℗ 2019 France/Little Tribeca
Released | February 22, 2019 |
Duration | 2h 02m 27s |
Record Label | Aparté |
Catalogue No. | AP194D |
Genre | Classical (Solo concerto, concerto grosso, sinfonia concertante) |
Boccherini: Cello Concertos, Stabat Mater & Quintet
Ophélie Gaillard, Sandrine Piau, Pulcinella Orchestra
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Concerto pour violoncelle No. 6 en ré majeur, G. 479
|
|||||
1.1
|
I. Allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
7:07 | |||
1.2
|
II. Adagio
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
4:38 | |||
1.3
|
III. Allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
6:15 | |||
Symphonie No. 6 en Ré Mineur, G. 506 "La Casa del Diavolo"
|
|||||
1.4
|
I. andante sostenuto - Allegro assai
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
5:35 | |||
1.5
|
II. Andante con moto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
5:34 | |||
1.6
|
III. Andante sostenuto - Allegro con moto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
7:28 | |||
Concerto pour violoncelle No. 9 en Si-Bémol Majeur, G. 482
|
|||||
1.7
|
I. Allegro moderato
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
8:04 | |||
1.8
|
II. Andantino grazioso
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
3:58 | |||
1.9
|
III. Rondo allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
5:01 | |||
Quintette à cordes No. 6 en Ut Majeur, G. 324, Op. 30 "La Musica Notturna delle Strade di Madrid"
|
|||||
1.10
|
I. Ave Maria delle Parrochie
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
0:43 | |||
1.11
|
II. Il tamburo dei soldati
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
0:42 | |||
1.12
|
III. Minuetto dei ciechi
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
1:59 | |||
1.13
|
IV. Il rosario. Largo assai
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
5:42 | |||
1.14
|
V. Los Manolos (Passa calle). Allegro vivo
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
1:57 | |||
1.15
|
VI. Il tamburo
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
0:23 | |||
1.16
|
VII. Il ritirata di Madrid. Tempo di marcia
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
2:21 | |||
Stabat Mater, G. 532
|
|||||
1.17
|
I. Stabat Mater dolorosa. Grave assai
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau |
4:31 | |||
1.18
|
II. Cujus animam gementem. Allegro
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau |
1:59 | |||
1.19
|
III. Quae moerebat et dolebat. Allegretto con moto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau |
2:25 | |||
1.20
|
IV. Quis est homo. Adagio assai - Recitativo
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra |
1:18 | |||
1.21
|
V. Pro peccatis suae gentis. Allegretto
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra |
3:49 | |||
1.22
|
VI. Eja Mater, fons amoris. Larghetto non tanto
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra |
6:19 | |||
1.23
|
VII. Tui nati vulnerati. Allegro vivo
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra |
3:59 | |||
1.24
|
VIII. Virgo virginum praeclara. Andantino
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra |
5:03 | |||
1.25
|
IX. Fac ut portem Christi mortem. Larghetto
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau |
3:11 | |||
1.26
|
X. Fac me plagis vulnerati. Allegro comodo
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra; Sandrine Piau |
2:18 | |||
1.27
|
XI. Quando corpus morietur. Andante lento
Luigi Boccherini; Ophélie Gaillard; Sandrine Piau; Pulcinella Orchestra |
3:52 | |||
Sonate pour violoncelle et pianoforte No.2 en Ut Mineur, G. 2
|
|||||
1.28
|
I. Adagio
Luigi Boccherini; Ophélie Gaillard; Francesco Corti |
3:37 | |||
1.29
|
II. Allegro
Luigi Boccherini; Ophélie Gaillard; Francesco Corti |
4:17 | |||
1.30
|
III. Allegretto
Luigi Boccherini; Ophélie Gaillard; Francesco Corti |
3:14 | |||
Symphony-Overture in D Major, G. 521
|
|||||
1.31
|
Allegro con molto spirito - Andantino - Allegro come prima
Luigi Boccherini; Ophélie Gaillard; Pulcinella Orchestra |
5:08 | |||
Digital Booklet
|
Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be. Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier. With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours. This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini's poignant Stabat Mater for string quintet and solo soprano.
96 kHz / 24-bit PCM – Aparté Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.14 -11.95 to -0.30 | -26.65 -39.37 to -18.98 | -22.83 -33.50 to -15.10 | 14 11 to 16 | |
1 | I. Allegro | -5.67 | -27.82 | -24.7 | 14 |
2 | II. Adagio | -4.76 | -28.35 | -25.1 | 15 |
3 | III. Allegro | -1.41 | -26.42 | -23.2 | 14 |
4 | I. andante sostenuto - Allegro assai | -0.30 | -20.64 | -16.4 | 13 |
5 | II. Andante con moto | -7.56 | -28.93 | -25.6 | 14 |
6 | III. Andante sostenuto - Allegro con moto | -0.30 | -18.98 | -15.1 | 12 |
7 | I. Allegro moderato | -4.35 | -26.77 | -23.8 | 14 |
8 | II. Andantino grazioso | -11.95 | -31.10 | -27.8 | 12 |
9 | III. Rondo allegro | -3.42 | -26.25 | -23.0 | 14 |
10 | I. Ave Maria delle Parrochie | -10.08 | -39.37 | -33.5 | 16 |
11 | II. Il tamburo dei soldati | -4.53 | -28.65 | -23.0 | 14 |
12 | III. Minuetto dei ciechi | -5.12 | -27.31 | -22.7 | 14 |
13 | IV. Il rosario. Largo assai | -11.25 | -34.34 | -29.7 | 14 |
14 | V. Los Manolos (Passa calle). Allegro vivo | -10.28 | -30.83 | -27.9 | 12 |
15 | VI. Il tamburo | -2.50 | -23.68 | -19.5 | 11 |
16 | VII. Il ritirata di Madrid. Tempo di marcia | -2.76 | -24.57 | -21.3 | 13 |
17 | I. Stabat Mater dolorosa. Grave assai | -0.66 | -27.29 | -23.7 | 12 |
18 | II. Cujus animam gementem. Allegro | -0.96 | -25.24 | -21.4 | 16 |
19 | III. Quae moerebat et dolebat. Allegretto con moto | -0.30 | -22.71 | -18.8 | 14 |
20 | IV. Quis est homo. Adagio assai - Recitativo | -8.39 | -31.12 | -27.4 | 13 |
21 | V. Pro peccatis suae gentis. Allegretto | -2.05 | -25.64 | -21.4 | 15 |
22 | VI. Eja Mater, fons amoris. Larghetto non tanto | -0.30 | -24.78 | -20.1 | 15 |
23 | VII. Tui nati vulnerati. Allegro vivo | -0.30 | -23.71 | -19.7 | 16 |
24 | VIII. Virgo virginum praeclara. Andantino | -1.11 | -26.01 | -22.5 | 16 |
25 | IX. Fac ut portem Christi mortem. Larghetto | -0.32 | -23.30 | -19.4 | 13 |
26 | X. Fac me plagis vulnerati. Allegro comodo | -0.31 | -21.49 | -17.6 | 13 |
27 | XI. Quando corpus morietur. Andante lento | -0.84 | -26.74 | -21.3 | 15 |
28 | I. Adagio | -9.44 | -27.62 | -24.8 | 12 |
29 | II. Allegro | -6.42 | -26.75 | -24.1 | 14 |
30 | III. Allegretto | -10.35 | -28.61 | -25.4 | 11 |
31 | Allegro con molto spirito - Andantino - Allegro come prima | -0.32 | -21.02 | -17.7 | 13 |