℗ 2019 harmonia mundi
| Released | April 12, 2019 |
| Duration | 2h 40m 16s |
| Record Label | harmonia mundi |
| Catalogue No. | 90228081DI |
| Genre | Classical (Motet, Te Deum and other sacred genres) |
Charpentier: Histoires sacrées
Ensemble Correspondances, Sébastien Daucé
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars
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1.1
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Præludium - Est secretum, valeriane (Cæcilia)
Marc-Antoine Charpentier; Judith Fa; Sébastien Daucé; Ensemble Correspondances |
1:27 | |||
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1.2
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Nullus audit, nullus videt (Valerianus, Cæcilia) - Et aquis lustratibus (Chorus fidelium)
Marc-Antoine Charpentier; Etienne Bazola; Judith Fa; Ensemble Correspondances; Sébastien Daucé |
3:47 | |||
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1.3
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Acceptis autem ab Angelo flosculis (Historicus, Cæcilia, Valerianus, Tiburtius)
Marc-Antoine Charpentier; Davy Cornillot; Stephen Collardelle; Ensemble Correspondances; Sébastien Daucé; Judith Fa; Etienne Bazola |
4:37 | |||
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1.4
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O Christi fidem profitentium (Tutti)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
1:47 | |||
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Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars
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1.5
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Præludium
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
1:08 | |||
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1.6
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Cum autem Valeriani et Tiburtii (Historicus, Almachius, Cæcilia)
Marc-Antoine Charpentier; Davy Cornillot; Nicolas Brooymans; Judith Fa; Ensemble Correspondances; Sébastien Daucé |
5:02 | |||
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1.7
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Ecce, ecce mihi Jesu (Cæcilia)
Marc-Antoine Charpentier; Judith Fa; Ensemble Correspondances; Sébastien Daucé |
1:40 | |||
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1.8
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Heu, heu, nos dolentes (Chorus fidelium, Angeli)
Marc-Antoine Charpentier; Caroline Weynants; Ensemble Correspondances; Violaine Le Chenadec; Sébastien Daucé |
1:55 | |||
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1.9
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Cur ploratis fideles (Angeli, Chorus fidelium)
Marc-Antoine Charpentier; Caroline Weynants; Ensemble Correspondances; Sébastien Daucé; Violaine Le Chenadec |
1:45 | |||
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1.10
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Guay - Nolite flere fideles (Angeli, Chorus fidelium, tutti)
Marc-Antoine Charpentier; Caroline Weynants; Ensemble Correspondances; Lucile Richardot; Caroline Arnaud; Violaine Le Chenadec; Sébastien Daucé |
6:46 | |||
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Motet pour les trépassés à 8, H. 311
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1.11
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Prélude - Miseremini mei
Marc-Antoine Charpentier; Caroline Weynants; Nicolas Brooymans; Lucile Richardot; Constantin Goubet; Ensemble Correspondances; Sébastien Daucé; Violaine Le Chenadec; Renaud Brès; Davy Cornillot; Stephen Collardelle |
2:33 | |||
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1.12
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Heu, mihi Domine
Marc-Antoine Charpentier; Caroline Weynants; Violaine Le Chenadec; Renaud Brès; Davy Cornillot; Stephen Collardelle; Ensemble Correspondances; Sébastien Daucé |
2:32 | |||
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1.13
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Ritournelle - Ah, ah pœnis crucior
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
3:46 | |||
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Dialogus inter Magdalenam et Jesum, H. 423
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1.14
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Hei, hei mihi infelix Magdalena
Marc-Antoine Charpentier; Lucile Richardot; Davy Cornillot; Ensemble Correspondances; Sébastien Daucé |
4:11 | |||
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Judith, sive Bethulia liberata, H. 391, Première partie
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1.15
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Stabat Holofernes super montes (Chorus Assyriorum)
Marc-Antoine Charpentier; Caroline Arnaud; Nicolas Brooymans; Ensemble Correspondances; Sébastien Daucé; Stephen Collardelle; Etienne Bazola |
0:28 | |||
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1.16
