ProStudioMasters.com

"The pianist sculpts silence within the flesh of the note. Her quest for meaning creates that rare feeling that music seems to know the interpreter better than she knows herself. The notes run free on the keyboard to reach the essence of music, which anyone can enjoy profoundly." - Le Figaro Anne Queffélec, unanimously considered as one of the most remarkable pianists of our time, enjoys international fame as well as an exceptional influence over musical life. After graduating at the Paris Conservatoire, she studied in Vienna, where Paul Badura-Skoda, Jorg Demus and especially Alfred Brendel respectively became her teachers. The audiences of the world would soon discover the charm and musical smartness of this great performer when she successfully won the International competitions in Munich and in Leeds. Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument. A typical performance takes approximately thirty-seven minutes. Beethoven's early biographer Anton Schindler claimed that the Triple Concerto was written for Beethoven's royal pupil, the Archduke Rudolf of Austria. The Archduke, who became an accomplished pianist and composer under Beethoven's tutelage, was only in his mid-teens at this time, and it seems plausible that Beethoven's strategy was to create a showy but relatively easy piano part that would be backed up by two more mature and skilled soloists. However, there is no record of Rudolf ever performing the work—it was not publicly premiered until 1808, at the summer "Augarten" concerts in Vienna—and when it came to be published, the concerto bore a dedication to a different patron: Prince Lobkowitz (Franz Joseph Maximilian Fürst von Lobkowitz).