℗ 2019 Aparté/Little Tribeca
| Released | March 22, 2019 |
| Duration | 1h 19m 02s |
| Record Label | Aparté |
| Catalogue No. | AP203D |
| Genre | Classical (Sonata for keyboard, violin etc.) |
César Franck: Piano Works & Quintet
Michel Dalberto, Novus Quartet
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Prelude, Choral & Fugue, M. 21
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1.1
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I. Prelude. Moderato
César Franck; Michel Dalberto |
4:51 | |||
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1.2
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II. Choral. Poco più lento - Poco allegro
César Franck; Michel Dalberto |
5:45 | |||
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1.3
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III. Fugue. Tempo I
César Franck; Michel Dalberto |
7:26 | |||
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Prelude, Aria & Final, M. 23
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1.4
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I. Prelude. Allegro moderato e maestoso
César Franck; Michel Dalberto |
9:30 | |||
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1.5
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II. Aria. Lento
César Franck; Michel Dalberto |
5:34 | |||
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1.6
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III. Final. Allegro molto ed agitato
César Franck; Michel Dalberto |
7:50 | |||
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Piano Quintet in F Minor, M. 7
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1.7
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I. Molto moderato quasi lento
César Franck; Michel Dalberto; Novus Quartet |
15:35 | |||
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1.8
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II. Lento. Con molto sentimento
César Franck; Michel Dalberto; Novus Quartet |
10:04 | |||
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1.9
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III. Allegro non troppo. Ma con fuoco
César Franck; Michel Dalberto; Novus Quartet |
8:53 | |||
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Prelude, Fugue & Variation, M. 30
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1.10
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I. Prelude. Andantino
César Franck; Michel Dalberto |
3:34 | |||
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Digital Booklet
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Vlado Perlemuter and Jean Hubeau's pupil, Michel Dalberto has established himself during a forty-year career as a master. And as an ardent defender of French music he launched on Aparté record label a serie dedicated to Debussy, Fauré, Franck and Ravel.
After a first opus devoted to Debussy (and rewarded with a Diapason d'Or), and a second to Fauré (also rewarded with a Diapason d'Or), Michel Dalberto chose the Salle Philharmonique in Liège to record the third part of this collection – that is to say in César Franck's home town.
"These recording of works of the four major French composers of the late nineteenth and early twentieth century, I wish to prove myself worthy of the teachers who used to provide a specific idea of French music made of severity and sensuality, a mixture of rigour and freedom."
- Michel Dalberto
96 kHz / 24-bit PCM – Aparté Studio Masters
Tracks 1-6, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-6, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.83 -7.72 to -0.71 | -25.87 -30.33 to -22.62 | -22.47 -27.40 to -19.40 | 14 13 to 17 | |
| 1 | I. Prelude. Moderato | -1.97 | -26.26 | -22.9 | 14 |
| 2 | II. Choral. Poco più lento - Poco allegro | -2.93 | -25.48 | -22.2 | 14 |
| 3 | III. Fugue. Tempo I | -1.43 | -22.62 | -19.5 | 13 |
| 4 | I. Prelude. Allegro moderato e maestoso | -1.88 | -23.73 | -20.3 | 14 |
| 5 | II. Aria. Lento | -6.34 | -29.03 | -26.0 | 14 |
| 6 | III. Final. Allegro molto ed agitato | -0.71 | -22.92 | -19.4 | 13 |
| 7 | I. Molto moderato quasi lento | -0.92 | -24.99 | -20.9 | 15 |
| 8 | II. Lento. Con molto sentimento | -2.35 | -29.55 | -25.9 | 17 |
| 9 | III. Allegro non troppo. Ma con fuoco | -2.09 | -23.77 | -20.2 | 14 |
| 10 | I. Prelude. Andantino | -7.72 | -30.33 | -27.4 | 14 |