℗ 2019 harmonia mundi
Released | April 12, 2019 |
Duration | 2h 00m 33s |
Record Label | harmonia mundi |
Catalogue No. | 90245356DI2 |
Genre | Classical (Keyboard (specific genres)) |
J.S. Bach: Complete Keyboard Edition, Vol. 2.2
Benjamin Alard, Gerlinde Sämann
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Wir glauben all an einen Gott, BWV 1098
Johann Sebastian Bach; Benjamin Alard |
2:07 | |||
1.2
|
Wir glauben all an einen Gott, BWV 765
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:46 | |||
1.3
|
Vater unser im Himmelreich, BWV 737
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
1:38 | |||
1.4
|
O Lamm Gottes unschuldig, BWV 1085
Johann Sebastian Bach; Benjamin Alard |
3:53 | |||
1.5
|
O Lamm Gottes unschuldig, BWV 1095
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:52 | |||
1.6
|
Du Friedefürst, Herr Jesu Christ, BWV 1102
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
3:38 | |||
1.7
|
O Herre Gott, dein göttlich Wort, BWV 1110
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:05 | |||
1.8
|
Wir Christenleut, BWV 1090
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
1:54 | |||
1.9
|
Herzliebster Jesu, was hast du verbrochen, BWV 1093
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
1:38 | |||
1.10
|
Gott ist mein Heil, mein Hilf und Trost, BWV 1106
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:49 | |||
1.11
|
Der Tag, der ist so freudenreich, BWV 719
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:55 | |||
1.12
|
Allein zu dir, Herr Jesu Christ, BWV 1100
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:12 | |||
1.13
|
Durch Adams Fall ist ganz verderbt, BWV 1101
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:46 | |||
1.14
|
Christ, der du bist der helle Tag, BWV 1120
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:04 | |||
1.15
|
Ach Gott und Herr, BWV 714
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:20 | |||
1.16
|
Erbarm dich mein, o Herre Gott, BWV 721
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:58 | |||
1.17
|
Als Jesus Christus in der Nacht, BWV 1108
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:37 | |||
1.18
|
In dich hab ich gehoffet, Herr, BWV 712
Johann Sebastian Bach; Benjamin Alard; Gerlinde Sämann |
2:46 | |||
1.19
|
Christ, der du bist der helle Tag, BWV 766
Johann Sebastian Bach; Benjamin Alard |
9:16 | |||
Sonata in A Minor, BWV 965
|
|||||
2.1
|
1. Adagio
Johann Sebastian Bach; Benjamin Alard |
2:17 | |||
2.2
|
2. Fuga
Johann Sebastian Bach; Benjamin Alard |
3:58 | |||
2.3
|
3. Adagio - Presto
Johann Sebastian Bach; Benjamin Alard |
1:16 | |||
2.4
|
4. Allemande
Johann Sebastian Bach; Benjamin Alard |
4:21 | |||
2.5
|
5. Courante
Johann Sebastian Bach; Benjamin Alard |
2:23 | |||
2.6
|
6. Sarabande
Johann Sebastian Bach; Benjamin Alard |
1:32 | |||
2.7
|
7. Gigue
Johann Sebastian Bach; Benjamin Alard |
5:58 | |||
2.8
|
Toccata in C Major
Johann Pachelbel; Benjamin Alard |
2:21 | |||
2.9
|
Fugue in C Major, BuxWV 174
Dietrich Buxtehude; Benjamin Alard |
3:11 | |||
2.10
|
Toccata in E Minor, BWV 914
Johann Sebastian Bach; Benjamin Alard |
7:36 | |||
Sonata in C Major, BWV 966
|
|||||
2.11
|
3. Adagio
Johann Sebastian Bach; Benjamin Alard |
1:47 | |||
2.12
|
Fugue in A Minor, BWV 959
Johann Sebastian Bach; Benjamin Alard |
3:19 | |||
2.13
|
Canzona in D Minor, BWV 588
Johann Sebastian Bach; Benjamin Alard |
4:55 | |||
2.14
|
Fantasie in G Minor, BWV 917
Johann Sebastian Bach; Benjamin Alard |
1:59 | |||
2.15
|
Fuge in B-Flat Major, BWV 955a
Johann Sebastian Bach; Benjamin Alard |
4:30 | |||
2.16
|
Toccata in D Minor, BWV 913a
Johann Sebastian Bach; Benjamin Alard |
13:56 | |||
Digital Booklet
|
In this second instalment of the complete keyboard works, Benjamin Alard demonstrates with splendid eloquence how invaluable the young Bach's north German experience proved to be; his attentive examination of the works of the great organ masters and his craving for all kinds of music significantly broadened the stylistic foundations of his keyboard writing.
