℗ 2006 RCO Live
| Released | January 9, 2019 |
| Duration | 51m 45s |
| Record Label | Royal Concertgebouw Orchestra |
| Genre | Classical |
Poulenc: Gloria - Honegger: Symphony No. 3, "Symphonie liturgique" (Live / Live)
Royal Concertgebouw Orchestra, Mariss Jansons
Available in MQA and 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Gloria, FP. 177: I. "Gloria in excelsis Deo" (Live / feat. Luba Orgonasova)
Francis Poulenc; Royal Concertgebouw Orchestra; Luba Orgonasova; Mariss Jansons; Netherlands Radio Choir |
2:19 | |||
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1.2
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Gloria, FP. 177: II. "Laudamus te" (Live / feat. Luba Orgonasova)
Francis Poulenc; Royal Concertgebouw Orchestra; Luba Orgonasova; Mariss Jansons; Netherlands Radio Choir |
3:01 | |||
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1.3
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Gloria, FP. 177: III. "Domine Deus" (Live / feat. Luba Orgonasova)
Francis Poulenc; Royal Concertgebouw Orchestra; Luba Orgonasova; Mariss Jansons; Netherlands Radio Choir |
4:04 | |||
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1.4
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Gloria, FP. 177: IV. "Domine Fili, unigenite" (Live / feat. Luba Orgonasova)
Francis Poulenc; Royal Concertgebouw Orchestra; Luba Orgonasova; Mariss Jansons; Netherlands Radio Choir |
1:21 | |||
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1.5
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Gloria, FP. 177: V. "Domine Deus, Agnus Dei" (Live / feat. Luba Orgonasova)
Francis Poulenc; Royal Concertgebouw Orchestra; Luba Orgonasova; Mariss Jansons; Netherlands Radio Choir |
5:25 | |||
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1.6
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Gloria, FP. 177: VI. "Qui sedes ad dexteram Patris" (Live / feat. Luba Orgonasova)
Francis Poulenc; Royal Concertgebouw Orchestra; Luba Orgonasova; Mariss Jansons; Netherlands Radio Choir |
6:27 | |||
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1.7
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Symphony No. 3, "Symphonie liturgique": I. Dies irae (Live)
Arthur Honegger; Royal Concertgebouw Orchestra; Mariss Jansons |
7:13 | |||
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1.8
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Symphony No. 3, "Symphonie liturgique": II. De profundis clamavi (Adagio / Live)
Arthur Honegger; Royal Concertgebouw Orchestra; Mariss Jansons |
11:28 | |||
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1.9
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Symphony No. 3, "Symphonie liturgique": III. Dona nobis pacem (Andante / Live)
Arthur Honegger; Royal Concertgebouw Orchestra; Mariss Jansons |
10:27 |
"… a modern reading that is monumental but never melodramatic.”
- BBC Music Magazine
"... The Concertgebouw plays magnificently, the slow movement is simply gorgeous and the finale rises to one of the most frightening climaxes yet captured. The sonics are also very good, if not perhaps state-of-the-art ..."
- ClassicsToday.com
This live recording presents chief conductor Mariss Jansons with the Royal Concertgebouw Orchestra in two works that reflect totally different philosophies of life. Even though they were lifelong friends, there was a great contrast between Arthur Honegger and Francis Poulenc, two members of the French group of composers known as Les Six. The two religious compositions that are recorded here are also extremely different in character: Honegger’s Symphonie liturgique is filled with sombre warnings, while Poulenc’s ecstatic Gloria is unequivocally joyous.
88.2 kHz / 24-bit PCM – Royal Concertgebouw Orchestra Studio Masters
Tracks 7-9 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Poulenc: "Gloria" Producer, recording engineer & editor: Everett Porter Assistant engineers: Roger de Schot & Tiemen Boelens Recording facility: Polyhymnia International / Eurosound Mobile Microphones: Neumann KM130, Schoeps MK2S with Polyhymnia custom electronics 88.2 kHz recording with Benchmark AD converters Editing & mixing: Merging Technologies Pyramix Monitored on B&W Nautilus speakers Honegger: Symphony No. 3, "Liturgique" Sound director: Gerard Westerdaal Recording engineer: Willem van den Berg Recording assistant: Stephan Trikojus Recording facility: DutchView Music 3 with B&K, Neumann, Schoeps microphones Remixed and edited by Everett Porter Polyhymnia International Recorded Live at Concertgebouw Amsterdam: Honegger on 4 and 6 September 2004 Poulenc on 22, 23 and 25 December 2005
Tracks 7-9 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit Poulenc: "Gloria" Producer, recording engineer & editor: Everett Porter Assistant engineers: Roger de Schot & Tiemen Boelens Recording facility: Polyhymnia International / Eurosound Mobile Microphones: Neumann KM130, Schoeps MK2S with Polyhymnia custom electronics 88.2 kHz recording with Benchmark AD converters Editing & mixing: Merging Technologies Pyramix Monitored on B&W Nautilus speakers Honegger: Symphony No. 3, "Liturgique" Sound director: Gerard Westerdaal Recording engineer: Willem van den Berg Recording assistant: Stephan Trikojus Recording facility: DutchView Music 3 with B&K, Neumann, Schoeps microphones Remixed and edited by Everett Porter Polyhymnia International Recorded Live at Concertgebouw Amsterdam: Honegger on 4 and 6 September 2004 Poulenc on 22, 23 and 25 December 2005
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.71 -5.06 to -0.09 | -26.54 -31.27 to -21.65 | -22.36 -27.70 to -18.00 | 15 13 to 17 | |
| 1 | Gloria, FP. 177: I. "Gloria in excelsis Deo" (Live / feat. Luba Orgonasova) | -0.64 | -21.65 | -18.0 | 13 |
| 2 | Gloria, FP. 177: II. "Laudamus te" (Live / feat. Luba Orgonasova) | -0.09 | -25.60 | -21.2 | 16 |
| 3 | Gloria, FP. 177: III. "Domine Deus" (Live / feat. Luba Orgonasova) | -5.06 | -31.27 | -27.7 | 16 |
| 4 | Gloria, FP. 177: IV. "Domine Fili, unigenite" (Live / feat. Luba Orgonasova) | -3.02 | -24.82 | -21.4 | 14 |
| 5 | Gloria, FP. 177: V. "Domine Deus, Agnus Dei" (Live / feat. Luba Orgonasova) | -3.58 | -29.94 | -26.4 | 17 |
| 6 | Gloria, FP. 177: VI. "Qui sedes ad dexteram Patris" (Live / feat. Luba Orgonasova) | -1.10 | -25.13 | -20.3 | 15 |
| 7 | Symphony No. 3, "Symphonie liturgique": I. Dies irae (Live) | -4.63 | -26.24 | -22.2 | 14 |
| 8 | Symphony No. 3, "Symphonie liturgique": II. De profundis clamavi (Adagio / Live) | -3.53 | -28.85 | -24.0 | 16 |
| 9 | Symphony No. 3, "Symphonie liturgique": III. Dona nobis pacem (Andante / Live) | 0.00 | -25.33 | -20.0 | 16 |