
℗ 2017 This compilation P2017 Warner Bros
Released | February 15, 2019 |
Duration | 56m 41s |
Genre | Alternative |
Tegan And Sara Present The Con X: Covers
Various Artists
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
I Was Married
Ruth B.; Doug Organ; Ruth Berhe |
1:34 | |||
1.2
|
Relief Next to Me
MUNA; Brian Robert Jones; Josette Maskin; Katie Gavin; Naomi McPherson |
2:57 | |||
1.3
|
The Con
Shura; Luke Saunders |
4:25 | |||
1.4
|
Knife Going In
Mykki Blanco; Jeremiah Meece |
3:20 | |||
1.5
|
Are You Ten Years Ago
PVRIS |
4:40 | |||
1.6
|
Back in Your Head
Cyndi Lauper; Alex Nolan; Andrew Yanchshyn; Arthur Guedes; Monsieur Adi; Sammy Merendino |
3:41 | |||
1.7
|
Hop a Plane
City and Colour |
2:41 | |||
1.8
|
Soil, Soil
Kelly Lee Owens |
2:19 | |||
1.9
|
Burn Your Life Down
Bleachers; Evan Smith; Jack Antonoff; Laura Sisk |
2:40 | |||
1.10
|
Nineteen
Hayley Williams of Paramore |
4:11 | |||
1.11
|
Floorplan
Sara Bareilles |
3:48 | |||
1.12
|
Like O, Like H
Shamir |
2:35 | |||
1.13
|
Dark Come Soon
Trashique (GRIMES X HANA) |
3:00 | |||
1.14
|
Call It Off
CHVRCHES |
5:00 | |||
1.15
|
One Second
Bleached |
3:10 | |||
1.16
|
I Take All the Blame
Vivek Shraya |
3:04 | |||
1.17
|
Miami Still (Demo)
Tegan And Sara |
3:36 |
"The Con was vanguard, released a decade before pop punk would get its artistic dues and anxious, DIY pop (Sky Ferreira, Chairlift, Waxahatchee) became the sound of a generation. It’s become a touchstone for a wealth of diverse young artists who grew up with a healthy disregard for genre."
- Pitchfork
This past winter, as the 10th anniversary of The Con quickly approached,Tegan and Sara started to brainstorm meaningful ways to celebrate what was easily one of their most important records. Important not just because of the music or the elaborate way they approached recording it 10 years ago with Chris Walla. Important because it was the biggest leap they had made in attempting to write a cohesive group of songs that told a painful and anxious story about their different relationships to loss, death, love, compulsion, fear, letting go and moving on. Indisputably their most raw and intimate record, they wanted to ensure they created a new package that did justice to the layers of attachment that both they and their fans have had to The Con.
Almost immediately they established that a tour playing all 14 songs in a more intimate and stripped-down arrangement would be special and memorable for their diehard fans. But they also wanted a companion piece that would live on past the anniversary, hence The Con X: Covers album was born.
From day one they wanted the proceeds to go to their newly-launched Tegan and Sara Foundation, which raises money for self-identified women and girls in the LGBTQ community. With that intention set, they asked 14 artists who were either outspoken allies of the LGTBQ community or LGBTQ themselves to each cover a song from The Con. They encouraged each artist to approach the song they were covering in any fashion they saw fit. Their inspiration could come from the original record or The Con Demos, Tegan and Sara's first home recordings that were released after The Con came out. All the artists agreed to donate their time and energy to the project and their labels all agreed to waive their fees as well.
At the core of their planning was the hope that this new project would tell another chapter in the story that was The Con. Music allows us to project our own stories, losses, and anxieties onto the melodies and words of someone else. It’s a universal language that bonds people together from different worlds, countries, and experiences. Somehow all these new covers manage to come together to add a new chapter to The Con.
96 kHz / 24-bit PCM – Warner Bros. Studio Masters
Tracks 1-17 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 17 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 1-17 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 17 – contains material which has been processed by a perceptual audio coding algorithm
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.47 -0.77 to -0.40 | -12.45 -18.67 to -9.29 | -10.14 -16.40 to -6.70 | 6 4 to 12 | |
1 | I Was Married | -0.71 | -14.78 | -11.6 | 8 |
2 | Relief Next to Me | -0.40 | -9.29 | -6.7 | 4 |
3 | The Con | -0.40 | -10.04 | -9.1 | 4 |
4 | Knife Going In | -0.40 | -9.48 | -7.2 | 4 |
5 | Are You Ten Years Ago | -0.40 | -10.13 | -7.9 | 5 |
6 | Back in Your Head | -0.40 | -11.99 | -9.5 | 6 |
7 | Hop a Plane | -0.67 | -14.02 | -11.1 | 8 |
8 | Soil, Soil | -0.40 | -11.11 | -10.1 | 4 |
9 | Burn Your Life Down | -0.61 | -17.12 | -14.5 | 9 |
10 | Nineteen | -0.77 | -16.46 | -13.6 | 10 |
11 | Floorplan | -0.40 | -14.98 | -11.7 | 8 |
12 | Like O, Like H | -0.40 | -18.67 | -16.4 | 12 |
13 | Dark Come Soon | -0.40 | -10.34 | -9.0 | 5 |
14 | Call It Off | -0.40 | -10.16 | -8.0 | 4 |
15 | One Second | -0.40 | -9.45 | -7.3 | 5 |
16 | I Take All the Blame | -0.40 | -11.73 | -10.1 | 6 |
17 | Miami Still (Demo) | -0.40 | -11.87 | -8.5 | 4 |