℗ 2019 Sub Pop Records
 

Pony

Orville Peck

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • MQA 96 kHz | 24-bit (source)
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1
Dead of Night
Orville Peck
3:59
2
Winds Change
Orville Peck
2:59
3
Turn to Hate
Orville Peck
4:56
4
Buffalo Run
Orville Peck
3:38
5
Queen of the Rodeo
Orville Peck
3:17
6
Kansas (Remembers Me Now)
Orville Peck
3:35
7
Old River
Orville Peck
1:01
8
Big Sky
Orville Peck
3:32
9
Roses Are Falling
Orville Peck
3:05
10
Take You Back (The Iron Hoof Cattle Call)
Orville Peck
3:27
11
Hope to Die
Orville Peck
4:29
12
Nothing Fades Like the Light
Orville Peck
3:46
Total Playing Time    41:44
Combining the lulling ambiance of shoegaze with the iconic melodies and vocal prowess of classic American country music, outlaw cowboy, Orville Peck croons about love and loss from the badlands of North America. The resulting sound is entirely his own. He takes the listener down desert highways, through a world where worn out gamblers, road-dogs, and lovesick hustlers drift in and out of his masked gaze.

Orville’s debut album, Pony, delivers a diverse collection of stories that sing of heartbreak, revenge and the unrelenting tug of the cowboy ethos. Warm lap steel guitars and echoing drums move through dreamy ballads and sometimes near frantic buzzsaw tunes - all the while paying homage to his country music roots.
96 kHz / 24-bit PCM – Sub Pop Records Studio Masters

Tracks 1-12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

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You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

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