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Filii Israel (Tres duces Assyrii)
Marc-Antoine Charpentier; Stephen Collardelle; Etienne Bazola; Nicolas Brooymans; Ensemble Correspondances; Sébastien Daucé |
0:59 | |||
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1.17
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Et placuerunt (Historicus ex Assyriis, Historicus ex filiis Israel, Tres viri Israelitæ, Historicus ex Israel)
Marc-Antoine Charpentier; Nicolas Brooymans; Lucile Richardot; Sébastien Daucé; Judith Fa; Davy Cornillot; René Ramos Premier; Ensemble Correspondances |
2:52 | |||
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1.18
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Peccavimus, Domine (Filii Israel)
Marc-Antoine Charpentier; Judith Fa; Davy Cornillot; Sébastien Daucé; Ensemble Correspondances; Lucile Richardot; René Ramos Premier |
2:23 | |||
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1.19
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Et, cum his clamoribus (Historicus ex filiis Israel, Ozias)
Marc-Antoine Charpentier; Judith Fa; Ensemble Correspondances; Lucile Richardot; René Ramos Premier; Davy Cornillot; Sébastien Daucé |
1:51 | |||
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1.20
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Quod cum audisset (Historici ex filiis Israel)
Marc-Antoine Charpentier; Lucile Richardot; René Ramos Premier; Ensemble Correspondances; Sébastien Daucé; Davy Cornillot |
0:27 | |||
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1.21
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Quod est hoc verbum (Judith)
Marc-Antoine Charpentier; Caroline Weynants; Ensemble Correspondances; Sébastien Daucé |
2:14 | |||
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1.22
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Vera sunt omnia (Ozias, Judith, Chorus ex Israel, trois voix seules)
Marc-Antoine Charpentier; Davy Cornillot; René Ramos Premier; Ensemble Correspondances; Caroline Weynants; Lucile Richardot; Sébastien Daucé |
3:06 | |||
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1.23
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Nocte autem sequetem (Historicus ex Israel, Judith)
Marc-Antoine Charpentier; Lucile Richardot; Sébastien Daucé; Caroline Weynants; Ensemble Correspondances |
3:46 | |||
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1.24
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Post hæc Judith deposuit (Historicus ex Israel)
Marc-Antoine Charpentier; Davy Cornillot; Sébastien Daucé; Ensemble Correspondances |
0:51 | |||
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1.25
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La nuict
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
2:56 | |||
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Judith, sive Bethulia liberata, H. 391, Seconde partie
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1.26
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Cum autem Judith descenderat montem (Ancilla, Duo exploratores ex Assyriis, Judith, Chorus Assyriorum)
Marc-Antoine Charpentier; Violaine Le Chenadec; Ensemble Correspondances; Sébastien Daucé; Caroline Weynants; Etienne Bazola; Stephen Collardelle |
2:35 | |||
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1.27
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Æquo animo esto (Holofernes, Judith)
Marc-Antoine Charpentier; Renaud Brès; Ensemble Correspondances; Caroline Weynants; Sébastien Daucé |
6:03 | |||
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1.28
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Et ingressa Judith (Historici ex Assyriis)
Marc-Antoine Charpentier; Stephen Collardelle; Etienne Bazola; Nicolas Brooymans; Ensemble Correspondances; Sébastien Daucé |
0:48 | |||
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1.29
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Ut autem sero factum est (Ancilla)
Marc-Antoine Charpentier; Violaine Le Chenadec; Ensemble Correspondances; Sébastien Daucé |
1:40 | |||
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1.30
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Aperite portas, custodes fideles (Judith)
Marc-Antoine Charpentier; Caroline Weynants; Ensemble Correspondances; Sébastien Daucé |
0:43 | |||
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1.31
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Et cum audissent filii Israel (Chorus filiorum Israel)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
1:39 | |||
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1.32
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Laudate Dominum Deum nostrum (Judith, Chœur)
Marc-Antoine Charpentier; Caroline Weynants; Ensemble Correspondances; Sébastien Daucé |
4:21 | |||
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Mors Saülis et Jonathæ, H. 403
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2.1
