℗ 2017 Counterpoint Records
| Released | December 16, 2017 |
| Duration | 1h 06m 56s |
| Record Label | Counterpoint Records |
| Catalogue No. | CR2.3354 |
| Genre | Classical (Solo Instrumental) |
Bach: Cello Suites Nos. 1-3, BWV 1007-1009 (Arr. W. Rübsam for Lute-Harpsichord)
Wolfgang Rübsam
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 1 in G Major, BWV 1007 (Arr. W. Rübsam for Lute-Harpsichord)
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1.1
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I. Prelude
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
3:05 | |||
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1.2
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II. Allemande
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
5:18 | |||
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1.3
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III. Courante
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
4:07 | |||
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1.4
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IV. Sarabande
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
2:29 | |||
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1.5
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V. Menuets I & II
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
3:53 | |||
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1.6
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VI. Gigue
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
2:02 | |||
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Cello Suite No. 2 in D Minor, BWV 1008 (Arr. W. Rübsam for Lute-Harpsichord)
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1.7
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I. Prelude
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
4:07 | |||
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1.8
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II. Allemande
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
4:51 | |||
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1.9
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III. Courante
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
3:16 | |||
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1.10
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IV. Sarabande
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
3:32 | |||
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1.11
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V. Menuets I & II
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
3:32 | |||
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1.12
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VI. Gigue
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
2:39 | |||
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Cello Suite No. 3 in C Major, BWV 1009 (Arr. W. Rübsam for Lute-Harpsichord)
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1.13
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I. Prelude
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
4:05 | |||
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1.14
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II. Allemande
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
4:38 | |||
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1.15
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III. Courante
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
4:12 | |||
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1.16
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IV. Sarabande
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
3:34 | |||
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1.17
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V. Bourrées I & II
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
4:30 | |||
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1.18
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VI. Gigue
Anonymous; Johann Sebastian Bach; Wolfgang Rübsam |
3:06 | |||
Wolfgang Rübsam performs Bach's monumental Cello Suites 1-3 on his specialized Lautenwerk - the "Lute-Harpsichord" - built by Keith Hill:
"For this recording, which is all about the Cantabile style of playing, having a more singing quality of sound is advantageous. Of all the lautenwerks I have built I find this one by far the most satisfying because of its simplicity of construction and the magnificence of its tone."
- Keith Hill
96 kHz / 24-bit PCM – Counterpoint Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.01 -8.11 to -3.51 | -24.41 -26.70 to -22.27 | -21.32 -23.30 to -18.90 | 13 12 to 13 | |
| 1 | I. Prelude | -7.75 | -24.43 | -21.5 | 12 |
| 2 | II. Allemande | -7.59 | -25.68 | -22.7 | 13 |
| 3 | III. Courante | -5.26 | -23.43 | -20.6 | 12 |
| 4 | IV. Sarabande | -8.11 | -26.66 | -23.3 | 13 |
| 5 | V. Menuets I & II | -6.24 | -24.85 | -21.9 | 13 |
| 6 | VI. Gigue | -3.51 | -22.66 | -19.3 | 13 |
| 7 | I. Prelude | -4.47 | -24.25 | -21.3 | 13 |
| 8 | II. Allemande | -6.87 | -25.39 | -22.3 | 13 |
| 9 | III. Courante | -5.12 | -23.51 | -20.4 | 12 |
| 10 | IV. Sarabande | -6.26 | -26.70 | -23.3 | 13 |
| 11 | V. Menuets I & II | -5.04 | -24.25 | -21.1 | 13 |
| 12 | VI. Gigue | -4.22 | -22.27 | -18.9 | 13 |
| 13 | I. Prelude | -6.42 | -24.60 | -21.5 | 12 |
| 14 | II. Allemande | -5.80 | -24.01 | -21.1 | 13 |
| 15 | III. Courante | -7.24 | -24.37 | -21.2 | 12 |
| 16 | IV. Sarabande | -6.13 | -25.22 | -22.1 | 13 |
| 17 | V. Bourrées I & II | -6.49 | -23.98 | -21.0 | 12 |
| 18 | VI. Gigue | -5.59 | -23.11 | -20.2 | 13 |