Morris for Guitar) | -1.77 | -29.24 | -26.4 | 18 |
| 11 | Estudio No. 2 "Estudio en arpegio" | -14.07 | -32.05 | -29.4 | 12 |
| 12 | Gavota al estilo antiguo | -11.10 | -32.09 | -29.3 | 14 |
| 13 | Prelude in G minor, Op. 5 No. 1 | -9.15 | -32.33 | -29.7 | 14 |
| 14 | Romanza en imitación al violoncello | -13.60 | -32.64 | -29.6 | 11 |
| 15 | Zapateado caribe (Version for Solo Guitar) | -4.80 | -31.03 | -28.4 | 18 |
| 16 | Abrí la puerta mi china | -8.20 | -32.89 | -30.2 | 17 |
| 17 | Estudio del ligado in D Minor | -16.63 | -36.30 | -33.4 | 13 |
| 18 | Variación al estudio No. 3 | -16.22 | -35.80 | -33.0 | 12 |
| 19 | Estilo y pericón | -9.72 | -33.08 | -30.0 | 15 |
| 20 | Estudio del ligado in A Major | -14.11 | -31.53 | -28.6 | 12 |
| 21 | Isabel (Transcr. T. Morris for Guitar) | -7.70 | -31.73 | -28.8 | 17 |
| 22 | Variación al estudio No. 6 | -12.90 | -33.15 | -30.3 | 13 |
| 23 | No. 1, Primavera | -10.41 | -32.15 | -29.5 | 15 |
| 24 | Diana Guaraní (Arr. R. Stover for Guitar) | -4.82 | -31.51 | -28.5 | 18 |
| 25 | La Paloma (Arr. A. Barrios Mangoré for Guitar) | -10.76 | -32.49 | -29.6 | 13 |