℗ 2019 Naxos
| Released | March 8, 2019 |
| Duration | 52m 34s |
| Record Label | Naxos |
| Catalogue No. | 8.579026 |
| Genre | Classical (Choral) |
Ortiz: Choral Works
Meridionalis, Sebastián Zubieta
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Maizal del Gregoriano
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1.1
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No. 1,
Pablo Ortiz; Taka Kigawa; Meridionalis; Sebastián Zubieta |
4:48 | |||
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1.2
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Interlude I
Pablo Ortiz; Taka Kigawa |
1:13 | |||
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1.3
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No. 2,
Pablo Ortiz; Taka Kigawa; Meridionalis; Sebastián Zubieta |
12:09 | |||
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1.4
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Interlude II
Pablo Ortiz; Taka Kigawa |
1:12 | |||
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1.5
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No. 3,
Pablo Ortiz; Taka Kigawa; Meridionalis; Sebastián Zubieta |
2:31 | |||
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1.6
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The Darkling Thrush
Pablo Ortiz; Meridionalis; Sebastián Zubieta |
3:53 | |||
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Teatro Martín Fierro Suite for 3 Sopranos
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1.7
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I. Fantasmas y Héroes Literarios...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:48 | |||
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1.8
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II. A Pedido Suyo...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:54 | |||
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1.9
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III. El Desenlace de la Noche...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:39 | |||
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1.10
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IV. Hay Relación...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
1:04 | |||
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1.11
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V. Prefiere Decir...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:36 | |||
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1.12
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VI. A Veces lo Débil...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:34 | |||
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1.13
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VII. ¿Alguien es Capaz de Creer?...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:51 | |||
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1.14
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VIII. Este Hombre...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:54 | |||
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1.15
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IX. La Inquietud...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:45 | |||
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1.16
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X. A Esta Altura...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:39 | |||
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1.17
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XI. Ahora Se Comprende...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:38 | |||
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1.18
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XII. Debe Haberse Sentido Culpable...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
0:51 | |||
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1.19
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XIII. Entonces...
Pablo Ortiz; Sarah Brailey; Amy Goldin; Molly Quinn; Sebastián Zubieta |
1:11 | |||
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1.20
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E ne la face de' begli occhi accende
Pablo Ortiz; Meridionalis; Sebastián Zubieta |
3:04 | |||
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1.21
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Leaving Limerick
Pablo Ortiz; Meridionalis; Sebastián Zubieta |
6:00 | |||
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1.22
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Ancor che col partire
Pablo Ortiz; Meridionalis; Sebastián Zubieta |
2:49 | |||
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1.23
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Metamorphoses
Pablo Ortiz; Meridionalis; Sebastián Zubieta |
4:31 | |||
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Digital Booklet
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This programme represents most of Pablo Ortiz’s recent choral writing, the multifaceted variety of which reflects the composer’s intense emotional connection with the past. Maizal del gregoriano uses a musical language that is reminiscent of Benedictine chant, while The Darkling Thrush absorbs Thomas Hardy’s melancholy depiction of the end of an era. Mozart is referenced in the operatic Teatro Martín Fierro Suite, as are the beauties of 16th-century madrigals in E ne la face de’ begli occhi accende. The final Metamorphoses is a remarkable superimposition of Medieval motets, expressing the essence of Ortiz’s belief in music as the ultimate time machine.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.00 -17.72 to -0.71 | -24.82 -34.09 to -20.35 | -20.79 -30.60 to -15.60 | 11 8 to 15 | |
| 1 | No. 1, | -4.65 | -27.62 | -24.3 | 13 |
| 2 | Interlude I | -17.72 | -34.09 | -30.6 | 9 |
| 3 | No. 2, | -0.71 | -24.86 | -20.9 | 15 |
| 4 | Interlude II | -16.32 | -33.70 | -30.6 | 9 |
| 5 | No. 3, | -1.55 | -23.14 | -18.2 | 12 |
| 6 | The Darkling Thrush | -0.93 | -27.27 | -23.5 | 14 |
| 7 | I. Fantasmas y Héroes Literarios... | -7.95 | -28.62 | -25.0 | 8 |
| 8 | II. A Pedido Suyo... | -3.68 | -23.27 | -19.5 | 9 |
| 9 | III. El Desenlace de la Noche... | -5.05 | -24.91 | -20.7 | 8 |
| 10 | IV. Hay Relación... | -0.73 | -20.35 | -16.1 | 11 |
| 11 | V. Prefiere Decir... | -6.71 | -26.82 | -22.4 | 12 |
| 12 | VI. A Veces lo Débil... | -1.30 | -20.73 | -15.6 | 11 |
| 13 | VII. ¿Alguien es Capaz de Creer?... | -5.04 | -22.59 | -18.6 | 10 |
| 14 | VIII. Este Hombre... | -3.58 | -24.45 | -20.0 | 12 |
| 15 | IX. La Inquietud... | -5.20 | -27.50 | -23.3 | 10 |
| 16 | X. A Esta Altura... | -1.51 | -20.38 | -15.6 | 11 |
| 17 | XI. Ahora Se Comprende... | -1.42 | -20.40 | -16.2 | 9 |
| 18 | XII. Debe Haberse Sentido Culpable... | -0.71 | -20.53 | -15.9 | 11 |
| 19 | XIII. Entonces... | -4.24 | -26.31 | -21.5 | 12 |
| 20 | E ne la face de' begli occhi accende | -0.71 | -22.99 | -19.4 | 13 |
| 21 | Leaving Limerick | -0.71 | -23.53 | -20.1 | 14 |
| 22 | Ancor che col partire | -0.71 | -23.03 | -19.6 | 13 |
| 23 | Metamorphoses | -0.83 | -23.68 | -20.6 | 12 |