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Rumor bellicus
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
0:29 | |||
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Mors Saülis et Jonathæ, H. 403, Première partie
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2.2
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Cum essent congregata (Chorus)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
1:28 | |||
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2.3
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O mulier, suscita mihi (Saül, Maga)
Marc-Antoine Charpentier; Etienne Bazola; Lucile Richardot; Ensemble Correspondances; Sébastien Daucé |
2:26 | |||
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2.4
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Première symphonie (de l'enchantement] - Æther umbrosus nigro velamine (Maga) Per hanc virgam in terram trahentem (Maga) - [Seconde) symphonie de l'enchantement - Ecquid ad surdos (Maga)
Marc-Antoine Charpentier; Lucile Richardot; Ensemble Correspondances; Sébastien Daucé |
5:37 | |||
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2.5
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Cumque Samuel volente Deo (Duo ex choro)
Marc-Antoine Charpentier; Violaine Le Chenadec; Davy Cornillot; Ensemble Correspondances; Sébastien Daucé |
0:39 | |||
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2.6
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Surge Saül et responde mihi ! (Samuel, Saül)
Marc-Antoine Charpentier; Nicolas Brooymans; Ensemble Correspondances; Sébastien Daucé; Etienne Bazola |
3:14 | |||
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Mors Saülis et Jonathæ, H. 403, Seconde partie
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2.7
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Cecidit repente Saül (Chorus)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
1:48 | |||
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2.8
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Tolle, quæso, tolle (Saül, Miles)
Marc-Antoine Charpentier; Etienne Bazola; Ensemble Correspondances; David Tricou; Sébastien Daucé |
1:41 | |||
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2.9
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Age cito (Saül, chorus)
Marc-Antoine Charpentier; Etienne Bazola; Ensemble Correspondances; Sébastien Daucé |
1:56 | |||
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2.10
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Cumque miles invitus (Tres ex choro)
Marc-Antoine Charpentier; Lucile Richardot; Constantin Goubet; Ensemble Correspondances; Sébastien Daucé; Caroline Dangin-Bardot |
0:58 | |||
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2.11
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Quisnam es tu ? (David, Miles)
Marc-Antoine Charpentier; Davy Cornillot; Sébastien Daucé; David Tricou; Ensemble Correspondances |
2:04 | |||
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2.12
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O sors ! (Chorus sans violons)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
2:04 | |||
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2.13
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Sed tu, unde scis quod Saül (David, Miles)
Marc-Antoine Charpentier; Davy Cornillot; David Tricou; Ensemble Correspondances; Sébastien Daucé |
3:01 | |||
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2.14
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Doleo super te (David)
Marc-Antoine Charpentier; Davy Cornillot; Ensemble Correspondances; Sébastien Daucé |
4:34 | |||
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2.15
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David autem conversus (Duo ex choro, David)
Marc-Antoine Charpentier; Violaine Le Chenadec; Ensemble Correspondances; Sébastien Daucé; Davy Cornillot; Caroline Dangin-Bardot |
0:51 | |||
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2.16
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Montes Gelboe (Chorus ultimus)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
3:23 | |||
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2.17
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Prelude pour Mementote peccatores, H. 425a
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
1:18 | |||
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Dialogus inter Christum et peccatores, H. 425
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2.18
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Mementote peccatores (Christus)
Marc-Antoine Charpentier; Etienne Bazola; Sébastien Daucé; Ensemble Correspondances |
1:17 | |||
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2.19
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Vos autem (Christus, à 3)
Marc-Antoine Charpentier; Etienne Bazola; Caroline Dangin-Bardot; Ensemble Correspondances; Violaine Le Chenadec; Sébastien Daucé |
