℗ 2019 Naxos
Released | March 8, 2019 |
Duration | 1h 18m 44s |
Record Label | Naxos |
Catalogue No. | 8.573930 |
Genre | Classical (Romantic Era) |
Popper: Complete Cello Concertos
Martin Rummel, Czech Chamber Philharmonic Orchestra Pardubice, Tecwyn Evans, Mari Kato
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Cello Concerto No. 1 in D Minor, Op. 8
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1.1
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I. Frisch und feurig
David Popper; Martin Rummel; Czech Chamber Philharmonic Orchestra Pardubice; Tecwyn Evans |
9:08 | |||
1.2
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II. Andante maestoso
David Popper; Martin Rummel; Czech Chamber Philharmonic Orchestra Pardubice; Tecwyn Evans |
5:46 | |||
1.3
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III. Lebhaft, quasi recitativo - Tempo di polacca
David Popper; Martin Rummel; Czech Chamber Philharmonic Orchestra Pardubice; Tecwyn Evans |
7:24 | |||
Cello Concerto No. 2 in E Minor, Op. 24
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1.4
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I. Allegro moderato
David Popper; Martin Rummel; Czech Chamber Philharmonic Orchestra Pardubice; Tecwyn Evans |
13:07 | |||
1.5
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II. Andante
David Popper; Martin Rummel; Czech Chamber Philharmonic Orchestra Pardubice; Tecwyn Evans |
6:35 | |||
1.6
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III. Allegro molto moderato
David Popper; Martin Rummel; Czech Chamber Philharmonic Orchestra Pardubice; Tecwyn Evans |
6:30 | |||
1.7
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Cello Concerto No. 3 in G Major, Op. 59
David Popper; Martin Rummel; Czech Chamber Philharmonic Orchestra Pardubice; Tecwyn Evans |
11:42 | |||
Cello Concerto No. 4 in B Minor, Op. 72 (Version for Cello & Piano)
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1.8
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I. Allegro moderato
David Popper; Martin Rummel; Mari Kato |
6:10 | |||
1.9
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II. Lento assai
David Popper; Martin Rummel; Mari Kato |
2:01 | |||
1.10
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III. Scherzo. Allegro ma non troppo
David Popper; Martin Rummel; Mari Kato |
2:54 | |||
1.11
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IV. Allegro non troppo
David Popper; Martin Rummel; Mari Kato |
7:27 | |||
Digital Booklet
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David Popper was one of the most important cellists of the 19th century and is remembered for the etudes of his High School of Cello Playing. Popper premiered chamber works by Brahms and championed Schumann’s Cello Concerto, and his own four concertos span an illustrious 50-year career. Each shares a lyrical Romantic spirit: the playful First Concerto, an enjoyable prelude to the more dramatic and virtuosic Second, and the single-movement Third, a masterpiece in melodic compactness. The Fourth Concerto was dedicated to ‘my great colleague’ Alfredo Piatti and is recorded here in its version with piano.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.02 -9.64 to -0.52 | -26.31 -29.89 to -24.03 | -23.00 -26.90 to -20.20 | 14 12 to 15 | |
1 | I. Frisch und feurig | -1.80 | -26.05 | -22.7 | 14 |
2 | II. Andante maestoso | -9.64 | -29.50 | -26.6 | 13 |
3 | III. Lebhaft, quasi recitativo - Tempo di polacca | -0.52 | -24.70 | -21.4 | 15 |
4 | I. Allegro moderato | -1.10 | -25.37 | -21.5 | 15 |
5 | II. Andante | -8.69 | -29.89 | -26.9 | 12 |
6 | III. Allegro molto moderato | -1.69 | -25.63 | -22.3 | 15 |
7 | Cello Concerto No. 3 in G Major, Op. 59 | -0.92 | -24.03 | -20.2 | 14 |
8 | I. Allegro moderato | -3.43 | -24.93 | -21.7 | 13 |
9 | II. Lento assai | -8.78 | -28.34 | -25.0 | 12 |
10 | III. Scherzo. Allegro ma non troppo | -3.84 | -25.95 | -22.6 | 14 |
11 | IV. Allegro non troppo | -3.80 | -24.97 | -22.1 | 14 |