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Mahler: Das Lied von der Erde

Anna Larsson, Stuart Skelton, Düsseldorfer Symphoniker, Adam Fischer

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Das Lied von der Erde  
1
I. Das Trinklied vom Jammer der Erde
Gustav Mahler; Düsseldorfer Symphoniker; Adam Fischer; Stuart Skelton
7:55
2
II. Der Einsame im Herbst
Gustav Mahler; Düsseldorfer Symphoniker; Anna Larsson; Adam Fischer
9:20
3
III. Von der Jugend
Gustav Mahler; Düsseldorfer Symphoniker; Stuart Skelton; Adam Fischer
3:06
4
IV. Von der Schönheit
Gustav Mahler; Düsseldorfer Symphoniker; Anna Larsson; Adam Fischer
7:03
5
V. Der Trunkene im Frühling
Gustav Mahler; Düsseldorfer Symphoniker; Adam Fischer; Stuart Skelton
4:25
6
VI. Der Abschied
Gustav Mahler; Düsseldorfer Symphoniker; Anna Larsson; Adam Fischer
29:42
Digital Booklet
Total Playing Time    61:31
From the onset, the music in Das Lied von der Erde is permeated by a special mood. Even the texts, based on Far Eastern poetry, are more mood than content. Mahler repeatedly abandons the words' meaning, but the mood remains. The music implies so much more than the words! For instance, the third poem evokes the reflection of a mirror image in water, but I don't see those images anywhere in the music. Mahler is not concerned with helping us understand every syllable. If the voice, in its anguish, is drowned out by the orchestra, that is what the music is trying to achieve. Throughout a great number of passages, "beautiful tone" is not what is important. To the contrary. In Das Lied von der Erde, the singers are likewise required to declaim, cry, and shriek. I think that even those concertgoers who have no command of the German language have no problem in gaining a quite precise grasp of what is going on.
48 kHz / 24-bit PCM – CAvi-music Studio Masters

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