℗ 2019 harmonia mundi musique
| Released | March 22, 2019 |
| Duration | 1h 03m 50s |
| Record Label | harmonia mundi |
| Catalogue No. | 902633DI |
| Genre | Classical (Divertimento, chamber orchestra) |
Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze
Ensemble Rezonanz, Juditha Haberlin, Riccardo Minasi
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:1
|
|||||
|
1.1
|
Introduzione. Maestoso ed adagio
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
5:27 | |||
|
1.2
|
Sonata I. Pater, dimitte illis, quia nesciunt, quid faciunt. Largo
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
6:44 | |||
|
1.3
|
Sonata II. Hodie mecum eris in Paradiso. Grave e cantabile
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
8:34 | |||
|
1.4
|
Sonata III. Mulier, ecce filius tuus. Grave
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
9:57 | |||
|
1.5
|
Sonata IV. Deus meus, Deus meus, ut quid dereliquisti me ? Largo
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
7:21 | |||
|
1.6
|
Sonata V. Sitio. Adagio
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
8:56 | |||
|
1.7
|
Sonata VI. Consummatum est ! Lento
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
7:37 | |||
|
1.8
|
Sonata VII. In manus tuas, Domine, commendo spiritum meum. Largo
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
7:36 | |||
|
1.9
|
Il Terremoto. Presto e con tutta la forza
Joseph Haydn; Ensemble Rezonanz; Juditha Haberlin |
1:38 | |||
|
Digital Booklet
|
|||||
Following an album of cello concertos and symphonies by C. P. E. Bach (Diapason d'Or, ffff Télérama, etc.), the musicians of the Ensemble Resonanz continue their very personal exploration of eighteenth-century orchestral music. Personal? Because for several years now, under the direction of its inspired conductor Maestro Riccardo Minasi, the ensemble has taken up the challenge of playing instruments with a 'modern' setup (violins, violas and basses with metal strings) with complete mastery of historically informed performance practice.
Forty years after what has been called 'the Baroque revolution', what a pleasure to rediscover these nine orchestral movements literally inhabited by the divine words of Christ on the cross – and displaying that rhetorical skill of which Joseph Haydn was a peerless exponent!
48 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.80 -9.01 to -0.19 | -29.04 -33.30 to -20.68 | -24.01 -28.30 to -17.60 | 14 12 to 17 | |
| 1 | Introduzione. Maestoso ed adagio | -3.21 | -26.74 | -20.2 | 13 |
| 2 | Sonata I. Pater, dimitte illis, quia nesciunt, quid faciunt. Largo | -9.01 | -33.30 | -28.3 | 15 |
| 3 | Sonata II. Hodie mecum eris in Paradiso. Grave e cantabile | -5.59 | -31.96 | -27.7 | 16 |
| 4 | Sonata III. Mulier, ecce filius tuus. Grave | -5.74 | -32.10 | -27.3 | 17 |
| 5 | Sonata IV. Deus meus, Deus meus, ut quid dereliquisti me ? Largo | -7.95 | -29.10 | -23.3 | 12 |
| 6 | Sonata V. Sitio. Adagio | -6.62 | -28.29 | -22.3 | 13 |
| 7 | Sonata VI. Consummatum est ! Lento | -6.31 | -28.48 | -23.6 | 13 |
| 8 | Sonata VII. In manus tuas, Domine, commendo spiritum meum. Largo | -7.57 | -30.68 | -25.8 | 14 |
| 9 | Il Terremoto. Presto e con tutta la forza | -0.19 | -20.68 | -17.6 | 14 |