2:20 | |||
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2.20
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Quis capiti meo dabit aquam (Premier dessus)
Marc-Antoine Charpentier; Violaine Le Chenadec; Ensemble Correspondances; Sébastien Daucé |
1:32 | |||
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2.21
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Heu, stupiditas cordis mei (Deuxième dessus)
Marc-Antoine Charpentier; Caroline Dangin-Bardot; Ensemble Correspondances; Sébastien Daucé |
1:35 | |||
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2.22
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Ah, cor durum, ah cor ingratum (à 3)
Marc-Antoine Charpentier; Etienne Bazola; Ensemble Correspondances; Violaine Le Chenadec; Sébastien Daucé; Caroline Dangin-Bardot |
2:00 | |||
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Dialogus inter Christum et homines H. 417
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2.23
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Prélude - Homo Deus fecit cœnam magnam
Marc-Antoine Charpentier; Davy Cornillot; Nicolas Brooymans; David Tricou; Ensemble Correspondances; Sébastien Daucé; Renaud Brès |
4:39 | |||
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2.24
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O panis Deus
Marc-Antoine Charpentier; Nicolas Brooymans; Ensemble Correspondances; Sébastien Daucé; Davy Cornillot; David Tricou; Etienne Bazola; Renaud Brès |
4:24 | |||
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Élévation, H. 408
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2.25
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(Symphonie)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
1:46 | |||
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2.26
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Famem meam quis replebit (Esuriens, Christus, Sitiens)
Marc-Antoine Charpentier; Violaine Le Chenadec; Ensemble Correspondances; Lucile Richardot; Sébastien Daucé; Etienne Bazola |
1:30 | |||
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2.27
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Panem cœlestem habeo (Christus)
Marc-Antoine Charpentier; Etienne Bazola; Ensemble Correspondances; Sébastien Daucé |
1:52 | |||
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2.28
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Esurio, sitio (Esuriens, Sitiens, Christus)
Marc-Antoine Charpentier; Violaine Le Chenadec; Ensemble Correspondances; Lucile Richardot; Sébastien Daucé; Etienne Bazola |
2:50 | |||
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2.29
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O panis angelorum (Esuriens, Sitiens, Christus)
Marc-Antoine Charpentier; Violaine Le Chenadec; Ensemble Correspondances; Lucile Richardot; Sébastien Daucé; Etienne Bazola |
3:00 | |||
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Pestis mediolanensis, H. 398
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2.30
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Prélude pour Horrenda pestis - Horrenda pestis Mediolanum vastabit
Marc-Antoine Charpentier; Stephen Collardelle; Sébastien Daucé; Davy Cornillot; Renaud Brès; Ensemble Correspondances |
6:08 | |||
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2.31
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Afflictionem miseri populi ut audivit (grand chœur)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
0:41 | |||
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2.32
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Cantilena. Infirmos languentes solatur
Marc-Antoine Charpentier; Caroline Weynants; Lucile Richardot; Sébastien Daucé; Davy Cornillot; Violaine Le Chenadec; Stephen Collardelle; Constantin Goubet; Ensemble Correspondances |
2:07 | |||
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2.33
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Hymnum ergo cantemus (grand chœur)
Marc-Antoine Charpentier; Ensemble Correspondances; Sébastien Daucé |
2:26 | |||
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Digital Booklet
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Marc-Antoine Charpentier is the only composer of the age of Louis XIV to have distinguished himself so remarkably in the genre of the ‘sacred history’: he wrote more than thirty such works, all composed after his residence in Italy.
Sébastien Daucé and the Ensemble Correspondances have carefully extracted from this outstanding corpus a number of gems that reflect both his experience in Rome (probably studying with Carissimi, the master of the oratorio) and the humanist concerns of an entire period.
Like a miniature opera, each piece relates an exemplary destiny, including several strong-willed women (Judith, Cecilia, Mary Magdalene) and a deep friendship put to the test (Mors Saülis and Jonathæ).