The wide range of works presented here, complemented by pieces by Buxtehude, Reinken and Pachelbel, illustrates in exemplary fashion the power of a master in the making.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.89 -13.45 to -3.02 | -23.97 -32.13 to -19.86 | -21.29 -29.20 to -16.90 | 10 8 to 12 | |
1.1 | Wir glauben all an einen Gott, BWV 1098 | -8.75 | -24.17 | -21.9 | 10 |
1.2 | Wir glauben all an einen Gott, BWV 765 | -3.90 | -21.61 | -19.1 | 11 |
1.3 | Vater unser im Himmelreich, BWV 737 | -3.06 | -21.45 | -18.7 | 11 |
1.4 | O Lamm Gottes unschuldig, BWV 1085 | -7.14 | -24.93 | -22.0 | 10 |
1.5 | O Lamm Gottes unschuldig, BWV 1095 | -5.05 | -24.58 | -21.9 | 11 |
1.6 | Du Friedefürst, Herr Jesu Christ, BWV 1102 | -4.47 | -24.96 | -22.1 | 12 |
1.7 | O Herre Gott, dein göttlich Wort, BWV 1110 | -3.02 | -19.87 | -17.0 | 10 |
1.8 | Wir Christenleut, BWV 1090 | -3.16 | -20.09 | -17.3 | 10 |
1.9 | Herzliebster Jesu, was hast du verbrochen, BWV 1093 | -3.02 | -21.73 | -18.9 | 10 |
1.10 | Gott ist mein Heil, mein Hilf und Trost, BWV 1106 | -3.16 | -21.72 | -19.0 | 11 |
1.11 | Der Tag, der ist so freudenreich, BWV 719 | -3.02 | -20.38 | -17.7 | 11 |
1.12 | Allein zu dir, Herr Jesu Christ, BWV 1100 | -3.02 | -19.86 | -16.9 | 10 |
1.13 | Durch Adams Fall ist ganz verderbt, BWV 1101 | -3.66 | -22.12 | -19.3 | 11 |
1.14 | Christ, der du bist der helle Tag, BWV 1120 | -5.78 | -22.26 | -19.5 | 10 |
1.15 | Ach Gott und Herr, BWV 714 | -3.50 | -21.56 | -19.0 | 10 |
1.16 | Erbarm dich mein, o Herre Gott, BWV 721 | -3.02 | -20.06 | -17.4 | 11 |
1.17 | Als Jesus Christus in der Nacht, BWV 1108 | -5.66 | -23.18 | -20.6 | 10 |
1.18 | In dich hab ich gehoffet, Herr, BWV 712 | -4.73 | -22.77 | -19.8 | 11 |
1.19 | Christ, der du bist der helle Tag, BWV 766 | -9.19 | -27.14 | -24.6 | 11 |
2.1 | 1. Adagio | -10.32 | -25.56 | -23.1 | 10 |
2.2 | 2. Fuga | -9.19 | -25.41 | -23.0 | 11 |
2.3 | 3. Adagio - Presto | -10.73 | -26.11 | -23.6 | 9 |
2.4 | 4. Allemande | -13.45 | -32.13 | -29.2 | 12 |
2.5 | 5. Courante | -13.37 | -29.95 | -26.8 | 12 |
2.6 | 6. Sarabande | -12.82 | -26.56 | -24.2 | 8 |
2.7 | 7. Gigue | -8.45 | -25.94 | -23.1 | 12 |
2.8 | Toccata in C Major | -9.03 | -23.29 | -20.7 | 9 |
2.9 | Fugue in C Major, BuxWV 174 | -9.86 | -27.47 | -24.6 | 9 |
2.10 | Toccata in E Minor, BWV 914 | -9.02 | -25.33 | -22.9 | 11 |
2.11 | 3. Adagio | -8.82 | -24.27 | -21.8 | 9 |
2.12 | Fugue in A Minor, BWV 959 | -10.45 | -27.25 | -24.5 | 11 |
2.13 | Canzona in D Minor, BWV 588 | -7.79 | -24.66 | -22.0 | 10 |
2.14 | Fantasie in G Minor, BWV 917 | -7.33 | -23.21 | -20.5 | 9 |
2.15 | Fuge in B-Flat Major, BWV 955a | -8.42 | -23.70 | -21.2 | 10 |
2.16 | Toccata in D Minor, BWV 913a | -5.87 | -23.77 | -21.2 | 11 |