℗ 2019 Anti
 

Till I Burn Up

Delicate Steve

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1
Way Too Long
Delicate Steve
2:31
2
Freedom
Delicate Steve
2:55
3
Selfie of a Man
Delicate Steve
3:11
4
Till I Burn Up
Delicate Steve
3:18
5
Purple Boy
Delicate Steve
1:43
6
Ghost
Delicate Steve
2:36
7
Rat in the House
Delicate Steve
3:03
8
Rubberneck
Delicate Steve
3:40
9
We Ride on Black Wings
Delicate Steve
3:23
10
Vacant Disco
Delicate Steve
1:35
11
Madness
Delicate Steve
3:52
12
Dream
Delicate Steve
3:31
Total Playing Time    35:18
Steve Marion - the songwriter, guitarist, and producer who has made four studio records of primarily word-less, guitar-first music as Delicate Steve – has released his fifth LP, titled Till I Burn Up.

Now nearly ten years into his career, Steve is a cult artist of his time. He has been called to record with his heroes (Paul Simon, Kanye West) and contribute significantly to his contemporaries’ modern masterworks (Amen Dunes, Freedom), all the while recording and releasing his own critically hailed work and sharing the stage with Tame Impala, Mac DeMarco, Growlers and others.

The album name Till I Burn Up comes from a line in Dr. John's “Walk on Guilded Splinters” where Steve misheard John’s actual phrase "Tit Alberta" as "Till I Burn Up." But more than fodder for an album title, John’s Gris Gris, and records like it informed a new frame-of-mind for an artist who has historically set out to make a predetermined statement with every recording.

“The idea of this young freak making Gris Gris in LA, and nobody knowing what to do with it in 1968 ... He gave me confidence to be a little more freaky and abstract instead of quirky and nicely-packaged like my last album was,” Steve explained. He then went on to cite early records by Iggy Pop and Dylan and The Band’s electric tour that were panned at the time and lauded in hindsight. “There is a confidence that comes with abandoning the idea of wanting to create something that everyone might like to check out.”
96 kHz / 24-bit PCM – Anti/Epitaph Studio Masters

Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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