Baroque Journey
Lucie Horsch, The Academy of Ancient Music, Bojan Čičić
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Der Fluyten Lust-Hof
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1.1
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130. Lavolette
Jacob van Eyck; Lucie Horsch |
1:35 | |||
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Solomon HWV 67 / Act 3
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1.2
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The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra)
George Frideric Handel; Anonymous; Lucie Horsch; Charlotte Barbour-Condini; The Academy of Ancient Music; Bojan Čičić |
3:02 | |||
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Oboe Concerto in D Minor, BWV 1059R
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1.3
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1. Allegro (Performed on Recorder)
Johann Sebastian Bach; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
5:35 | |||
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1.4
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2. Adagio (Performed on Recorder)
Johann Sebastian Bach; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
3:04 | |||
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1.5
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3. Presto (Performed on Recorder)
Johann Sebastian Bach; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
3:23 | |||
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Matthäus-Passion, BWV 244 / Zweiter Teil
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1.6
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39. "Erbarme dich" (Performed on Recorder)
Johann Sebastian Bach; Christian Friedrich Henrici; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
6:27 | |||
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Orchestral Suite No. 2 in B Minor, BWV 1067
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1.7
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7. Badinerie (Performed on Recorder)
Johann Sebastian Bach; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
1:29 | |||
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Sonate concertate in stil moderno à 2 e 3 voci, Libro primo
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1.8
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Sonata seconda (Arr. Recorder & Lute)
Dario Castello; Lucie Horsch; Thomas Dunford |
4:38 | |||
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Recorder Concerto in F Major
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1.9
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1. Allegro
Giuseppe Sammartini; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
3:49 | |||
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1.10
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2. Siciliano
Giuseppe Sammartini; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
4:42 | |||
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1.11
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3. Allegro assai
Giuseppe Sammartini; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
3:55 | |||
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1.12
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Couplets de folies (Arr. Horsch for Recorder & Lute)
Marin Marais; Lucie Horsch; Lucie Horsch; Thomas Dunford |
5:23 | |||
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Pièces de clavecin - Troisième livre / 14e ordre
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1.13
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Le rossignol-en-amour (Arr. Recorder & Lute)
François Couperin Le Grand; Lucie Horsch; Thomas Dunford |
2:42 | |||
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Recorder Concerto in C Major, Op. 17, No. 1
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1.14
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1. Gaiement
Jacques-Christophe Naudot; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
2:25 | |||
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1.15
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2. Lentement
Jacques-Christophe Naudot; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
3:04 | |||
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1.16
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3. Légèrement
Jacques-Christophe Naudot; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
2:32 | |||
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1.17
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Divisions on a Ground
Thomas Tollett; Lucie Horsch; Charlotte Barbour-Condini |
2:37 | |||
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Dido and Aeneas, Z. 626 / Act 3
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1.18
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"When I am laid in earth" (Dido's Lament / Performed on Recorder)
Henry Purcell; Nahum Tate; Virgil; Lucie Horsch; The Academy of Ancient Music; Bojan Čičić |
3:29 | |||
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Der Fluyten Lust-Hof
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1.19
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27. Engels nachtegaeltje
Jacob van Eyck; Lucie Horsch |
3:00 | |||
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Digital Booklet
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“... a brilliant young performer.”
- BBC Music Magazine
“Phenomenal technique.”
- Gramophone
Born into a family of professional musicians Lucie began to study the recorder with Rob Beek at the Muziekschool van Amsterdam at the age of five. Only four years later, her televised performance of Brahms’ Hungarian Dance No. 5 at a popular concert on the Prinsengracht canal caused a national sensation. In 2011, after winning many competitions, she moved to the prestigious Sweelinck Academie at the Amsterdam Conservatorium, where she is now a student with Walter van Hauwe. Also a talented pianist, she first studied with Marjés Benoist and is now in Jan Wijn’s class at the Amsterdam Conservatorium. She was a member of the National Children’s Choir for seven years, performing with conductors such as Sir Simon Rattle, Mariss Jansons and Jaap van Zweden. In 2014, she was chosen to represent The Netherlands in the Eurovision Young Musician contest and in 2016 she was awarded the prestigious Concertgebouw Young Talent Award, in the presence of Sir John Eliot Gardiner. For her second disc, which she recorded with the Academy of Ancient Music and Thomas Dunford, features works by Sammartini, Bach and Händel among others.
96 kHz / 24-bit PCM – Decca Music Group Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.35 -8.96 to -0.52 | -19.82 -24.71 to -16.77 | -16.22 -20.90 to -13.10 | 11 9 to 13 | |
| 1 | 130. Lavolette | -3.81 | -20.45 | -16.5 | 9 |
| 2 | The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) | -0.52 | -17.75 | -14.4 | 12 |
| 3 | 1. Allegro (Performed on Recorder) | -0.52 | -17.42 | -14.1 | 12 |
| 4 | 2. Adagio (Performed on Recorder) | -3.09 | -20.15 | -15.9 | 9 |
| 5 | 3. Presto (Performed on Recorder) | -0.53 | -16.88 | -13.5 | 11 |
| 6 | 39. "Erbarme dich" (Performed on Recorder) | -1.85 | -21.84 | -18.9 | 11 |
| 7 | 7. Badinerie (Performed on Recorder) | -0.73 | -16.77 | -13.1 | 10 |
| 8 | Sonata seconda (Arr. Recorder & Lute) | -2.50 | -19.70 | -15.5 | 10 |
| 9 | 1. Allegro | -0.52 | -17.44 | -14.1 | 11 |
| 10 | 2. Siciliano | -2.12 | -20.04 | -16.6 | 11 |
| 11 | 3. Allegro assai | -0.71 | -17.62 | -14.2 | 11 |
| 12 | Couplets de folies (Arr. Horsch for Recorder & Lute) | -5.28 | -24.04 | -20.9 | 12 |
| 13 | Le rossignol-en-amour (Arr. Recorder & Lute) | -8.96 | -24.71 | -20.2 | 10 |
| 14 | 1. Gaiement | -0.52 | -20.29 | -17.4 | 13 |
| 15 | 2. Lentement | -1.34 | -21.65 | -18.7 | 13 |
| 16 | 3. Légèrement | -0.66 | -20.13 | -17.2 | 12 |
| 17 | Divisions on a Ground | -3.08 | -19.79 | -15.6 | 10 |
| 18 | "When I am laid in earth" (Dido's Lament / Performed on Recorder) | -1.82 | -19.03 | -14.8 | 10 |
| 19 | 27. Engels nachtegaeltje | -6.17 | -20.89 | -16.5 | 9 |