88.2 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.03 -10.85 to -0.86 | -23.11 -28.74 to -17.42 | -19.82 -25.40 to -14.10 | 12 9 to 15 | |
| 1.1 | Præludium - Est secretum, valeriane (Cæcilia) | -7.16 | -22.56 | -19.9 | 10 |
| 1.2 | Nullus audit, nullus videt (Valerianus, Cæcilia) - Et aquis lustratibus (Chorus fidelium) | -1.08 | -21.14 | -17.8 | 12 |
| 1.3 | Acceptis autem ab Angelo flosculis (Historicus, Cæcilia, Valerianus, Tiburtius) | -2.12 | -22.92 | -19.7 | 13 |
| 1.4 | O Christi fidem profitentium (Tutti) | -1.97 | -19.85 | -16.4 | 12 |
| 1.5 | Præludium | -6.67 | -23.69 | -20.9 | 9 |
| 1.6 | Cum autem Valeriani et Tiburtii (Historicus, Almachius, Cæcilia) | -1.20 | -21.65 | -18.1 | 13 |
| 1.7 | Ecce, ecce mihi Jesu (Cæcilia) | -5.86 | -27.49 | -23.0 | 12 |
| 1.8 | Heu, heu, nos dolentes (Chorus fidelium, Angeli) | -2.12 | -21.32 | -17.8 | 10 |
| 1.9 | Cur ploratis fideles (Angeli, Chorus fidelium) | -3.24 | -19.77 | -16.7 | 10 |
| 1.10 | Guay - Nolite flere fideles (Angeli, Chorus fidelium, tutti) | -1.13 | -20.47 | -17.3 | 13 |
| 1.11 | Prélude - Miseremini mei | -3.98 | -21.38 | -18.5 | 11 |
| 1.12 | Heu, mihi Domine | -3.65 | -22.48 | -19.5 | 11 |
| 1.13 | Ritournelle - Ah, ah pœnis crucior | -2.36 | -21.05 | -17.9 | 11 |
| 1.14 | Hei, hei mihi infelix Magdalena | -8.34 | -28.18 | -25.1 | 13 |
| 1.15 | Stabat Holofernes super montes (Chorus Assyriorum) | -2.75 | -19.00 | -15.6 | 10 |
| 1.16 | Filii Israel (Tres duces Assyrii) | -3.99 | -22.35 | -19.0 | 11 |
| 1.17 | Et placuerunt (Historicus ex Assyriis, Historicus ex filiis Israel, Tres viri Israelitæ, Historicus ex Israel) | -4.07 | -22.51 | -19.4 | 11 |
| 1.18 | Peccavimus, Domine (Filii Israel) | -2.25 | -20.89 | -17.7 | 12 |
| 1.19 | Et, cum his clamoribus (Historicus ex filiis Israel, Ozias) | -5.16 | -25.45 | -22.4 | 12 |
| 1.20 | Quod cum audisset (Historici ex filiis Israel) | -4.48 | -22.20 | -18.8 | 11 |
| 1.21 | Quod est hoc verbum (Judith) | -4.38 | -22.83 | -19.9 | 11 |
| 1.22 | Vera sunt omnia (Ozias, Judith, Chorus ex Israel, trois voix seules) | -2.00 | -22.61 | -18.9 | 12 |
| 1.23 | Nocte autem sequetem (Historicus ex Israel, Judith) | -0.86 | -22.36 | -19.3 | 13 |
| 1.24 | Post hæc Judith deposuit (Historicus ex Israel) | -8.64 | -28.74 | -25.4 | 11 |
| 1.25 | La nuict | -10.20 | -27.87 | -25.2 | 10 |
| 1.26 | Cum autem Judith descenderat montem (Ancilla, Duo exploratores ex Assyriis, Judith, Chorus Assyriorum) | -1.77 | -20.48 | -17.1 | 12 |
| 1.27 | Æquo animo esto (Holofernes, Judith) | -1.23 | -22.36 | -19.0 | 13 |
| 1.28 | Et ingressa Judith (Historici ex Assyriis) | -3.39 | -21.52 | -17.8 | 11 |
| 1.29 | Ut autem sero factum est (Ancilla) | -5.06 | -23.00 | -19.5 | 11 |
| 1.30 | Aperite portas, custodes fideles (Judith) | -5.65 | -23.63 | -20.6 | 12 |
