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Boccherini: Cello Concertos, Stabat Mater & Quintet

Ophélie Gaillard, Sandrine Piau, Pulcinella Orchestra

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Concerto pour violoncelle No. 6 en ré majeur, G. 479  
1
I. Allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
7:07
2
II. Adagio
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
4:38
3
III. Allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
6:15
Symphonie No. 6 en Ré Mineur, G. 506 "La Casa del Diavolo"  
4
I. andante sostenuto - Allegro assai
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
5:35
5
II. Andante con moto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
5:34
6
III. Andante sostenuto - Allegro con moto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
7:28
Concerto pour violoncelle No. 9 en Si-Bémol Majeur, G. 482  
7
I. Allegro moderato
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
8:04
8
II. Andantino grazioso
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
3:58
9
III. Rondo allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
5:01
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid"  
10
I. Ave Maria delle Parrochie
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
0:43
11
II. Il tamburo dei soldati
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
0:42
12
III. Minuetto dei ciechi
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
1:59
13
IV. Il rosario. Largo assai
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
5:42
14
V. Los Manolos (Passa calle). Allegro vivo
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
1:57
15
VI. Il tamburo
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
0:23
16
VII. Il ritirata di Madrid. Tempo di marcia
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
2:21
Stabat Mater, G. 532  
17
I. Stabat Mater dolorosa. Grave assai
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau
4:31
18
II. Cujus animam gementem. Allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau
1:59
19
III. Quae moerebat et dolebat. Allegretto con moto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau
2:25
20
IV. Quis est homo. Adagio assai - Recitativo
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra
1:18
21
V. Pro peccatis suae gentis. Allegretto
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra
3:49
22
VI. Eja Mater, fons amoris. Larghetto non tanto
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra
6:19
23
VII. Tui nati vulnerati. Allegro vivo
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra
3:59
24
VIII. Virgo virginum praeclara. Andantino
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra
5:03
25
IX. Fac ut portem Christi mortem. Larghetto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau
3:11
26
X. Fac me plagis vulnerati. Allegro comodo
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau
2:18
27
XI. Quando corpus morietur. Andante lento
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra
3:52
Sonate pour violoncelle et pianoforte No.2 en Ut Mineur, G. 2  
28
I. Adagio
Luigi Boccherini; Ophélie Gaillard; Francesco Corti
3:37
29
II. Allegro
Luigi Boccherini; Ophélie Gaillard; Francesco Corti
4:17
30
III. Allegretto
Luigi Boccherini; Ophélie Gaillard; Francesco Corti
3:14
Symphony-Overture in D Major, G. 521  
31
Allegro con molto spirito - Andantino - Allegro come prima
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra
5:08
Digital Booklet
Total Playing Time    2:02:27
Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be. Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier. With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours. This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini's poignant Stabat Mater for string quintet and solo soprano.

Après avoir exploré la musique des 19e et 20e siècles, Ophélie Gaillard revient avec son ensemble Pulcinella aux sources baroques pour mettre en lumière Luigi Boccherini, compositeur italien et premier virtuose du violoncelle de l'histoire. Tout comme les Suites de Jean Sébastien Bach, les partitions de Boccherini donnent à l'instrument ses lettres de noblesse. Il est au violoncelle ce que Vivaldi fut, une génération avant lui, au violon. De sa Toscane natale aux cours de Prusse, la carrière de ce musicien génial est jalonnée de voyages à travers l'Europe, jusqu'à l'Espagne. Des rythmes de danse endiablés de l'Andalousie à l'atmosphère nocturne des rues de Madrid, Boccherini « croque » en musique ce pays d'adoption. Ce disque-portrait en deux volumes explore tous les genres (concertos, sonate, symphonies) et invite l'incontournable soprano Sandrine Piau pour interpréter les pages poignantes de son chez d'oeuvre vocal : le Stabat Mater.
96 kHz / 24-bit PCM – Aparté Studio Masters

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