℗ 2019 Atlantic Recording Corporation for the United States and WEA International Inc
| Released | February 22, 2019 |
| Duration | 42m 14s |
| Record Label | Canvasback/ATL |
| Genre | Alternative |
Silences
Adia Victoria
Available in MQA and 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Clean
Adia Victoria |
1:52 | |||
|
1.2
|
Bring Her Back EXPLICIT
Adia Victoria |
3:15 | |||
|
1.3
|
Pacolet Road
Adia Victoria |
3:08 | |||
|
1.4
|
The City
Adia Victoria |
3:18 | |||
|
1.5
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Different Kind Of Love
Adia Victoria |
3:24 | |||
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1.6
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Devil Is A Lie
Adia Victoria |
4:28 | |||
|
1.7
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The Needle's Eye
Adia Victoria |
3:33 | |||
|
1.8
|
Cry Wolf EXPLICIT
Adia Victoria |
4:16 | |||
|
1.9
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Heathen
Adia Victoria |
3:25 | |||
|
1.10
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Nice Folks
Adia Victoria |
4:11 | |||
|
1.11
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Dope Queen Blues
Adia Victoria |
3:06 | |||
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1.12
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Get Lonely
Adia Victoria |
4:18 |
"'The blues' summons a bevy of specific sounds: the piercing riffs of Big Mama Thornton, the scratching strums of Memphis Minnie, the brazen swagger of Bessie Smith, the relaxed picking of Algia Mae Hinton. But more than chord progressions or meter counting, the blues are about feeling, about looking demons in the eye and calling them by name. Silences, the second LP from Nashville’s Adia Victoria, scans like a biting, lush indie rock record, but it’s a blues album in this pure sense. As she cavorts with and squares off against demons across these dozen tracks, Victoria positions herself as a 21st-century heir to the blues, honoring traditions while eagerly bucking them."
- Pitchfork
Adia Victoria's second release, Silences, traverses a world of genres and black history. At its heart, this release is a blues album dressed in modern indie clothes. A must-listen!
"I wanted to put the fangs back into the blues. In my opinion, it's the original punk music. It was people singing songs about messages that they couldn't speak because they'd be killed."
- Adia Victoria
88.2 kHz / 24-bit PCM – Canvasback/ATL Studio Masters
Tracks 1-12 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-12 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.09 -0.13 to -0.08 | -10.00 -11.33 to -9.14 | -7.93 -8.90 to -6.60 | 5 5 to 6 | |
| 1 | Clean | -0.08 | -11.16 | -8.8 | 6 |
| 2 | Bring Her Back | -0.08 | -9.97 | -8.2 | 5 |
| 3 | Pacolet Road | -0.08 | -9.27 | -7.2 | 5 |
| 4 | The City | -0.13 | -9.94 | -7.8 | 5 |
| 5 | Different Kind Of Love | -0.08 | -9.14 | -6.6 | 5 |
| 6 | Devil Is A Lie | -0.08 | -10.13 | -7.9 | 5 |
| 7 | The Needle's Eye | -0.08 | -9.19 | -7.9 | 5 |
| 8 | Cry Wolf | -0.08 | -10.11 | -7.8 | 6 |
| 9 | Heathen | -0.08 | -9.78 | -7.9 | 6 |
| 10 | Nice Folks | -0.08 | -10.13 | -7.9 | 5 |
| 11 | Dope Queen Blues | -0.13 | -11.33 | -8.9 | 6 |
| 12 | Get Lonely | -0.08 | -9.85 | -8.2 | 6 |