| 1.31 | Et cum audissent filii Israel (Chorus filiorum Israel) | -2.66 | -20.17 | -17.0 | 11 |
| 1.32 | Laudate Dominum Deum nostrum (Judith, Chœur) | -1.70 | -20.88 | -17.8 | 13 |
| 2.1 | Rumor bellicus | -5.75 | -23.66 | -20.6 | 11 |
| 2.2 | Cum essent congregata (Chorus) | -3.77 | -21.88 | -18.5 | 11 |
| 2.3 | O mulier, suscita mihi (Saül, Maga) | -6.83 | -26.20 | -22.4 | 12 |
| 2.4 | Première symphonie (de l'enchantement] - Æther umbrosus nigro velamine (Maga) Per hanc virgam in terram trahentem (Maga) - [Seconde) symphonie de l'enchantement - Ecquid ad surdos (Maga) | -2.77 | -25.65 | -22.1 | 14 |
| 2.5 | Cumque Samuel volente Deo (Duo ex choro) | -6.71 | -25.08 | -21.4 | 10 |
| 2.6 | Surge Saül et responde mihi ! (Samuel, Saül) | -3.27 | -21.96 | -18.2 | 12 |
| 2.7 | Cecidit repente Saül (Chorus) | -2.68 | -21.97 | -18.6 | 12 |
| 2.8 | Tolle, quæso, tolle (Saül, Miles) | -4.07 | -24.87 | -20.8 | 13 |
| 2.9 | Age cito (Saül, chorus) | -1.30 | -22.24 | -17.3 | 13 |
| 2.10 | Cumque miles invitus (Tres ex choro) | -4.99 | -24.45 | -21.2 | 12 |
| 2.11 | Quisnam es tu ? (David, Miles) | -1.99 | -23.39 | -19.8 | 12 |
| 2.12 | O sors ! (Chorus sans violons) | -2.80 | -20.34 | -17.0 | 11 |
| 2.13 | Sed tu, unde scis quod Saül (David, Miles) | -2.19 | -25.76 | -21.6 | 15 |
| 2.14 | Doleo super te (David) | -5.03 | -26.38 | -23.6 | 13 |
| 2.15 | David autem conversus (Duo ex choro, David) | -3.16 | -24.79 | -21.5 | 12 |
| 2.16 | Montes Gelboe (Chorus ultimus) | -2.73 | -22.13 | -18.8 | 12 |
| 2.17 | Prelude pour Mementote peccatores, H. 425a | -10.85 | -26.02 | -23.4 | 10 |
| 2.18 | Mementote peccatores (Christus) | -5.15 | -23.02 | -19.8 | 11 |
| 2.19 | Vos autem (Christus, à 3) | -3.71 | -23.54 | -20.5 | 12 |
| 2.20 | Quis capiti meo dabit aquam (Premier dessus) | -5.08 | -24.32 | -21.2 | 12 |
| 2.21 | Heu, stupiditas cordis mei (Deuxième dessus) | -8.19 | -26.91 | -24.3 | 12 |
| 2.22 | Ah, cor durum, ah cor ingratum (à 3) | -4.00 | -22.67 | -19.5 | 10 |
| 2.23 | Prélude - Homo Deus fecit cœnam magnam | -1.70 | -23.49 | -20.2 | 14 |
| 2.24 | O panis Deus | -5.24 | -24.40 | -21.1 | 12 |
| 2.25 | (Symphonie) | -8.93 | -26.45 | -23.9 | 10 |
| 2.26 | Famem meam quis replebit (Esuriens, Christus, Sitiens) | -5.27 | -23.81 | -20.6 | 12 |
| 2.27 | Panem cœlestem habeo (Christus) | -7.13 | -24.99 | -21.8 | 11 |
| 2.28 | Esurio, sitio (Esuriens, Sitiens, Christus) | -3.77 | -24.03 | -20.9 | 12 |
| 2.29 | O panis angelorum (Esuriens, Sitiens, Christus) | -3.60 | -23.61 | -20.0 | 12 |
| 2.30 | Prélude pour Horrenda pestis - Horrenda pestis Mediolanum vastabit | -2.11 | -22.13 | -19.0 | 12 |
| 2.31 | Afflictionem miseri populi ut audivit (grand chœur) | -1.44 | -17.42 | -14.1 | 11 |
| 2.32 | Cantilena. Infirmos languentes solatur | -2.79 | -23.33 | -20.5 | 11 |
| 2.33 | Hymnum ergo cantemus (grand chœur) | -1.85 | -18.67 | -15.1 | 11 |